Collection d'études musicologiques

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Collection d'études musicologiques or collection of musicological treatises as a predecessor is a musicological monographic publication series . It has been published since 1930 (up to volume 29, 1939) or in continuation since 1948. It was first published by Heitz in Strasbourg and Baden-Baden (partly) and then in Baden-Baden and Bouxwiller by Koerner Verlag. Later editions of the predecessor appear under this title. The following list does not claim to be up-to-date or complete:

Overview

  • 1 André Pirro : La Musique à Paris sous le règne de Charles VI (1380–1422). Strasbourg: Heitz & Cie 1930
  • 2 Paul Sieber: Johann Friedrich Reichardt as a music aesthetician. His views on the nature and effects of music. Reprint 1971. VI, 138 pages. ISBN 978-3-87320-502-4
  • 3 Werner Lüthy: Mozart and the key characteristics . Reprint 1974. iv, 92 pages. ISBN 978-3-87320-503-1
  • 4 Karl Schubert: Spontini's Italian School. With a sheet music supplement. 2nd edition 1983. (6), 226 pages. ISBN 978-3-87320-504-8
  • 5 Kathi Meyer-Baer: Meaning and essence of music. The change in the meaning of music. 2nd edition 1975. (10), 270 pages, 1 sheet music supplement. ISBN 978-3-87320-505-5
  • 6 Karl Gustav Fellerer : Contributions to chorale accompaniment and chorale processing in organ music of the late 18th and early 19th centuries. With a sheet music supplement. 2nd edition 1980. x, 134 pages. ISBN 978-3-87320-506-2
  • 7 Elisabeth Hegar: The beginnings of modern music historiography around 1770 with Gerbert, Burney and Hawkins. Reprint 1974. iv, 88 pages. ISBN 978-3-87320-507-9
  • 8 Gerhard Pinthus: Concert Life in Germany. An outline of its development up to the beginning of the 19th century. Reprint 1977. 164 pages. ISBN 978-3-87320-508-6
  • 9 Joseph Saam: On the history of the piano quartet up to the Romantic period. Reprint 1977. iv, 174 pages. ISBN 978-3-87320-509-3
  • 10 Gottfried Müller: Daniel Steibelt. His life and his piano works. Reprint 1973. 112 pages, 1 portrait, 47 music samples. ISBN 978-3-87320-510-9
  • 11 Fred Hamel: The psalm compositions by Johann Rosenmüller. With an appendix. Reprint 1973. (10), 128 pages. ISBN 978-3-87320-511-6
  • 12 Liselotte Krüger: The Hamburg Music Organization in the 17th Century. 2nd edition 1981. viii, 276 pages. ISBN 978-3-87320-512-3
  • 13 Johannes C. Hol: Horatio Vecchi's secular works. With a musical appendix, containing previously unpublished compositions. Reprint 1974. iv 92 pages. ISBN 978-3-87320-513-0
  • 14 Ewald Jammers : The Karlsoffice »Regali natus«. Introduction, text and translation into modern notation. 2nd edition 1984. iv, 114, 50 pages. ISBN 978-3-87320-514-7
  • 15/27 Ernst Georg Wolff: Basics of autonomous musical aesthetics. 2nd edition 1976. iv, 388 pages, notes. ISBN 978-3-87320-527-7
  • 15/27 Ernst Georg Wolff: Basics of autonomous musical aesthetics. 2nd edition 1976. iv, 388 pages, notes. ISBN 978-3-87320-527-7
  • 16 Max F. Schneider: Contributions to instructions on how to play the clavichord and harpsichord. Reprint 1974. vi, 118 pages, 5 illustrations on plates. ISBN 978-3-87320-516-1
  • 17 Ch. S. Keh: The Korean Music. Introduction and discussion of 17 compositions translated into European music for the first time. Reprint 1972. 78 & 18 pages, 17 music samples. ISBN 978-3-87320-517-8
  • 19 Andreas Liess: Claude Debussy. The work in the time picture. 2nd, improved edition 1978. xii, 430 pages. ISBN 978-3-87320-519-2
  • 20 Édouard Fallet: La vie musicale au pays de Neuchâtel du XIIIe à la fin du XVIIIe siècle. Contribution à l'histoire de la musique en Suisse. 1936. Réimpression anastatique 1981. VIII, 326 pages. ISBN 978-3-87320-520-8
