Manfred Weber-Vienna

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Manfred Weber-Wien (born April 1, 1969 in Villach ) is an Austrian painter and draftsman .

Life

Manfred Weber-Wien studied with Tom Misner ( Sydney , Melbourne , Vienna ) and is represented in numerous international collections, including the Rudolf Leopold Collection, the Leopold Museum in Vienna. He lives and works in Vienna and Brussels .

Works (selection)

He has summarized his drawings and works of art created to date under the following titles:

"ars moriendi"	1999
"Death & Intimacy"	2000
"We're still alive"	2001
"New pictures for this world"	2005
"Being dead is also a form of being"	2006
"charged bodies"	2011
"cocoons"	2013
"most wanted"	2014

Exhibitions (selection)

In addition to Vienna and Brussels, Manfred Weber-Wien also exhibited in London:

European Art, Vienna	1997
Contacta, Vienna	1997
Camel Art Trophy award winner	1997
Cassimatis, London	1998
Metropol, Brussels	1999, 2001
Frame, Vienna	2004
Gallery Corinna Steiner, Vienna	2005, 2006, 2007
Art Gallery Gerin, Wolkersdorf	2006
Galerie Steiner & Haas, Vienna	2007
Art Prague, Prague	2007
Art & Wine Gallery, Vienna	2008
Galerie Haas, Vienna	2008
Mel contemporary gallery, Vienna	2008
Drive, Vienna	2008
lichtraum eins, Vienna	2009, 2010
showroom project, Vienna	2010
AREA53, Vienna	2010
art-com gallery, Vienna	2010
World Exhibition, Expo 2010 Shanghai, China	2010
Gallery Studio 18, Vienna	2011
Gallery Krueger Dossier, Salzburg	2011
MAGU Gallery, Hallefors, Sweden	2011
Ragnarhof, Vienna	2011
Rearte Gallery, Vienna	2011
Galerie Merikon, Vienna	2012
Kunstraum Wiener Ringstrasse Galleries, Vienna	2012
Gallery Cornea, Klagenfurt	2013
Small chapel, Vienna	2013
the exhibition, Vienna	2014
Hofburg, Vienna	2014
Sofiensäle, Vienna	2015

Web links

• Official website of Manfred Weber-Vienna

criticism

The journalist Norbert Rauter from Kurier in Austria writes about Manfred Weber-Wien: “... Manfred Weber-Wien deals with the transcendental roots of this world in his new works. His pictorial worlds are shaped by the tension between life before death and existence in the afterlife ... The massive black ink application of his more recent works symbolizes the almost impenetrable wall with which the superego of the individual is hidden from view through the ego . The colored accents, however, challenge the viewer to look for access to an all-encompassing and final universe. At the end of the expedition, says Manfred Weber-Wien, there is an everlasting form of existence. Being dead is also a form of being ... "