The German Mercury
|The German Mercury
|description||German literary magazine|
|publishing company||Verlag der Gesellschaft, Weimar; from 1785: Göschen, Leipzig|
|Frequency of publication||initially quarterly, from 1775 monthly|
|Sold edition||early 2000, last 1200 copies|
|(  )|
|editor||Christoph Martin Wieland|
|Article archive||Digital copies|
The role model was not only for the title of Mercure de France , but with restrictions. Wieland writes:
- Incidentally, the German Mercury, neither in terms of the execution, nor in terms of the number and nature of the articles, can and should be modeled entirely on the French. Even the essential differences in the national constitution do not permit this. We have no capital which would be the general academy of the nation's virtuosos and, as it were, the legislature of taste. We do not have a permanent national theater; Our best actors, as well as our best writers, poets, and artists, are scattered through all circles of the German Empire, and for the most part deprived of the advantages of close contact and confidential communication of their insights, judgments, drafts, etc., which are necessary for the perfection of their works would contribute a lot.
Apparently it was Wieland's aim to help offset the aforementioned disadvantages of the German cultural landscape by creating a journalistic link and to promote the formation of literary (national) taste through reviews. Accordingly, he and his staff carried out an extensive critical activity, which for a long time extended to almost everything that was of importance to the literary world.
In addition, numerous poetic works by Wieland were first printed in the magazine. One such publication, the “Letters on Alceste” published in September 1773, gave Goethe and Herder a nuisance and prompted Goethe to write the farce of gods, heroes and Wieland . Wieland reacted to this attack with cheerful mildness.
The New German Mercury
From 1790 to 1810 Wieland published the journal Der Neue Teutsche Merkur .
As part of the retrospective digitization of academic review organs and literary magazines of the 18th and 19th centuries from the German-speaking area at Bielefeld University Library, the Teutsche Merkur and Neue Teutsche Merkur were made available as digital copies (see web links).
- Werner Seiffert (ed.): Christoph Martin Wieland: Selected prose from the German Merkur. Turmhahn-Bücherei New Series Vol. 4. Marbach a. N. 1963. Contains a directory of Wieland's contributions to the “Teutsche Merkur” in chronological order from 1773 to 1802.
- Karin Stoll: Christoph Martin Wieland. Journalism and criticism. Conditions and standards of political and aesthetic reasoning in the "Teutsche Merkur" before the French Revolution. Treatises on art, music and literature, Vol. 269. Bonn 1978.
- Hans Wahl: History of the German Mercury. A contribution to the history of journalism in the eighteenth century. Palaestra Vol. 127. Berlin 1914. Reprint New York, London 1967.
- Ann White Kurtz: Christoph Martin Wieland and the Teutsche Merkur, 1773–1789. Dissertation. University of Maryland 1956.
- Thomas C. Starnes: Der Teutsche Merkur. A repertory. Sigmaringen, Thorbecke, 1994. ISBN 3799520317 .
- Der Teutsche Merkur 1st vol. (1773). S. VI 
- The Teutsche Merkur - digitized version of the Bielefeld University Library
- The New Teutsche Merkur - digitized version of the Bielefeld University Library
- The Teutsche Merkur - Project literary criticism of the University of Rostock