Herbert Kebelmann

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Herbert Kebelmann was a film director , cameraman and film producer .

life and work

Kebelmann was in 1934 by Leni Riefenstahl for the Nazi Party film Triumph of the Will obligation as a cameraman and thus became one of the contributors to Nazi propaganda . In 1936, the Olympia-Film GmbH Riefenstahls relied on his support when it came to handling a major film project with the Olympic Summer Games in Berlin, among other venues. In 1939 Kebelmann documented the National Political Educational Institutions (NPEA or Napola), and in 1944 the Atlantic Wall . His career, however, originally began with landscape photography, a subject that he kept returning to and that made up the majority of his cinematic work.

Filmography

  • 1933: North - South. Landscape pictures from German districts (camera)
  • 1934/35: Triumph of Will (camera)
  • 1934/35: Our Baltic fishermen weave carpets (director)
  • 1935: Hot flag! (Camera)
  • 1935: Halligen (director, camera, producer)
  • 1935: Baltic fisherman (producer)
  • 1935: From bog to harvest (producer)
  • 1935: The four Wenceslas (camera)
  • 1935: Schleswig an der Schleie (producer)
  • 1935: Mönchgut, a peninsula of Rügen (producer)
  • 1935/36: top art (producer)
  • 1936: Stolberg - the old historic Harz town (director, producer)
  • 1936: Sparkling drinks (producer)
  • 1936: Werra downstream (director, producer)
  • 193: Stolberg in the Harz Mountains (producer)
  • 1936: Dreamy nests on Tauber and Main (director, producer)
  • 1936: Mainfranken - Weinfranken (director, producer)
  • 1936: A gem in Tauber and Main - Wertheim (director, camera, producer)
  • 1936: Olympia
    • Part 1: Festival of the Nations (camera)
    • Part 2: Festival of Beauty (camera)
  • 1936/37: Fighting the pests (director, camera, producer)
  • 1937: Harz Symphony (camera)
  • 1937: Transformed Fruits (producer)
  • 1938: Enemies of grain and fodder cultivation and their fight (producer)
  • 1938: The root crops and their enemies (producer)
  • 1938: Rape and beet cultivation (producer)
  • 1938: Sheep breeding and keeping (producer)
  • 1939: Battle for the ground (camera)
  • 1939: The skin and its care (producer)
  • 1939: Our boys - A film by the national political educational institutions (camera)
  • 1940: Rumpelstiltskin (camera)
  • 1943: Comrade come with me (producer)
  • 1943: Caring for properly - driving longer (producer)
  • 1944: Atlantik-Wall (camera)
  • 1949: The girl with the Sterntaler (camera)
  • 1950: Ice Parade (director, camera)
  • 1950: Youth plays (director, camera)
  • 1950: From eight to eighty (director, screenplay, camera, editor, producer)
  • 1950/51: Fishermen on the Baltic Sea (director)
  • 1951: Water has beams (director)
  • 1951/52: The gentle art (direction, camera)
  • 1952: Alte Stadt am See (director, camera, editor)
  • 1952: New habitat in the moor (director)
  • 1952: Sounds from the mountains (camera)
  • 1952: I brought it with me when hiking (camera)
  • 1952/53: Germany is building (camera)
  • 1953: Everyone participates! (Director, camera)
  • 1953: The Enchanted King's Son (camera, producer)
  • 1953: Three farmers and their tractors (director)
  • 1953: New ways of determining the harvest (camera)
  • 1953: Concentrated feed made from green fodder (director)
  • 1953/54: Moated castles in the land of the red earth (director, camera)
  • 1954: Visit to a stud (director)
  • 1954: leather, light and linen (director)
  • 1954: Wasserschlösser im Münsterland (direction)
  • 1954/55: Last Message (Director)
  • 1954/55: Berliner Dorfkirchen (director)
  • 1955: Water fills the valley (director)
  • 1955: City on the Amstel (director)
  • 1955: Wiesmoor (director)
  • 1955: The City of Canals (Director)
  • 1955: Between Today and Tomorrow (Director)
  • 1955/56: You take care of tomorrow (director)
  • 1956: Fire out (director)
  • 1956: The Green Plan (camera)
  • 1956: The disciples of St. Florian (director)
  • 1956: Happy Girls - Happy Boys (Director)
  • 1956: A Day in Amsterdam (Director)
  • 1957: Do children have to be like this? (Director)
  • 1957: The world is building in Berlin (camera)
  • 1957/58: Black on White (director)
  • 1958: The TEE - Trans-Europa-Express (director)
  • 1960/61: Jump across borders (director, camera)
  • 1964: Stay in Puttgarden (camera)
  • 1966: the circus is coming! The circus is coming! (Artistic direction)

Video

Web links

Individual evidence

  1. ^ Rainer Rother: Leni Riefenstahl - The Seduction of Genius . Bloomsbury Publishing, London et al. 2003. ISBN 978-0-8264-7023-2 , p. 238.
  2. ↑ Rob White, Edward Buscombe (ed.): British Film Institute Film Classics , Vol 1, Taylor & Francis, 2003.. ISBN 978-1-5795-8328-6 , p.403.
  3. ^ Rainer Rother: Leni Riefenstahl - The Seduction of Genius . Bloomsbury Publishing, London et al. 2003. ISBN 978-0-8264-7023-2 , p. 239.
  4. ^ Norbert Beyer: The Nazi film (= style epochs of film). Reclam-Verlag, Stuttgart 2018. ISBN 978-3-15-961360-4 .
  5. ^ Robynn J. Stilwell, Phil Powrie (Ed.): Composing for the Screen in Germany and the USSR: Cultural Politics and Propaganda . Indiana University Press, Bloomington, IN, 2007. ISBN 978-0-253-02867-9 , p. 53.
  6. ↑ Steffen Wolf: Kinderfilm in Europa - Representation of the history, structure and function of the feature film making for children in the Federal Republic of Germany, CSSR, German Democratic Republic and Great Britain 1945-1965 . Walter de Gruyter, Berlin 2014. ISBN 978-3-1111-3896-1 , p. 332.
  7. ↑ Steffen Wolf: Kinderfilm in Europa - Representation of the history, structure and function of the feature film making for children in the Federal Republic of Germany, CSSR, German Democratic Republic and Great Britain 1945-1965 . Walter de Gruyter, Berlin 2014. ISBN 978-3-1111-3896-1 , pp. 328–329.
  8. ^ Herbert Kebelmann , on: filmportal.de
  9. ^ Herbert Kebelmann , on: dokumentarfilmgeschichte.de
personal data
SURNAME Kebelmann, Herbert
BRIEF DESCRIPTION Film director, cameraman and producer
DATE OF BIRTH 19th century or 20th century
DATE OF DEATH 20th century