List of cultural monuments in Schweinsdorf (Freital)

The list of cultural monuments in Schweinsdorf contains all the cultural monuments of the Freital district of Schweinsdorf . The notes are to be observed.

This list is a partial list of the list of cultural monuments in Freital .

Legend

Image: shows a picture of the cultural monument and, if applicable, a link to further photos of the cultural monument in the Wikimedia Commons media archive

Designation: Name, designation or the type of cultural monument

Location: If available, street name and house number of the cultural monument; The list is basically sorted according to this address. The map link leads to various map displays and gives the coordinates of the cultural monument.

Map view to set coordinates. In this map view, cultural monuments are shown without coordinates with a red marker and can be placed on the map. Cultural monuments without a picture are marked with a blue marker, cultural monuments with a picture are marked with a green marker.

Dating: indicates the year of completion or the date of the first mention or the period of construction
Description: structural and historical details of the cultural monument, preferably the monument properties
ID: is awarded by the State Office for the Preservation of Monuments in Saxony. It clearly identifies the cultural monument. The link leads to a PDF document from the State Office for the Preservation of Monuments in Saxony, which summarizes the information on the monument, contains a map sketch and often a detailed description. For former cultural monuments sometimes no ID is given, if one is given, this is the former ID. The corresponding link leads to an empty document at the state office. The following icon can also be found in the ID column ; this leads to information on this cultural monument at Wikidata .

List of cultural monuments

image	designation	location	Dating	description	ID
	Transformer house	Am Hexenberg / corner of Rudeltstraße (map)	1920s (transformer station)	Transformer house in the style of the surrounding settlement	08963978
	Unity of the Raschelbergsiedlung	At the Raschelberg 3; 6; 5; 6; 7; 8th; 9; 10; 11; 12; 13; 14; 15; 16; 17; 18; 19; 20; 21; 22; 23; 24; 25; 26; 27; 28	1920 to 1928 (settlement); around 1930 (settlement)	Raschelbergsiedlung as a whole with the following individual monuments: single and double houses of the former “Sächsisches Heim” settlement company (single monument ID No. 08964061), green areas as a whole; A characteristic example of cooperative housing development in the 1920s in a factual, regionally-related construction method, a complex of high urban and local historical value.	09305364
	Single and double houses of the former state settlement company "Sächsisches Heim"	At the Raschelberg 3; 6; 5; 6; 7; 8th; 9; 10; 11; 12; 13; 14; 15; 16; 17; 18; 19; 20; 21; 22; 23; 24; 25; 26; 27; 28	1920 to 1928	Individual features of the aggregate Raschelbergsiedlung: single and double residential houses of the former state settlement company "Sächsisches Heim" (aggregate ID no. 09305364); A characteristic example of cooperative housing development in the 1920s in a factual, regionally-related construction method, a complex of high urban and local historical value.	08964061
	File factory Mehlhose (formerly)	Dresdner Strasse 303 (map)	1838 (factory, old core); around 1930 (gatehouse); 1898 (machine shop); around 1930 (factory owner's apartment)	Former file factory Mehlhose, consisting of the buildings of the former grinding and hardening shop facing Dresdner Straße, the eaves-side and connecting building, the former administration building with the factory owner's house, which was probably added in 1930, the former boiler house with its octagonal chimney (now shortened) and workshop building added later, the former smithy with octagonal chimney (now shortened) and the later annealing plant and the porter's building built around 1930; Significant and largely original evidence of the industrial history of Freetal, particularly in the context of the adjacent former Thodeschen paper factory and the former red yarn dyeing works, of particular interest due to the two clinker chimneys, strongly defining the townscape and significant for the industrial region, also known as the “valley of work”	08963891
	Residential building	Jägerstrasse 14 (map)	1900 or shortly thereafter (residential building)	Residential house in open development; Ornamental framework with influences from Art Nouveau, largely original, including architectural significance	08951447
	Cellar vault	Jägerstrasse 29 (map)	18th century	Cellar vault; historically important	08963976
	Former Forester's house	Jägerstrasse 31 (map)	1905 (forester's house)	Former forester's house with enclosure; with influences of the Swiss style, architectural and local historical significance	08964028
	Aggregate cemetery Deuben; John's Chapel	Poisentalstrasse 31	around 1900 (cemetery)	Unity of the cemetery Deuben: individual monument chapel (neo-Romanesque central building with porch) (individual monument ID no. 08963975) and cemetery (garden monument); with fencing, different woods and visual relationships, architectural and gardening significance.	09301347
More pictures	John's Chapel	Poisentalstrasse 31 (map)	re. 1901–1902 (entrance)	Single monument the entirety of cemetery Deuben : Friedhofskirche (neoroman central building with stem) as well as 4 and 10 times grave grave plants (entirety of ID number 09301347th) architectural significance (church) and z. T. artistic importance.	08963975
	Duplex house	Niederhäslicher Strasse 6	1920s	Double house of the former “Sächsisches Heim” settlement company; A characteristic example of cooperative housing development in the 1920s in a factual, regionally-related construction method, a complex of high urban and local historical value	09305365
	Rental villa	Wartburgstrasse 28 (map)	1910s (rental villa)	Rental villa in reform style, with striking fence pillars; u. a. architectural significance	08964986