  • 21 Manfred Bukofzer : History of the English treble and the Fauxbourdons according to the theoretical sources. Reprint 1973. (4), 164, 20, (4) pages. With numerous music examples. ISBN 978-3-87320-521-5
  • 22 Erna Dannemann: The late Gothic music tradition in France and Burgundy before Guillaume Dufay appeared. Reprint 1973. 140 pages. ISBN 978-3-87320-522-2
  • 24 Willi Apel : Accidents and tonality in musical monuments of the 15th and 16th centuries. With notes attached. 2nd, increased edition 1972. iv, 100 pages. ISBN 978-3-87320-524-6
  • 25 Ewald Jammers: The Gregorian rhythm. Antiphonal studies with a transfer of the introit and office antiphons of the 1st tone. 2nd edition 1981. (vi), 186 pages and 60 pages of notes. ISBN 978-3-87320-525-3
  • 26 Gerhard Albersheim: On the psychology of tone properties, taking into account the "two-component theory" and the vowel system. 2nd, improved edition 1975. (14), 378 pages. ISBN 978-3-87320-526-0
  • 28 Hans Bartenstein: Hector Berlioz's art of instrumentation and its historical foundations. A contribution to the history of the orchestra. 2nd, expanded edition 1974. (8), 248 pages. ISBN 978-3-87320-528-4
  • 29 Jeanne Marix: Histoire de la musique et des musiciens de la Cour de Bourgogne sous le règne de Philippe le Bon. Réimpression 1974. xxxii, 300 pages. ISBN 978-3-87320-529-1
  • 30 Kurt von Fischer: The Relationship between Form and Motif in Beethoven's Instrumental Works. 2nd, increased edition 1972. XX, 280 pages. ISBN 978-3-87320-530-7
  • 31 Ewald Jammers: Beginnings of Occidental Music. 1955. 188 pages, 112 music samples. ISBN 978-3-87320-531-4
  • 32 Arnold Schering : Humor, heroism, tragedy in Beethoven. About some basic symbols of Beethoven's musical language. With a foreword by Helmuth Osthoff. 1955. 82 pages, 198 music samples. ISBN 978-3-87320-532-1
  • 33 Francis W. Galpin: The Music of the Sumerians and their immediate successors, the Babylonians and Assyrians. Reprint 1972. XII, 128 pages, 18 plates. ISBN 978-3-87320-533-8
  • 34 Hans Hickmann: Musicologie pharaonique. Études sur l'évolution de l'art musical dans l'Égypte ancienne. Réimpression 1987. 168 pages, 91 illustrations. ISBN 978-3-87320-534-5
  • 35/39 Erwin R. Jacobi: The development of music theory in England after the time of Jean-Philippe Rameau. Reprint 1971. x, 226, (120) pages. ISBN 978-3-87320-539-0
  • 35/39 Erwin R. Jacobi: The development of music theory in England after the time of Jean-Philippe Rameau. Reprint 1971. x, 226, (124) pages. ISBN 978-3-87320-539-0
  • 36 Hans Fischer: Sound devices in Oceania. Construction and playing technique, distribution and function. Reprint 1974. 180 pages, 487 illustrations, 29 plates. ISBN 978-3-87320-536-9
  • 37 Hans Hickmann / Charles Grégoire Duc de Mecklenbourg : Catalog d'enregistrements de musique folklorique égyptienne, précédé d'un rapport préliminaire sur les traces de l'art musical pharaonique dans la mélopée de la Vallée du Nil. 2nd edition 1979. 80 pages, 116 figures. ISBN 978-3-87320-537-6
  • 38 Horst Leuchtmann: The musical interpretations of words in the motets of the "Magnum Opus Musicum" by Orlando di Lasso. Reprint 1972. 154 pages, 115 music samples. ISBN 978-3-87320-538-3
  • 42 Walter Kolneder : Vivaldi's solo concert form. 1961. 88 pages, 85 music samples. ISBN 978-3-87320-542-0
  • 43 Wolfgang Laade : The structure of the Corsican lamento melody. Reprint 1974. 128 pages, 12 tables, 101 music examples. ISBN 978-3-87320-543-7
  • 44 Karl Heinz HOLLER: Giovanni Maria Bononcini's "Musico Prattico" in its meaning for the musical theory of the 17th century. 1963. 162 pages. ISBN 978-3-87320-544-4
