Arturo Rodas

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Arturo Rodas Dávila (born March 3, 1951 or March 3, 1954 in Quito ) is an Ecuadorian composer .

Life

He studied music at the Quito Conservatory with Gerardo Guevara and at the École Normale de Musique de Paris with Ginette Keller and Yoshihisa Taïra . At the same time he studied with Mesías Maiguashca at CERM in Metz, at IRCAM in Paris and with Luciano Berio at the Center Acanthes in Aix-en-Provence (summer 1983). He had a grant from the French state and UNESCO.

He taught a. a. Composition and electroacoustics at the Universidad de Cuenca , composition at the Conservatorio Nacional de Música de Quito . At the same time he was a music critic and for three years (1986-89) he was the editor of Opus magazine ( Banco Central del Ecuador ). In Ecuador he became one of the three "great composers for future generations". He has lived in Quito, Paris, Rome, Panama, Cuenca and London.

Works

  • Entropía for orchestra
  • Andino III for flute
  • Arcaica concert for percussion instruments and orchestra
  • Mordente for four clarinets
  • Clímax for orchestra
  • Espacios Invertidos for percussion instruments
  • Ramificaciones Temporales for clarinet
  • Güilli Gu for orchestra
  • Fibris for orchestra
  • ¡Oh ...! for trumpet
  • Melodías de Cámara for chamber orchestra
  • ¡Oh ...! for piano
  • Obstinado for cello
  • Obsesiva for orchestra and electronic music
  • Introit for orchestra and choir
  • Kyrie for orchestra and choir
  • La for orchestra and choir
  • A, B, C, D for string quartet
  • Había una vez for chamber orchestra and choir
  • Andante for saxophone, piano and percussion instruments
  • Obstinado II for cello
  • Andino IV for flute
  • Espacios Invertidos II for percussion instruments
  • Mordente II for four clarinets
  • Songs for percussion instruments
  • Full Moon Business for chamber orchestra
  • 24.5 Preludios for piano
  • Bailecito Electronic music
  • Fermez les yeux svp Electronic music
  • El llanto del disco duro Electronic music
  • Buñuelos for trumpet
  • Mandolínico for mandolin
  • Laúdico for lute
  • Laúdico for guitar
  • Mandolínico for guitar
  • Ta-iaoa for soprano
  • El árbol de los pájaros Opera for the voice of the musical instruments of the orchestra and electronic music
  • Il était une fois for choir
  • sol-fa-mi-re-e-do-o-la for choir
  • Pan Comido for piano and electronic music
  • Fermez les yeux svp Electronic music and film
  • Life Class 2005 Electronic music and film
  • Organillo for organ
  • The Walk for soprano, electronic music and film
  • Reflejos en la Noche for piano
  • Anónimo for flute, English horn, clarinet and bassoon / (cello)
  • Papeleo sin fin for counter-tenor
  • Ricercare for three percussionists
  • Fuga Atonal I for oboe d'Amore and piano
  • Fuga Atonal I for oboe and piano
  • Fuga Atonal II for string quartet

swell

  • Béhague, Gerard. 2001. "Ecuador. Art Music". The New Grove Dictionary of Music and Musicians , Second Edition, editors: Stanley Sadie and John Tyrrell. London: Macmillan Publishers ; New York: Grove's Dictionaries of Music .
  • Campos, Jorge. 2008, explanation for Periferia Music , Barcelona.
  • Enciclopedia de la música ecuatoriana . Corporación Musicológica Ecuatoriana (CONMUSICA). Editor: Pablo Guerrero Gutierrez. Quito, 2003.
  • Chaudron, André: "Arturo Rodas", Amsterdam: Contemporary Music Page , July 10, 2002.
  • Walker, John L. 2001. "The Younger Generation of Ecuadorian Composers". Latin American Music Review 22, no. 2 (Fall / Winter): 199–213.
  • Walker, John L. 2007. "Singing in a Foreign Land: National Identity and Proximity in Ecuadorian Music". Essay paced for the 2007 Congress of the Latin American Studies Association , Montreal, Canada, September 5-7.

media

Web links

Individual evidence

  1. ^ Martha Furman Schleifer and Gary Galván: Latin American Classical Composers: A Biographical Dictionary . Rowman & Littlefield, 2016, ISBN 978-0-8108-8871-5 , pp. 527 ( google.at [accessed June 20, 2020]).
  2. ^ Arturo Rodas. In: Archives compositeurs et musique classique. November 17, 2005, accessed June 20, 2020 .
  3. Béhague. 2001. 7: 872