Remarks

This list is not suitable for deriving binding statements on the monument status of an object. As far as a legally binding determination of the listed property of an object is desired, the owner can apply to the responsible lower monument protection authority for a notice.
The official list of cultural monuments is never closed. It is permanently changed through clarifications, new additions or deletions. A transfer of such changes to this list is not guaranteed at the moment.
The monument quality of an object does not depend on its entry in this or the official list. Objects that are not listed can also be monuments.
Basically, the property of a monument extends to the substance and appearance as a whole, including the interior. Deviating applies if only parts are expressly protected (e.g. the facade).

Detailed memorial texts

↑ Single and double residential houses of the former "Sächsisches Heim" regional settlement company, 1920-28, in functional, regionally-related construction. Two-storey solid plastered buildings, windows originally with 6-panel muntin and shutters (partly still preserved), entrances with short roofing and tile framing, gable roof, beaver tail covering; structuring the groups of eaves or gable buildings; gabled buildings with an entrance in the central axis, two different house lengths; Double houses eaves; the gable-facing houses appear to be paired, which is achieved through opposite entrances and garden sides facing away from each other (hedge facing the street) as well as through connecting walls; Groups of houses in different colors such as saffron yellow, warm red or plaster color. Buildings 5, 7, 9, 20 and 21 have already been disfigured and are therefore not individual monuments. Due to a good redevelopment concept, the settlement is otherwise the only still predominantly authentic testimony to the numerous cooperative settlement projects of the "Red Freital" in the first third of the 20th century. The settlement, which was also designed by the renowned garden architect Gustav Allinger, has a remarkable structure and is of great urban value. The position of the buildings in relation to one another (e.g. eaves vs. gable, courtyard formation through opposite entrances), the relationship between house-garden-hedges and the differentiated coloring testify to the impressive thoughtfulness of the plan (LfD / 2012).
↑ ^a ^b
cemetery Deuben with cemetery church (Johanniskapelle) and some graves, some of which are of artistic importance; the cemetery church is a neo-Romanesque central building by Fritz Reuter with an eight-sided crossing tower above a Greek cross, which, among other things, cites the Aachen Palatine Chapel; architectural significance. The quarry stone building with Cotta sandstone structure has a pressed open vestibule on the west side, there a steep gable with a large rose window, the portal with triangular gable is dated 1901/02; on the north side semicircular apse with a small window arch; Inside, traversing arches on pressed columns, which carry a drum with a flat dome (since 1963, a flat false ceiling was inserted); Remains of floral decoration in the drum and painted angels on the crossing arch to the apse (formerly part of a large mural) are preserved from the former Art Nouveau furnishings by Paul Rößler; Wooden gallery in the S-cross arm, in the apse there is a larger than life limestone group of Christ and Johannes dT by Heinrich Wedemeyer. The cemetery extends in the south of the Windberg from NE to SW in the shape of a very elongated rectangle that is slightly angled in the middle; Regular, straight path system with the main longitudinal axis and two further longitudinal axes running parallel to the SE and NW border, seven transverse axes, main paths with water-bound path cover, irregular pathways and roundabout in an elongated southeastern quarter; Trees: on the north side of the access road a row of six linden trees with separate treetops and three chestnuts, on the embankment in the NE of the chapel groups of trees (sycamore, linden, beech, red oak, hornbeam), three linden trees (of former four) in the Main longitudinal axis of the cemetery at the intersection with a cross path, avenues of conifers in the southwest area of the cemetery, remains of a hawthorn hedge at the northwest border of the cemetery, in the middle area of the cemetery southeast of the main longitudinal axis, park-like design with old conifers, in the middle area of the cemetery northwest of the main longitudinal axis Quarters with cut hedges.
Graves of local history, partly of artistic relevance:
1. Funeral of the Theodor Malky family, around 1940: Monumental grave complex including grave border with clear symmetrical design, dispensing with figurative and ornamental decor, grave wall made of black polished granite with a semicircular end, in the tympanum a narrow cross and the inscription "FAMILY THEODOR MALKY" made of bronze, beneath it a plaque, in front of the wall a crypt slab with access to the underground burial place. Theodor Malky (1862-1940) and his wife Martha Malky (1867-1948);