  • 45 Carl Gregor Herzog zu Mecklenbourg / Waldemar Scheck: The theory of blues in modern jazz. Reprint 1971. 132 pages, 64 music examples and topic analyzes, 2 tables, bibliography and selection discography. ISBN 978-3-87320-545-1
  • 46 Carl Czerny: Memories from my life. Edited and annotated by Walter KOLNEDER. With catalog raisonné (approx. 1860). 1968. 80 pages. ISBN 978-3-87320-546-8
  • 47 Richard G. Campbell : On the typology of the long-necked lute. 1968. 152 pages, 81 illustrations, 13 tables, 1 distribution map. ISBN 978-3-87320-547-5
  • 49 Carl Gregor Herzog zu Mecklenburg: International Jazz Bibliography. Jazz Books from 1919 to 1968. 1969. XX, 200 pages. ISBN 978-3-87320-549-9
  • 50 Walter Kolneder: Georg Muffat on performance practice. 2nd edition 1990. 130 pages, 10 music samples, 14 facsimiles. ISBN 978-3-87320-550-5
  • 51 Wolfgang Laade: Current Issues in Music in Africa and Asia. A basic bibliography. 1971. 110 pages. ISBN 978-3-87320-551-2
  • 52 Sabine Schutte: The Länders. Investigations into the musical structure of odd-rhythm Austrian folk dances. 1970. 160 pages, 84 examples of notes, 15 tables. ISBN 978-3-87320-552-9
  • 53 Joachim Matzner: On the systematics of drone instruments. 1970. 124 pages, 8 tables. ISBN 978-3-87320-553-6
  • 54 Hans Günter Klein: The influence of the vivaldic concert form in the instrumental work of Johann Sebastian Bach. With numerous music examples and tables. 1970. 104 pages. ISBN 978-3-87320-554-3
  • 55 Ellen HICKMANN: Musica instrumentalis. Studies on the classification of musical instruments in the Middle Ages. 1971. 140 pages. ISBN 978-3-87320-555-0
  • 56 APPLE, Ernst: On the prehistory and early history of the symphony. Concept, nature and development from ensemble to orchestral setting. 1972. 128 pages. ISBN 978-3-87320-556-7
  • 57 Günther METZ: Melodic polyphony in the twelve-tone order. Studies on Paul Hindemith's counterpoint. 1976. 524 pages, 1041 music samples. ISBN 978-3-87320-557-4
  • 58 Wolfgang LAADE: Music of the gods, spirits and people. The music in the mythical, mythical and historical tradition of the peoples of Africa, North Asia, America and Oceania. A collection of sources. 1975. 344 pages, 28 illustrations. ISBN 978-3-87320-558-1
  • 59 Giselher SCHUBERT: Schönberg's early instrumentation. Studies on the Gurrelieder, on Op. 5 and Op. 8. 1975. 244 pages, 72 music examples. ISBN 978-3-87320-559-8
  • 60 Pieris ZARMAS: Studies on the Folk Music of Cyprus. 2nd edition 1985. (8), 404 pages, 60 music examples, 46 illustrations. ISBN 978-3-87320-560-4
  • 61 Hans MUSCH: Costanzo Festa as a madrigal composer. 1977. 176 pages, 36 music samples. ISBN 978-3-87320-561-1
  • 62 Uri TOEPLITZ: The woodwinds in Mozart's music and their relationship to the choice of key. 1978. 224 pages, 46 music samples. ISBN 978-3-87320-562-8
  • 63 Carl Gregor Herzog zu MECKLENBURG: styles of modern jazz. From swing to free jazz. With a discography by Manfred SCHEFFNER. 1979. 292 pages. ISBN 978-3-87320-563-5
  • 64 Dorothea BAUMANN: The three-part Italian song composition technique in the Trecento. 1979. 140 pages, 118 music examples and tables. ISBN 978-3-87320-564-2
  • 65 Ernst H. FLAMMER: Politically committed music as a compositional problem, illustrated using the example of Luigi Nono and Hans Werner Henze. 1981. 336 pages, 84 music samples. ISBN 978-3-87320-565-9
  • 66 Karl Gustav FELLERER: Palestrina Studies. 1982. 386 pages, 265 music samples. ISBN 978-3-87320-566-6
  • 67 Carl Gregor Herzog zu MECKLENBURG: International Bibliography of Jazz Books. Compiled with the assistance of Norbert RUECKER. I: 1921-1949. 1983. 108 pages. ISBN 978-3-87320-567-3 . Volumes I & II: Cf N ° 49 & N ° 76.
