Maya Bringolf

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Maya Bringolf (* 1969 in Schaffhausen ) is a Swiss visual artist and works mainly in the field of sculpture . She lives and works in Zurich .

life and work

Maya Bringolf studied from 1992 to 2000 at the University of Design in Zurich and at the Academy of Fine Arts in Munich with Gerhard Berger and Ben Willikens . In the broadest sense, it deals with circuits and systems that occur, among other things, in the form of expansive sound installations with ventilation pipes and organ pipes. In a series of photo collages z. B. also brought together oil rigs and baroque organs, so that new, surreal architectures arise.

In 2019 the first works were created with perforated and flared office chairs, through the holes of which various pipes wind. Bringolf includes existential issues such as destruction and disability in her work process and thus develops sculptures. These can be both physical and systemic in nature. The range of materials used ranges from polyurethane foam to epoxy resin, ventilation pipes, organ pipes, old furniture and coats to car paint and a Harley exhaust.

Exhibitions

Solo exhibitions (selection)

Group exhibitions (selection)

  • 2003: Anyway , Vebikus, Schaffhausen
  • 2003: WIR, HIER !, lothringer13 / halle , Munich, Germany
  • 2005: Culture Promotion Prize (AC Foundation), Wenkenhof Riehen, Basel
  • 2006: Linie-Plastik , Dina4 projects, Munich, Germany
  • 2008: On the crust , Klingental exhibition space, Basel
  • 2008: Swiss Art Awards , Exhibition Center Basel
  • 2009: Work grants , art credit Basel-Stadt , Kunsthaus Baselland
  • 2009: Swiss Art Awards, Exhibition Center Basel
  • 2010: this is not my beautiful home, service building, Zurich
  • 2010: The magic of the everyday , KUNST (ZEUG) HAUS, Rapperswil, Zurich
  • 2010: Everyday Life and Ambience - Everyday Culture of the 1950s in Dialogue with Contemporary Art , Kunstverein Pforzheim, Germany
  • 2011: Territoires, Sculptures dans le parc de Szilassy, ​​11ème édition de Bex & Arts, Bex
  • 2011: My feet prefer to go out of time , K3 Project Space, Zurich
  • 2012: Fool for April , Perla Mode, Zurich
  • 2012: Meret's Sparks, Surrealisms in Contemporary Swiss Art, Kunstmuseum Bern
  • 2013: Work and studio grants from the City of Zurich, Helmhaus, Zurich
  • 2015: Exhibition 2015, Canton Zurich, Museum Haus Konstruktiv, Zurich
  • 2016: Guest rooms , KiöR, art in public space, Zurich
  • 2017: Refugium , Biennale Sculpture Symposium Weiertal , Zurich
  • 2017: The eyes of pictures , Museum Langmatt , Baden
  • 2020: Touch me I'm sick , Kunstraum Baden , Baden

architectural art

  • 2006: Double-sided facade design, Müller-Rischart, Marienplatz Munich

Prizes and awards

  • 2000: 1st prize Danner competition, Munich Art Academy
  • 2001: Harvest Art Prize 2001 from Credit Suisse Schaffhausen
  • 2003: Foreign studio Helsinki / Finland, iaab , CMS Foundation , Basel
  • 2004: Atelier Berlin, Art Credit Basel-Stadt
  • 2005: Culture Award 2005 of the Alexander Clavel Foundation
  • 2008: Federal Prize for Art
  • 2009: Harvest Art Prize 2009 from Credit Suisse Schaffhausen
  • 2009: work grant, art credit Basel-Stadt
  • 2009: Federal Prize for Art
  • 2012: Studio grant Fundaziun NAIRS
  • 2013: Werkstipendium, City of Zurich
  • 2015: Acknowledgment Prize, UBS Cultural Foundation
  • 2015: Work grant, Canton of Zurich  
  • 2015: Subsidy, Canton and City of Schaffhausen
  • 2018: Studio grant Berlin, Canton of Zurich

Purchases / collections

Bibliography (selection)

Monographs

  • Maya Bringolf: Loaded Circles. Monograph. modo publishing house, Freiburg i.Br. 2015, ISBN 978-3-86833-183-7 .