2. Funeral of the Schneider family: Wide wall grave with a three-part structure made of dark, polished granite including the grave border, the middle part with the main writing tablet slightly raised, framed by pilasters and covered with a kind of mansard roof, wreaths on the side panels and floral decorations made of bronze on the pilasters. Manfred Schneider (1905–1922) and other family members;
3. Funeral of the Käppler family, around 1920: Wall grave with a central plaque framed by floral scrollwork and two pilasters with Ionic capitals, crowned with a five-way staggered top. Moritz Georg Käppler, master builder (1873–1920) and other family members;
4. Inheritance funeral of the Reif family, around 1903: Wide wall grave with a three-part structure made of dark, polished granite including enclosure with a hanging bronze chain between granite posts, a raised central section above a profiled base in the form of a high rectangular tomb with the inscription "RUHESTAETTE DER FAMILIE REIF ”and a portrait medallion made of bronze, side parts lower and closed to the outside by slender stele-like pillars, portrait relief (re. O. Rassau 1903) of an elderly bearded man, presumably represents the first buried Friedrich Ernst Heinrich Reif. Friedr. Ernst Heinrich Reif, master builder in Niederhäslich (1857–1902), Johannes Paul Reif, master builder in Freital (1897–1932) and other family members;
5. Hereditary funeral of the Immisch family, around 1916: Wide wall grave in the style of a stylized Greek temple architecture, the central writing tablet is recessed and framed by an egg stick, flanked by two hanging laurel garlands, two fluted pilasters on the outside as a frame, the entire wall covered by a triangular gable. Rudolf Erich Immisch (1895–1916) and other family members;
6. Funeral of the Fuhrmann family, around 1909: Wall grave in the form of a stylized temple facade with a central plaque flanked by four columns with rich acanthus leaf capitals, covered by a kind of triangular gable with a cross crown, low fencing, light sandstone and dark granite. Gustav Fuhrmann, factory owner and businessman (1861–1909) and other family members;
7. Funeral of the Jähnig family, around 1908: Wall grave made of black polished granite with a three-part structure, the middle section raised opposite the side cheeks and designed in the form of a stylized aedicula, in the gable field miner's mark as a bronze application, wrought iron enclosure influenced by Art Nouveau. Friedrich Moritz Jähnig (1849–1908) and other family members;
8. Burial of the Becker family, around 1905: Wall grave in the form of an aedicula, two columns flank the central writing tablet and support a solid, profiled cornice with a triangular top, black polished granite, wrought iron enclosure influenced by Art Nouveau. Ernst Emil Becker (1859–1905) and other family members;
9. Burial of the Louis Herrmann family, around 1893: Wide wall grave in historicizing design, three-part architectural structure, central part designed in the manner of an aedicula and framed by two pilasters with decorative garlands, wrought iron enclosure. Auguste Emilie Prinz, b. Herrmann (1851-1893), August Louis Herrmann, businessman (1845-1896);
10. Gravestone for 168 Russian soldiers and citizens, around 1950: coarsely hewn monolithic granite stele, partially smoothed front with inscription in Cyrillic letters in memory of those who died between 1941 and 1945;
11. Gravestone for members of different nations, around 1950: coarsely hewn, monolithic granite stele tapering to the top, partially smoothed front with the inscription "Here rest Lithuanian, Polish, Czechoslovak, Hungarian citizens 1940–1945";
12. Burial of the Berger family, around 1926: Monumental and elaborately designed grave complex made of red granite, rear grave wall with a three-part structure, inscriptions on the lower side walls, raised central part with a triangular niche, in front of it the bronze (?) Figure of a kneeling on a broad base female angel playing a stringed instrument, low granite fencing at the side, wrought-iron grating along the way, large goblet-like bronze planters on the front corners of the fencing. Theodor Berger, factory owner (1869–1841) and his wife Hedwig Johanna (1883–1926);
13. Burial of the Eger and Haucke families, around 1920: Monopteros on a three-tiered substructure, six octagonal pillars connected by round arches, a round dome crowned with a cross, inside a coffin-like coffin plate with four bronze rings, on the inside of the pillars above and above the warriors applied bronze inscriptions for the deceased as well as bronze panels in the plinth area, monumental effect due to the smooth wall surfaces and the extensive renunciation of decorative decor, granite. Luise Clara Margareth Haucke (1881–1921 [?]), Heinrich Richard Eger, councilor and mill owner (Egermühle) (1849–1927) and other family members;
14. Funeral of the Sohre and Grübler families, around 1912: Wall grave with a three-part architectural structure, central plaque in the raised middle section flanked by two pilasters, the design language influenced by neoclassicism and Art Nouveau, low side enclosure, sandstone. Otto Sohre (1870–1912) and other family members (LfD / 2012).