  • 68 Regula PUSKÁS: The medieval Mettenresponsorien of the Rheinau monastery church. Studies on the antiphonary in the HS Zentralbibliothek Zürich Rh 28. 1984. 206 pages. ISBN 978-3-87320-568-0
  • 69 Arthur GODEL: Schubert's last three piano sonatas (D 958–960). History of creation, draft and fair copies, work analysis. 1985. 304 pages, music samples. ISBN 978-3-87320-569-7
  • 70 Silvain GUIGNARD: Frédéric Chopin's waltz. A study that is critical of the text and style. 1986. 328 pages, notes, tables, copies. ISBN 978-3-87320-570-3
  • 71 Judith ROHR: ETA Hoffmann's theory of musical drama. Investigations on the musical concept of romanticism in the area of ​​the Leipziger Allgemeine Musikalische Zeitung. 1985. 296 pages. ISBN 978-3-87320-571-0
  • 72 Ulrich ASPER: Aspects of the development of German song movements in Johann Walter's »Geistliches Gesangbüchlein« (1524–1551). 1985. 196 pages, sheet music examples and tables. ISBN 978-3-87320-572-7
  • 73 Ulrich KONRAD: Otto Nicolai (1810–1849). Studies of life and work. 1986. 452 pages, 1 portrait, 68 music samples, 1 folding table. ISBN 978-3-87320-573-4
  • 74 Christian MEYER: Les mélodies des églises protestantes de langue allemande. Catalog descriptif des sources et édition critique des mélodies. I: Les mélodies publiées à Strasbourg (1524-1547). 1987. 222 pages, musique notée. ISBN 978-3-87320-574-1
  • 75 Paul PRÉVOST: Le prélude non mesuré pour clavecin (1650–1700). 1987. 394 pages, illustrations. ISBN 978-3-87320-575-8
  • 76 Carl Gregor Herzog zu MECKLENBURG: International Bibliography of Jazz Books. Compiled with the assistance of Norbert RUECKER. II: 1950-1959. 1988. 106 pages. ISBN 978-3-87320-576-5 . Volumes I & II: Cf N ° 49 & N ° 67.
  • 77 Volker KALISCH: Design of a science of music: Guido Adler. 1988. x, 374 pages. ISBN 978-3-87320-577-2
  • 78 Wolfgang LAADE: Music and musicians in fairy tales, sagas and anecdotes of the peoples of Europe. A collection of sources on the problem area "Music as Culture". I. Central Europe. 1988. 232 pages, 15 illustrations. ISBN 978-3-87320-578-9
  • 79 Rudolf BOSSARD: Giovanni Llimani - Il Giustino . A monographic study. 1988. 366 pages, an illustration and several music examples. ISBN 978-3-87320-579-6
  • 80 Jean DURING: La musique traditionnelle de l'Azerbayjan et la science des muqâms. 1988. 220 pages, 2 cartes, musique notée. ISBN 978-3-87320-580-2
  • 81 Robert DETERMANN: Concept and Aesthetics of the »New German School«. A contribution to the history of music in the 19th century. 1989. 220 pages. ISBN 978-3-87320-581-9
  • 82 Christian MEYER: Sources manuscrites en tablature. Luth et théorbe (c.1500-c.1800). Catalog descriptif. Manuscript Sources in Tablature. Lute and Theorbo. A descriptive inventory. Tablatures in manuscripts. Lute and Theorbo. Descriptive Directory. I: Confoederatio Helvetica. France. 1991. xxiv, 170 pages. ISBN 978-3-87320-582-6
  • 83 Beverly Jung SING: Sacred vocal composition between baroque and classical. Studies on the cantata poems by Johann Gottfried Herder in the settings of Johann Christoph Friedrich Bach. 1992. 408 pages, numerous music examples. ISBN 978-3-87320-583-3
  • 84 Jürgen HEIDRICH: The German choir books from the court orchestra of Frederick the Wise. A contribution to Central German spiritual music practice around 1500. 1993. XXIV, 468 pages, with numerous illustrations, tables and notes. ISBN 978-3-87320-584-0
  • 85 Alfred WENDEL: A student music collection from the Reformation period. The handwriting Misc. 236a-d of the Schermar library in Ulm. 1993. xii, 236, 218 pages of text, 194 pages of music edition. ISBN 978-3-87320-585-7
