Continuum (musical instrument)
The Continuum is one of Lippold hook developed and hook Audio displaced MIDI controller. Sound generation has been implemented in newer models, but the Continuum continues to focus on controlling external devices.
functionality
The Continuum has a touch-sensitive surface made of neoprene that is approx. 19 cm wide and either 137 cm or 72 cm long, depending on the version. Thanks to sensors below the surface, every touch by the musician's fingers is measured with an accuracy of 1.33 ms (milliseconds). The point at which the contact occurs is recorded in three dimensions.
The first dimension denotes the position on the length of the continuum, so that the pitch is determined. By undivided surface can be up to 1 cent accurate pitch bend are performed.
The second dimension refers to the position on the width of the continuum, so depending on the setting, the timbre is influenced, e.g. For example, the continuum can be set so that a tone higher up on a key has more reverberation than a tone played lower on the key.
The third dimension describes the pressure that is exerted on the surface in order to create dynamic effects. A vibrato as occurs when the pressure intensifies quickly and is normal.
The Continuum can be connected to a sound module (such as a synthesizer ) via a MIDI or FireWire input . Newer models also have their own sound generation.
Musicians who work with the Continuum (selection)
Probably the most famous user is Jordan Rudess from Dream Theater , who was already involved in the development. John Williams used the Continuum for the soundtrack of the movie Indiana Jones and the Kingdom of the Crystal Skull . Lou Reed used the Continuum on the Reed / Metallica album Lulu. The musician and DJ Amon Tobin , known for his experimental style, also states that he often uses the fingerboard.