swell

List of monuments of the state of Saxony
Stadtverwaltung Freital (Hrsg.): Monuments in Freital - workshop report 3 of a municipal working group against forgetting . Freital 2013, p. 79-81 .

Web links

Commons : Kulturdenkmale in Schweinsdorf (Freital) - Collection of images, videos and audio files

Map with all coordinates: OSM | WikiMap

[1] Single and double residential houses of the former "Sächsisches Heim" regional settlement company, 1920-28, in functional, regionally-related construction. Two-storey solid plastered buildings, windows originally with 6-panel muntin and shutters (partly still preserved), entrances with short roofing and tile framing, gable roof, beaver tail covering; structuring the groups of eaves or gable buildings; gabled buildings with an entrance in the central axis, two different house lengths; Double houses eaves; the gable-facing houses appear to be paired, which is achieved through opposite entrances and garden sides facing away from each other (hedge facing the street) as well as through connecting walls; Groups of houses in different colors such as saffron yellow, warm red or plaster color. Buildings 5, 7, 9, 20 and 21 have already been disfigured and are therefore not individual monuments. Due to a good redevelopment concept, the settlement is otherwise the only still predominantly authentic testimony to the numerous cooperative settlement projects of the "Red Freital" in the first third of the 20th century. The settlement, which was also designed by the renowned garden architect Gustav Allinger, has a remarkable structure and is of great urban value. The position of the buildings in relation to one another (e.g. eaves vs. gable, courtyard formation through opposite entrances), the relationship between house-garden-hedges and the differentiated coloring testify to the impressive thoughtfulness of the plan (LfD / 2012).

