Svetlana Kopystiansky

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Svetlana Kopystiansky, 2011

Svetlana Kopystiansky (born November 11, 1950 in Voronezh ) is a Russian - American artist who lives in New York .

life and work

Svetlana Kopystiansky moved to New York in 1988. In 1990 she received a DAAD scholarship . In 2008 she became Residences Internationales aux Recollets in Paris.

In the early 1980s, Svetlana Kopystiansky created typefaces based on landscape paintings. She copies these by copying existing texts. The contours of the landscape result from the different color intensities of the ink. In more recent works she crumples the written paper, creating structures that show the text and at the same time partially cover it. In 1997 she took part in the Skulptur.Projekte , Münster.

Svetlana and Igor Kopystiansky pursue individual careers, but also regularly worked together. Among other things, they jointly exhibited The boundary rider at the Biennale of Sydney and Flow at documenta11 .

Awards

literature

  • "Kopystiansky: Double Fiction / Fiction Double". Published on the occasion of the solo exhibition at the Musée d "Art Moderne de Saint-Étienne. 2010. Texts by John G. Hanhardt, Philippe-Alain Michaud. Les Presses du Réel. ISBN 9782840663744
  • "Igor & Svetlana Kopystiansky." Published on the occasion of the solo exhibition at the EMMA - Espoo Museum of Modern Art, Helsinki, 2007. Texts by Timo Valjakka, Anthony Spira, Barry Schwabsky, (English, Finnish, Swedish), EMMA - Espoo Museum of Modern Art, Helsinki . ISBN 9789525509007
  • “Igor & Svetlana Kopystiansky: The Day before Tomorrow”. Published on the occasion of the solo exhibition at the Kunsthalle Fridericianum, Kassel and Fine Arts Center of UMass, Amherst, Massachusetts, 2005. With introduction by René Block and Loretta Yarlow and texts by Adam D. Weinberg, Barry Schwabsky, Andreas Bee, Anthony Bond, Kai-Uwe Hemken. (English and German), ISBN 9780929597195
  • "Igor & Svetlana Kopystiansky: Tracking Shot." With texts by Barry Schwabsky, Andreas Bee, Anthony Bond. (English and Spanish), Distrito4, 2004. Madrid, Spain ISBN 9788493342265
  • “Svetlana Kopystiansky: Käthe Kollwitz Prize 2000.” Academy of Arts, Berlin. ISBN 3-88331-042-5
  • "Svetlana Kopystiansky: El Jardî." With a text by Joseph M. Camarasa. Institut Botànic Barcelona, ​​Institut de Cultura, Double Lives, Barcelona, ​​1999. ISBN 9788476098196
  • “Igor & Svetlana Kopystiansky: Dialog,” IFA, Berlin 1998.
  • "Svetlana Kopystiansky: Workers Library." 2nd Johannesburg Biennale, 1997. ISBN 9783927869127
  • "Svetlana Kopystiansky: The Library." Published on the occasion of the solo exhibition at the Kunsthalle Düsseldorf, Germany. 1994.
  • “Igor and Svetlana Kopystiansky” Published on the occasion of the solo exhibition at the Martin-Gropius-Bau Berlin, 1991. DAAD. Curator René Block. Texts by Dan Cameron, Joachim Sartorius, Christine Tacke. ISBN 9783893570317
  • “Svetlana Kopystiansky: Shadow of Gravitation,” Published on the occasion of the solo exhibition at The Art Institute of Chicago, 1996. Publisher: Buro Orange Siemens AG Kulturstiftung Siemens. ISBN 3-9805007-1-3

Individual evidence

  1. ^ Artnet Svetlana Kopystiansky , accessed November 22, 2018.
  2. Kunstforum, Heinz Schütz Svetlana and Igor Kopystiansky The text and the image are never really destroyed, they are hidden and accessed on November 21, 2018
  3. ^ Sculpture.Projects Svetlana Kopystiansky , accessed on November 21, 2018.
  4. Documenta11_Plattform5: Exhibition. Catalog ; Ostfildern-Ruit 2002, ISBN 3-7757-9085-3 (German), page 140
  5. art gallery nsw Incidents , accessed on November 22, 2018 (English).