  • 86 Ulrich ASPER: Hans Georg Nägeli; Reflections on le chœur populaire, l'éducation artistique et la musique de l'église. 1994. 178 pages. ISBN 978-3-87320-586-4
  • 87 Christian MEYER: Sources manuscrites en tablature. Luth et théorbe (c.1500-c.1800). Catalog descriptif. Manuscript Sources in Tablature. Lute and Theorbo. A descriptive inventory. Tablatures in manuscripts. Lute and Theorbo. Descriptive Directory. II: Federal Republic of Germany. 1994. XXX, 322 pages. ISBN 978-3-87320-587-1
  • 88/89 Christian ESCH: »Lucio Silla«. Four opera seria settings from the time between 1770 and 1780. 1994. Volume I: Treatise. XVI, 362 pages. Volume II: Appendices, sheet music examples, scores. (164) pages. ISBN 978-3-87320-588-8
  • 90 Christian MEYER: Sources manuscrites en tablature. Luth et théorbe (c.1500-c.1800). Catalog descriptif. Manuscript Sources in Tablature. Lute and Theorbo. A descriptive inventory. Tablatures in manuscripts. Lute and Theorbo. Descriptive Directory. III / 1: Austria. 1997. xxii, 148 pages. ISBN 978-3-87320-590-1
  • 91 Christian MEYER: Musica plana Johannis de Garlandia. Introduction, edition et commentaire. Avec fac-similé du ms. Cofre 18. 1998. xvi, 170 pages, musique notée. ISBN 978-3-87320-591-8
  • 92 Wilhelm HAFNER: The Organ Works by Jehan Alain (1911–1940) and his relationship to French organ music of the 20th century. 2000. xii, 584 pages, 285 music samples. ISBN 978-3-87320-592-5
  • 93 Christian MEYER: Sources manuscrites en tablature. Luth et théorbe (c.1500-c.1800). Catalog descriptif. Manuscript Sources in Tablature. Lute and Theorbo. A descriptive inventory. Tablatures in manuscripts. Lute and Theorbo. Descriptive Directory. III / 2: République Tchèque, Hongrie, Lituanie, Pologne, Fédération de Russie, Slovaquie, Ukraine. 1999. XXX, 266 pages. ISBN 978-3-87320-593-2
  • 94 Robert WEEDA: L'Eglise des français de Strasbourg (1538–1563). Rayonnement européen de sa Liturgie et de ses Psautiers. 2004. 176 pages, 11 illustrations, musique notée. ISBN 978-3-87320-594-9
  • 95 Antonius BITTMANN: Max Reger and Historicist Modernisms. 2004. 320 pages, musical notation. ISBN 978-3-87320-595-6
  • 96 Heinrich FABER: Compendiolvm mvsicæ pro incipientibvs. Achevé in 1548. Edite under the direction of Olivier TRACHIER. Avec le fac-similé de la première édition Leipzig: Wolfgang Günther, 1551 (32pp). 2005. 156 pages ISBN 978-3-87320-596-3
  • 97 Luca LOMBARDI: Construction of Freedom and other writings. Translated by Thomas DONNAN and Jürgen THYM. With Lists of the Composer's Writings and Works by Gabriele BECHERI, edited by Jürgen Thym. 2006. 632 pages, musical notation in 57 illustrations. ISBN 978-3-87320-597-0
  • 98 Music and the Construction of National Identities in the 19th Century / Musique et construction des identités nationales au XIXe siècle / Music and the construction of national identities in the 19th century. Edited by Beat A. FÖLLMI, Nils GROSCH and Mathieu SCHNEIDER. Actes du Colloque international Strasbourg, Université Marc-Bloch, 18-19 octobre 2007. 2010. 348 pp., 10 illustrations, 28 examples of music. ISBN 978-3-87320-598-7
  • 99/100 René DEPOUTOT: Musique en Lorraine aux XVIIe et XVIIIe siècles: NANCY. Les hommes - Dictionnaire biographique. 2013. Tom I: A – K. VI, 418 pages, tome II: L – Z. IV, 452 pages. ISBN 978-3-87320-599-4
  • 101 »… our art is a religion…« The correspondence between Cosima Wagner and Hermann Levi. Published by Dieter STEIL. 2018. 874 pages, 13 illustrations, numerous music examples. ISBN 978-3-87320-601-4

Web links

Individual evidence

  1. ↑ koernerverlag.de (accessed on October 21, 2018)