[FhD-2] tery Deuben with cemetery church (Johanniskapelle) and some graves, some of which are of artistic importance; the cemetery church is a neo-Romanesque central building by Fritz Reuter with an eight-sided crossing tower above a Greek cross, which, among other things, cites the Aachen Palatine Chapel; architectural significance. The quarry stone building with Cotta sandstone structure has a pressed open vestibule on the west side, there a steep gable with a large rose window, the portal with triangular gable is dated 1901/02; on the north side semicircular apse with a small window arch; Inside, traversing arches on pressed columns, which carry a drum with a flat dome (since 1963, a flat false ceiling was inserted); Remains of floral decoration in the drum and painted angels on the crossing arch to the apse (formerly part of a large mural) are preserved from the former Art Nouveau furnishings by Paul Rößler; Wooden gallery in the S-cross arm, in the apse there is a larger than life limestone group of Christ and Johannes dT by Heinrich Wedemeyer. The cemetery extends in the south of the Windberg from NE to SW in the shape of a very elongated rectangle that is slightly angled in the middle; Regular, straight path system with the main longitudinal axis and two further longitudinal axes running parallel to the SE and NW border, seven transverse axes, main paths with water-bound path cover, irregular pathways and roundabout in an elongated southeastern quarter; Trees: on the north side of the access road a row of six linden trees with separate treetops and three chestnuts, on the embankment in the NE of the chapel groups of trees (sycamore, linden, beech, red oak, hornbeam), three linden trees (of former four) in the Main longitudinal axis of the cemetery at the intersection with a cross path, avenues of conifers in the southwest area of the cemetery, remains of a hawthorn hedge at the northwest border of the cemetery, in the middle area of the cemetery southeast of the main longitudinal axis, park-like design with old conifers, in the middle area of the cemetery northwest of the main longitudinal axis Quarters with cut hedges.
Graves of local history, partly of artistic relevance:

Funeral of the Theodor Malky family, around 1940: Monumental grave complex including grave border with clear symmetrical design, dispensing with figurative and ornamental decor, grave wall made of black polished granite with a semicircular end, in the tympanum a narrow cross and the inscription "FAMILY THEODOR MALKY" made of bronze, beneath it a plaque, in front of the wall a crypt slab with access to the underground burial place. Theodor Malky (1862-1940) and his wife Martha Malky (1867-1948);

Funeral of the Schneider family: Wide wall grave with a three-part structure made of dark, polished granite including the grave border, the middle part with the main writing tablet slightly raised, framed by pilasters and covered with a kind of mansard roof, wreaths on the side panels and floral decorations made of bronze on the pilasters. Manfred Schneider (1905–1922) and other family members;

Funeral of the Käppler family, around 1920: Wall grave with a central plaque framed by floral scrollwork and two pilasters with Ionic capitals, crowned with a five-way staggered top. Moritz Georg Käppler, master builder (1873–1920) and other family members;

Inheritance funeral of the Reif family, around 1903: Wide wall grave with a three-part structure made of dark, polished granite including enclosure with a hanging bronze chain between granite posts, a raised central section above a profiled base in the form of a high rectangular tomb with the inscription "RUHESTAETTE DER FAMILIE REIF ”and a portrait medallion made of bronze, side parts lower and closed to the outside by slender stele-like pillars, portrait relief (re. O. Rassau 1903) of an elderly bearded man, presumably represents the first buried Friedrich Ernst Heinrich Reif. Friedr. Ernst Heinrich Reif, master builder in Niederhäslich (1857–1902), Johannes Paul Reif, master builder in Freital (1897–1932) and other family members;

Hereditary funeral of the Immisch family, around 1916: Wide wall grave in the style of a stylized Greek temple architecture, the central writing tablet is recessed and framed by an egg stick, flanked by two hanging laurel garlands, two fluted pilasters on the outside as a frame, the entire wall covered by a triangular gable. Rudolf Erich Immisch (1895–1916) and other family members;

Funeral of the Fuhrmann family, around 1909: Wall grave in the form of a stylized temple facade with a central plaque flanked by four columns with rich acanthus leaf capitals, covered by a kind of triangular gable with a cross crown, low fencing, light sandstone and dark granite. Gustav Fuhrmann, factory owner and businessman (1861–1909) and other family members;