Catalogs

  • the eyes of the pictures. Portrait from Fragonard to Dumas. Catalog for the exhibition in the Langmatt Museum. Texts by Markus Stegmann and Isabel Zürcher. Hatje Cantz Verlag, Berlin, ISBN 978-3-7757-4334-1 , 2017
  • Swiss Art Awards 2009. Text by Irene Müller. Catalog published by the Federal Office for Culture, 2009.
  • Swiss Art Awards 2008. Text by Irene Müller. Catalog published by the Federal Office for Culture, 2008.
  • WE HERE! Catalog. Authors: Anne Erfle, Petra Giloy-Hirtz, Johann Frederik Hartle, Elisabeth Hartung, Tanja Pol, Silke Rindermann, Margit Rosen, Christian Schoen. Revolver-Verlag, Frankfurt am Main / Munich 2003.

Press articles

  • Phantom Horizon. Press text by Irene Müller on the solo exhibition in the Kunstraum Kreuzlingen, Kreuzlingen, 2018
  • Violent gestures, dull melodies. Text by Suzanne Kappeler on the exhibition Loaded Circles , Kunst (ZEUG) Haus Rapperswil-Jona, Feuilleton Neue Zürcher Zeitung, 2016
  • Maya Bringolf: Loaded Circles , focus by Daniela Hardmeier, art bulletin 1–2 / 2016
  • Meret's Sparks - Surrealisms in Contemporary Swiss Art. Texts by Kathleen Bühler and others at the Kunstmuseum Bern, October 19, 2012
  • The genetic makeup of the icon. Text by Alice Henkes on the exhibition “Merets Funken”, Kunstmuseum, Bern. Tages Anzeiger, October 2012.
  • Meret Oppenheim's fabulous heirs. Text by Sabine Arlitt on the exhibition Merets Funken , Kunstmuseum Bern. The Landbote, November 2012.
  • Territoires. Bex-Arts, Sculptures dans le parc de Szilassy. Texts by Pascal Häusermann a. a. Triennial, 11th exhibition catalog. édition, 2011
  • The charm of the everyday. Text by Suzanne Kappeler for the exhibition The Magic of Everyday Life, Art (ZEUG) Haus Rapperswil-Jona. Neue Zürcher Zeitung, 2010.
  • Shaken and Stirred. Discussion by Irene Müller on the exhibition in the John Schmid Gallery, Basel. Art bulletin 12/200 ?, pp. 56/57.
  • Stimuli fullest , text by Daniel Morgenthaler exhibition Shaken and Stirred in the John Schmid Gallery, Basel. Basler Zeitung, November 2009.
  • Valuable differences. Text by Karen N. Gerig on the exhibition Auf der Kruste in the Klingental exhibition space, Basel. Basler Zeitung, baz kulturmagazin, August 2008.
  • Creatures from the hardware store. Text by Karen N. Gerig for the exhibition Whipped Dream # 1 at Kunsthaus Baselland. Basler Zeitung, baz kulturmagazin, January 2008.
  • Renovation at Marienplatz. (Together with architect Markus Link and artist Petr Kvicala) Munich. Text by Elisabeth Hartung, edited by Gerhard Müller-Rischart. June 200 ?.
  • On the line, against the grain. Dina4 projects, Munich. Text by Hanne Weskott on the exhibition Linie Plastik . Süddeutsche Zeitung, Münchner Kultur, 3.5., No. 101, 2006.
  • Villa motley. Five winners of the Clavel Foundation in Riehen. Text by Simon Baur. Basler Zeitung, bazkulturmagazin, May 2005.
  • Synapses - switching points in the network of disciplines. Luitpold Lounge, Munich. Text by Elisabeth Hartung. Luitpold Lounge Magazin, No. 3, 2004.
  • WIR, HIER , Lothringer13 / halle, Munich, Das Ornament, der Demon by Margit Rosen, Revolver Verlag, Archive for Current Art, 2003.
  • The eternal hunting grounds. Museum zu Allerheiligen, Schaffhausen. Text by Markus Stegmann. 2002.
  • The first years of professionalism 21st Gallery of Artists, Munich. Texts by Elisabeth Hartung, 2002.

