Franz Wanner
Franz Wanner (* 1975 in Bad Tölz ) is the pseudonym of a German artist who has been working since 2000.
Life
After an apprenticeship in photography and film training, Franz Wanner studied media theory and interdisciplinary projects at the Academy of Fine Arts in Munich . He is a visual artist and lecturer in the fields of art and film ( Weihenstephan University , Pratt Institute New York ).
In cross-media works from photography, film, program codes, objects as well as performative and linguistic narration, Franz Wanner places local realities in global contexts. The installation Dual-Use examines the production of armaments and trends in social militarization. It is part of the collection of the Städtische Galerie im Lenbachhaus and triggered a parliamentary inquiry there during an exhibition in 2016 . The Battle Management Drawings drafted in 2017 and the film From Camp to Campus take up the government's response and subject it to an analysis.
The play The Survey refers to the interrogations of refugees by the secret service and negotiates current ideas about citizenship, state welfare and state secrecy. The first performance of the "situational loop" took place in 2018 as part of Public Art Munich in cooperation with the Münchner Kammerspiele . The staging with Lena Lauzemis and Christophe Vetter does not simulate an actual survey, but simulates training as part of agent training with the involvement of the audience.
Working in public collections
- Pinakothek der Moderne , Modern Art Collection
- Fund national d'art contemporain Paris
- Municipal gallery in the Lenbachhaus
Exhibitions
Solo exhibitions
- Museum for Photography Braunschweig , poison - antidote. Illnesses of a City , 2013
- basis, Frankfurt am Main, production and exhibition platform for contemporary art, poison - antidote. Illnesses of a City , 2014
- Gallery for Landscape Art Hamburg, Halle Sued, Iodine Submarine , 2014
- Collection of photography of the Munich City Museum, Toxic Homeland , 2014
- GEDOK Stuttgart, Toxic Homeland , 2015
- Rathausgalerie Kunsthalle , Munich, A City Under Influence , 2015
Group exhibitions
- Centro Cultural Telemar, prog: ME , Rio de Janeiro, Brazil, 2005
- House of Art , Stockroom Score after Allen Kaprow , Art as Life, 2006
- Museum of Contemporary Art Shanghai , Gong Zhen , 2008
- Spektre Gallery Brooklyn, New York, 59 Seconds & Beyond , 2010
- Ural Industrial Biennal of Contemporary Art, Ekaterinburg , Russia, 2010
- Municipal Gallery in Lenbachhaus , Kunstbau Munich, Favoriten III , 2016
- Städtische Galerie im Lenbachhaus, Kunstbau Munich, After the Fact. Propaganda in the 21st Century , 2017
- Public Art Munich , 2018
- Magasins Généraux , Par amour du jeu , Paris, 2018
- Museum of Moscow , 18 +/- Voluntary Self-Control , Moscow, 2018
Film festivals
- International Film Festival Rotterdam , Witte de With Center for Contemporary Art, Netherlands, 2006
- International Short Film Festival Oberhausen , 2007, 2014
- European Media Art Festival , 2009
- Kassel Documentary Film and Video Festival , 2005, 2010, 2014, 2019
- Athens Digital Arts Festival , Greece, 2011
- Stuttgart Film Winter 2015, Franz Wanner retrospective. Ballistics of the Look - Films 2001 to 2015
Publications
- The presumption , artist book (works 1996 to 2011, in German and English), Kerber Verlag, Bielefeld 2011, ISBN 978-3-86678-583-0
- Secret Guide, basic secret service course, basic knowledge for agents , German and English edition, Münchner Kammerspiele (Hg), 2018
literature
- Exhibition catalog Gong Zhen / Sport in Art , Ante Glibota (ed.), Beijing 2008, p. 170 f., ISBN 978-7-80703-744-6 .
- Stuttgarter Filmwinter, festival catalog 2015, Franz Wanner retrospective. Ballistics of the Eye - Films 2001 to 2015 , p. 39, p. 143 f., P. 184 f., P. 201 to 208.
- No secrets! - Pictures of surveillance , R. Scheutle, S. Adler (ed.) Munich 2017, pp. 56–59, p. 154, photography collection, ISBN 978-3-00-056058-3
- After the fact. Propaganda in the 21st Century , Stephanie Weber, Matthias Mühling (ed.), Munich 2017, pp. 9-11, pp. 495 f., ISBN 978-3-88645-190-6
- Public Art Munich 2018. A City Curating Reader , Joanna Warsza & Patricia Reed (Eds), ISBN 978-2-940524-82-2
Web links
Individual evidence
- ↑ 60th International Short Film Festival Oberhausen, 2014, festival catalog p. 321
- ^ Politics by Evelyn Vogel, Franz Wanner's “Dual-Use” triggers a request to the Landtag , SZ, 15./16. October 2016
- ↑ Performance reveals hideouts of the secret service , review by Tobias Lill of the theater performance "Die Interview", Spiegel Online, July 21, 2018
- ↑ Franz Wanner. Poison - antidote. Illnesses of a City, 2013 , Museum for Photography Braunschweig
- ↑ Franz Wanner. Poison - antidote. Illnesses of a City , 2014 , basis Frankfurt am Main, production and exhibition platform for contemporary art
- ↑ Review by Sabine Reithmaier on the exhibition A City under Influence , Süddeutsche Zeitung, April 14, 2015
- ↑ Favoriten III, 2016 , Städtische Galerie im Lenbachhaus and Kunstbau Munich, archive
- ^ After the fact. Propaganda in the 21st Century , 2017 , Städtische Galerie im Lenbachhaus and Kunstbau Munich
- ↑ Review After the Fact. Propaganda in the 21st Century , Jungle World, No. 35/36, August 31, 2017
- ↑ Public Art Munich 2018 , archive
- ↑ P18 +/- Voluntary Self-Control , archive
- ↑ Franz Wanner. The presumption , Kerber Verlag Bielefeld, 2011
| personal data | |
|---|---|
| SURNAME | Wanner, Franz |
| BRIEF DESCRIPTION | German artist |
| DATE OF BIRTH | 1975 |
| PLACE OF BIRTH | Bad Tölz |