Funeral of the Jähnig family, around 1908: Wall grave made of black polished granite with a three-part structure, the middle section raised opposite the side cheeks and designed in the form of a stylized aedicula, in the gable field miner's mark as a bronze application, wrought iron enclosure influenced by Art Nouveau. Friedrich Moritz Jähnig (1849–1908) and other family members;

Burial of the Becker family, around 1905: Wall grave in the form of an aedicula, two columns flank the central writing tablet and support a solid, profiled cornice with a triangular top, black polished granite, wrought iron enclosure influenced by Art Nouveau. Ernst Emil Becker (1859–1905) and other family members;

Burial of the Louis Herrmann family, around 1893: Wide wall grave in historicizing design, three-part architectural structure, central part designed in the manner of an aedicula and framed by two pilasters with decorative garlands, wrought iron enclosure. Auguste Emilie Prinz, b. Herrmann (1851-1893), August Louis Herrmann, businessman (1845-1896);

Gravestone for 168 Russian soldiers and citizens, around 1950: coarsely hewn monolithic granite stele, partially smoothed front with inscription in Cyrillic letters in memory of those who died between 1941 and 1945;

Gravestone for members of different nations, around 1950: coarsely hewn, monolithic granite stele tapering to the top, partially smoothed front with the inscription "Here rest Lithuanian, Polish, Czechoslovak, Hungarian citizens 1940–1945";

Burial of the Berger family, around 1926: Monumental and elaborately designed grave complex made of red granite, rear grave wall with a three-part structure, inscriptions on the lower side walls, raised central part with a triangular niche, in front of it the bronze (?) Figure of a kneeling on a broad base female angel playing a stringed instrument, low granite fencing at the side, wrought-iron grating along the way, large goblet-like bronze planters on the front corners of the fencing. Theodor Berger, factory owner (1869–1841) and his wife Hedwig Johanna (1883–1926);

Burial of the Eger and Haucke families, around 1920: Monopteros on a three-tiered substructure, six octagonal pillars connected by round arches, a round dome crowned with a cross, inside a coffin-like coffin plate with four bronze rings, on the inside of the pillars above and above the warriors applied bronze inscriptions for the deceased as well as bronze panels in the plinth area, monumental effect due to the smooth wall surfaces and the extensive renunciation of decorative decor, granite. Luise Clara Margareth Haucke (1881–1921 [?]), Heinrich Richard Eger, councilor and mill owner (Egermühle) (1849–1927) and other family members;

Funeral of the Sohre and Grübler families, around 1912: Wall grave with a three-part architectural structure, central plaque in the raised middle section flanked by two pilasters, the design language influenced by neoclassicism and Art Nouveau, low side enclosure, sandstone. Otto Sohre (1870–1912) and other family members (LfD / 2012).

[3] Funeral of the Theodor Malky family, around 1940: Monumental grave complex including grave border with clear symmetrical design, dispensing with figurative and ornamental decor, grave wall made of black polished granite with a semicircular end, in the tympanum a narrow cross and the inscription "FAMILY THEODOR MALKY" made of bronze, beneath it a plaque, in front of the wall a crypt slab with access to the underground burial place. Theodor Malky (1862-1940) and his wife Martha Malky (1867-1948);

[4] Funeral of the Schneider family: Wide wall grave with a three-part structure made of dark, polished granite including the grave border, the middle part with the main writing tablet slightly raised, framed by pilasters and covered with a kind of mansard roof, wreaths on the side panels and floral decorations made of bronze on the pilasters. Manfred Schneider (1905–1922) and other family members;

[5] Funeral of the Käppler family, around 1920: Wall grave with a central plaque framed by floral scrollwork and two pilasters with Ionic capitals, crowned with a five-way staggered top. Moritz Georg Käppler, master builder (1873–1920) and other family members;