Web links

Individual evidence

  1. ↑ a b c Maya Bringolf - Loaded Circles. Retrieved November 3, 2019 .
  2. ^ Art (stuff) House Rapperswil | Maya Bringolf. Retrieved November 5, 2019 .
  3. ^ Thurgau Art Society: Maya Bringolf. Retrieved November 5, 2019 .
  4. ↑ Kunsthaus Baselland. Retrieved November 3, 2019 .
  5. ↑ Claudia Groeflin gallery. Retrieved November 3, 2019 .
  6. ↑ Maya Bringolf, "Shaken and Stirred". Retrieved November 3, 2019 .
  7. ^ Mammon and Divan - message salon. Retrieved November 3, 2019 .
  8. ↑ Phantom Horizon - Kunstraum Kreuzlingen. Retrieved November 3, 2019 .
  9. ↑ ve bi ku s | Vebikus Kunsthalle Schaffhausen. Retrieved November 3, 2019 .
  10. ↑ a b art | concepts archive. Retrieved November 3, 2019 .
  11. ↑ ve bi ku s | Vebikus Kunsthalle Schaffhausen. Retrieved November 3, 2019 .
  12. ↑ Dina4 projects - Gallery in Munich / Berlin. Retrieved November 3, 2019 .
  13. ↑ ON THE CRUST - program. Retrieved November 3, 2019 .
  14. ↑ Maya Bringolf. Retrieved November 3, 2019 .
  15. ↑ Federal Office for Culture FOC: Picture gallery Art Awards 2009 - winners. Retrieved November 3, 2019 .
  16. ↑ Service building, space for art. Retrieved November 3, 2019 .
  17. ^ 2010 - Art (stuff) House Rapperswil-Jona. Retrieved November 3, 2019 .
  18. ↑ Triennial 2011 | bexarts.ch. Retrieved November 3, 2019 (American English).
  19. ↑ Kunstmuseum Bern, Hodlerstrasse 8-12, CH-3000 Bern 7: Merets Funken. Surrealisms in contemporary Swiss art. Retrieved November 3, 2019 .
  20. ↑ Work and studio grants from the City of Zurich 2013 - City of Zurich. Retrieved November 3, 2019 .
  21. ↑ Work grants. Retrieved November 3, 2019 .
  22. ↑ Projects 2016 - City of Zurich. Retrieved November 3, 2019 .
  23. ↑ The eyes of pictures - portraits from Fragonard to Dumas. Retrieved November 3, 2019 .
  24. ^ City of Baden Switzerland: City of Baden: Preview. Retrieved November 3, 2019 .
  25. ↑ Atelier Mondial - All scholarship holders. Retrieved November 3, 2019 .
  26. ↑ Federal Office for Culture FOC: Picture gallery Art Awards 2009 - winners. Retrieved November 3, 2019 .
  27. ↑ Work and studio grants from the City of Zurich 2013 - City of Zurich. Retrieved November 3, 2019 .
  28. ↑ Annual reports . Retrieved November 3, 2019 .
  29. ↑ Work grants. Retrieved November 3, 2019 .
  30. ^ Ateliers. Retrieved November 3, 2019 .
  31. ↑ Maya Bringolf - Loaded Circles. Retrieved November 3, 2019 .
  32. ↑ The eyes of pictures - portraits from Fragonard to Dumas. Retrieved November 3, 2019 .
  33. ↑ We, here! | Revolver Publishing. Retrieved November 3, 2019 .
  34. ↑ Phantom Horizon - Kunstraum Kreuzlingen. Retrieved November 3, 2019 .
  35. ↑ Maya Bringolf - Loaded Circles. Retrieved November 3, 2019 .
  36. ↑ Meret's Spark. Surrealisms in contemporary Swiss art. Retrieved November 3, 2019 .
  37. ↑ Triennial 2011 | bexarts.ch. Retrieved November 3, 2019 (American English).
  38. ↑ NZZ Archive 1780. Retrieved on November 3, 2019 .
personal data
SURNAME Bringolf, Maya
BRIEF DESCRIPTION Swiss visual artist
DATE OF BIRTH 1969
PLACE OF BIRTH Schaffhausen