Angelo Plessas

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Angelo Plessas (2016)

Angelo Plessas ( Greek Άγγελος Πλέσσας Angelos Plessas , * 1974 in Athens ) is a Greek concept , video , internet and installation artist .

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Early work

Angelo Plessas initially registered domain names and designed websites . For his projects, the artist travels the globe with Google Street View to find suitable locations for his happenings , which he documents with video recordings.

Experiments on the society of the future

The series of Brotherhood / Sisterhood meetings that have taken place annually since 2012 are happenings that are to be understood as social experiments for a society of the future. The meetings took place a. in the West Bank , Sri Lanka and at Hohen Dörnberg . He creates multimedia installations from the social experiments . Plessas announces its next happenings on YouTube . In 2016 he continued his work with the artist series Experimental Education .

In 2017 the artist took part in documenta 14 in Athens and Kassel . He put a multimedia installation in the Gottschalk Hall in Kassel with the title Eternal Internist Brotherhood / Sisterhood 6 (2017) and in a glass pavilion on Kassel's Kurt-Schumacher-Straße the works Reading Statement # etinterbro5 Sri Lanka (2016) and Eternal Internet Brotherhood / Sisterhood 5 (2016).

Exhibitions

  • 2006: ARTE MODERNA A PADULA, Padula
  • 2011: DLD Culture & Arts Super-Session, Munich
  • 2011: TRIENNALE BOVISA, Milan
  • 2013: Studio 13/16, Center Georges Pompidou, Paris
  • 2013: Frieze London Regent's Park, London
  • 2014: The Cooper Union Gallery, New York
  • 2015: Food, Musée d'Art Contemporain, Marseille
  • 2017: documenta 14, Athens, Kassel

literature

Web links

Individual evidence

  1. PMS (Lahore) of April 26, 2017 - Article at Nexis, retrieved from PMS on September 19, 2017
  2. Le Temps, April 25, 2017 - Article on Nexis, retrieved from Le Temps on September 19, 2017
  3. US Fed News, October 8, 2014 - Nexis article, accessed September 19, 2017 at US Fed News
  4. Le MuCEM complètement Food . In: Le Figaro of November 17, 2014, accessed on September 19, 2017