Cesare Marcotto

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Cesare Marcotto (* 1959 in Verona ) is an Italian painter , sculptor and set designer who lives and works in Neustadt an der Weinstrasse .

Life

Between 1978 and 1980 Cesare Marcotto took part in various seminars held at the Centro di Ricerca Teatrale in Pontedera, in which he participated in the “Special Projects” project led by the Polish director and dramaturge Jerzy Grotowski . After graduating in 1979 from the Istituto d'Arte N. Nani in Verona, he attended courses at the Istituto di Cultura Scenica Orientale IXO of the Teatro Tascabile di Bergamo from 1980 to 1982 under the direction of Renzo Vescovi. In 1983 he started working as a sculptor for the opera house ( Arena di Verona , " Tosca ", 1984, Teatro alla Scala , " Aida ", 1985), where he met Fiorenzo Giorgi in 1984 during the production of "Tosca", with the he worked together as an assistant until 1996, when the set designer and director died. In 1986 he was awarded first prize for Un ballo in maschera by Giuseppe Verdi at the Teatro Comunale in Treviso at the Concorso Nazionale di Scenografia Toti dal Monte . In 1990 he worked on the realization of the set for Carmen in the Arena of Verona as assistant to the set designer Miguel Berrocal , with whom he worked on various occasions until 2000. From 1990 to 1992 he worked as a set designer at the Pfalztheater in Kaiserslautern at the side of the director Pavel Fieber . In 1992 his first “informal” painting exhibition took place. In 1994 Marcotto exhibited his paintings and sculptures together with Berrocal in the Zulauf gallery in Freinsheim near Ludwigshafen. In 2010 he realized his first painting on glass using the technique of color casting with the help of the Derix company in Taunusstein.

Exhibitions

Glass work
  • 1992 The drama in color in the Pfalztheater Kaiserslautern; Art history introduction by Marlene Jochem (Theodor Zink Museum Kaiserslautern).
  • 1994 Marcotto painting - Berrocal sculpture in the gallery Zulauf, Freinsheim; Art historical introduction by Manfred Fath (Kunsthalle Mannheim).
  • 1995 Exhibition at the Institute for Italian Culture, Hamburg
  • 1996 Exhibition in the Edwin Scharf Museum, Neu-Ulm
  • 1997 Exhibition at the Institute for Italian Culture, Munich
  • 1998 Exhibition in the Vinizki Gallery, Munich
  • 2000 traces of the sun in the former synagogue in Weisenheim am Berg
  • 2003 Peace as… in the Vinningen cultural center and in the former synagogue Weisenheim am Berg; Art history management by Hans-Jürgen Imiela (Johannes Gutenberg University Mainz).
  • 2005 Peace as… in Hambach Castle, Neustadt an der Weinstrasse; Art historical direction by Dr. Ulrike Havemann (Center for Art and Media, Karlsruhe).
  • 2006 tension harmonies in the Kahnweilerhaus, Rockenhausen; Art-historical introduction by Gerd Hauser / under the title “The Wall” at the Divadlo Theater, Brno; Art-historical introduction by Stanislaw Mosha.
  • 2007 ... despite all the peace in the Content 18 cultural center, Mannheim
  • 2009 water geometries in the city gallery Otterndorf; Art-historical introduction by Hans Volker Feldmann. / “Fragments of water” in the German Shoe Museum in Hauenstein; Art historical introduction by Willy Schächter.
  • 2010 Poesia Marcotto in the Bernhard Schwanitz Gallery, Würzburg
  • 2011 Geometry of Water in the gallery artelier 21, Rheinzabern; Art-historical introduction by Thomas Angelou MA
  • 2015 Sensuality of the abstract in the Villa Böhm, Neustadt an der Weinstrasse / "Word - Change - Peace" at the Institute for German Language, Mannheim
  • 2017 Nature tells - the color is in the Rathausgalerie Hirschberg
  • 2018 GLASS - art meets craft in the Wiesbaden Chamber of Crafts

effect

  • "With his paintings and graphics, Cesare Marcotto stands in the tradition of informal painting [...] These expressive and spontaneous looking pictures are the result of a creative process that often lasts for weeks, in which the painter creates the picture from many layers, in an almost old-master manner. from the most varied of colors and with the most varied of painting techniques. This creates the differentiated effect of these paintings with their amazing luminosity and depth. "

(From the opening speech of the exhibition in Freinsheim on April 24, 1994 by Manfred Fath (then director of the Kunsthalle Mannheim)).

  • "His planetary landscapes such as" The Suns "or" Ricordi "can be seen as tachistic works. The colors have loosened, merge, grow apart and unfold into jagged structures that seem to implode. Light colors lay on dark form structures and create a harmony of tension in the unity of opposites. "

(Marlene Angermeyer-Deubner, quoted from: Marcotto, Cesare / Angermeyer-Deubner, Marlene / Elicio, Mario: Marcotto. Painting and sculpture from 1989–2001 , Weisenheim am Berg, 2002, p. 6)

  • "In his painting, however, he plunges into an abyss of self-revelation: and that's what he wants. [...] His pictures express a primeval, traditional, instinctual intensity: both expressed and feared. This is where it lies Strength of his emotive canon of expression, which in part remains secret, even if it is explosive. His most intimate area, the well-protected part of himself. "

(Mario Elicio, quoted from: Marcotto, Cesare / Angermeyer-Deubner, Marlene / Elicio, Mario: Marcotto. Painting and sculpture from 1989–2001 , Weisenheim am Berg, 2002, p. 38)

Catalogs and secondary literature

  • Cesare Marcotto: The tenderness of the water. From the logbook of the painter Cesare Marcotto, Neustadt an der Weinstrasse 2018, 2018. ISBN 978-3000619922
  • Giorgio Pugliaro: Cinque anni di teatro musicale in Italia: le stagioni liriche 1987–1991 ; elaborazione e analisi dei dati contenuti negli Annuari EDT dell'opera lirica, in: Italia 1987–1991 da "Lo stato del la musica" - rapporto CIDIM 1993, Torino: EDT, 1993.
  • Cesare Marcotto, Marlene Angermeyer-Deubner and Mario Elicio: Marcotto - Painting and Sculpture from 1989–2001, Weisenheim am Berg 2002. ISBN 88-8517-641-0
  • Cesare Marcotto: Corpi in trasformazione ispirati alla realtà della vita, in: Marmi Graniti Pietre, 2005, pp. 44–48.


Web links

Individual evidence

  1. Kunstportal Palatinate: Cesare Marc Otto: "sensuality of the abstract" - Review | Past exhibitions | Archive - Kunstportal-Pfalz. Retrieved October 21, 2017 .