[6] Inheritance funeral of the Reif family, around 1903: Wide wall grave with a three-part structure made of dark, polished granite including enclosure with a hanging bronze chain between granite posts, a raised central section above a profiled base in the form of a high rectangular tomb with the inscription "RUHESTAETTE DER FAMILIE REIF ”and a portrait medallion made of bronze, side parts lower and closed to the outside by slender stele-like pillars, portrait relief (re. O. Rassau 1903) of an elderly bearded man, presumably represents the first buried Friedrich Ernst Heinrich Reif. Friedr. Ernst Heinrich Reif, master builder in Niederhäslich (1857–1902), Johannes Paul Reif, master builder in Freital (1897–1932) and other family members;

[7] Hereditary funeral of the Immisch family, around 1916: Wide wall grave in the style of a stylized Greek temple architecture, the central writing tablet is recessed and framed by an egg stick, flanked by two hanging laurel garlands, two fluted pilasters on the outside as a frame, the entire wall covered by a triangular gable. Rudolf Erich Immisch (1895–1916) and other family members;

[8] Funeral of the Fuhrmann family, around 1909: Wall grave in the form of a stylized temple facade with a central plaque flanked by four columns with rich acanthus leaf capitals, covered by a kind of triangular gable with a cross crown, low fencing, light sandstone and dark granite. Gustav Fuhrmann, factory owner and businessman (1861–1909) and other family members;

[9] Funeral of the Jähnig family, around 1908: Wall grave made of black polished granite with a three-part structure, the middle section raised opposite the side cheeks and designed in the form of a stylized aedicula, in the gable field miner's mark as a bronze application, wrought iron enclosure influenced by Art Nouveau. Friedrich Moritz Jähnig (1849–1908) and other family members;

[10] Burial of the Becker family, around 1905: Wall grave in the form of an aedicula, two columns flank the central writing tablet and support a solid, profiled cornice with a triangular top, black polished granite, wrought iron enclosure influenced by Art Nouveau. Ernst Emil Becker (1859–1905) and other family members;

[11] Burial of the Louis Herrmann family, around 1893: Wide wall grave in historicizing design, three-part architectural structure, central part designed in the manner of an aedicula and framed by two pilasters with decorative garlands, wrought iron enclosure. Auguste Emilie Prinz, b. Herrmann (1851-1893), August Louis Herrmann, businessman (1845-1896);

[12] Gravestone for 168 Russian soldiers and citizens, around 1950: coarsely hewn monolithic granite stele, partially smoothed front with inscription in Cyrillic letters in memory of those who died between 1941 and 1945;

[13] Gravestone for members of different nations, around 1950: coarsely hewn, monolithic granite stele tapering to the top, partially smoothed front with the inscription "Here rest Lithuanian, Polish, Czechoslovak, Hungarian citizens 1940–1945";

[14] Burial of the Berger family, around 1926: Monumental and elaborately designed grave complex made of red granite, rear grave wall with a three-part structure, inscriptions on the lower side walls, raised central part with a triangular niche, in front of it the bronze (?) Figure of a kneeling on a broad base female angel playing a stringed instrument, low granite fencing at the side, wrought-iron grating along the way, large goblet-like bronze planters on the front corners of the fencing. Theodor Berger, factory owner (1869–1841) and his wife Hedwig Johanna (1883–1926);

[15] Burial of the Eger and Haucke families, around 1920: Monopteros on a three-tiered substructure, six octagonal pillars connected by round arches, a round dome crowned with a cross, inside a coffin-like coffin plate with four bronze rings, on the inside of the pillars above and above the warriors applied bronze inscriptions for the deceased as well as bronze panels in the plinth area, monumental effect due to the smooth wall surfaces and the extensive renunciation of decorative decor, granite. Luise Clara Margareth Haucke (1881–1921 [?]), Heinrich Richard Eger, councilor and mill owner (Egermühle) (1849–1927) and other family members;

[16] Funeral of the Sohre and Grübler families, around 1912: Wall grave with a three-part architectural structure, central plaque in the raised middle section flanked by two pilasters, the design language influenced by neoclassicism and Art Nouveau, low side enclosure, sandstone. Otto Sohre (1870–1912) and other family members (LfD / 2012).