Wolfgang Augustyn

Wolfgang Augustyn (born May 27, 1957 in Riedlingen ) is a German art historian and editor of the Reallexikons on German art history .

Life

Augustyn studied art history, medieval history, classical archeology, historical auxiliary sciences and Catholic theology in Munich and Freiburg . In 1981 he obtained a degree in Catholic theology. He received his doctorate in 1987 in Munich with the thesis "The Latin Hamilton Psalter in the Berlin Kupferstichkabinett (78 A 5)". From 1979 to 1982 and since 1985 Augustyn has worked at the Central Institute for Art History in Munich. Since 2002 he has been the deputy director of the Central Institute for Art History. He completed his habilitation in Passau in 2001 . In 2005 he received his habilitation at the University of Munich, where he received the title of adjunct professor in 2008 . Since April 2011 he has been the first chairman of the German Association for Art Research

Fonts

Monographs

• The Latin Hamilton Psalter in the Berlin Kupferstichkabinett (78 A 5) . (= Spolia Berolinensia. Berlin Contributions to Medieval Studies , Vol. 9). Weidmann, Hildesheim and Zurich 1996.
• Ernst Klinger 1900–1962 . Fink, Lindenberg 1997.

Editing

• with Manuel Teget-Welz: Hans Burgkmair - New Research . Passau: Dietmar Klinger Verlag 2018
• with Andreas Tacke and Birgit Ulrike Münch: Material Culture. Presence and visibility of artists, guilds and brotherhoods in the pre-modern era. Presence and Visibility of Artists, Guilds and brotherhoods in the Pre-modern Era . Petersberg: Michael Imhof 2018
• Corpus inventory catalog. Examples of research and documentation on the material transmission of the arts . Munich: Central Institute for Art History 2015 (Publications of the Central Institute for Art History, Volume 35; Writings of the Research Center Realienkunde, Volume 2)
• with Uwe Gast: New research on German art history XI: Gisela Probst, The Memoria of the Lords of Lichtenberg in Neuweiler . Berlin: German publishing house for art history 2015
• with Ulrich Söding: Dialogue - Transfer - Conflict . Passau: Dietmar Klinger Verlag 2014 (publications of the Central Institute for Art History in Munich, vol. 33)
• with Iris Lauterbach: Rondo. Contributions for Peter Diemer on his 65th birthday . Passau: Klinger Verlag 2010 (publications by the Central Institute for Art History in Munich, 25)
• with Ulrich Söding: Original - Copy - Quote. Works of art from the Middle Ages and early modern times: ways of appropriation - forms of transmission . Passau: Dietmar Klinger Verlag 2010 (publications of the Central Institute for Art History in Munich, vol. 26)
• with Eckhard Leuschner: Art and Humanism. Festschrift for Gosbert Schüßler on his 60th birthday . Passau: Klinger Verlag 2007
• Joseph Zoller, Mira satis conceptio . Eggingen: Edition Isele 2005 (Bibliotheca Suevica)
• Pax. Contributions to the idea and representation of peace . Munich: Scaneg 2003 (publications of the Central Institute for Art History in Munich, XV)
• Catalog of the illuminated manuscripts of the eleventh and twelfth centuries from the Benedictine monastery of All Saints in Schaffhausen . Stuttgart: Hiersemann 1994 (Monuments of Book Art, 11)

Articles (selection)

• Book illustration in Augsburg incunabula . In: Augsburg makes pressure. The beginnings of printing in a 15th century metropolis , ed. Günter Hägele and Melanie Thierbach, Augsburg: self-published by the Diözesanmuseum, State and City Library and University Library Augsburg 2017, pp. 62–73.
• Function versus order? Architecture and sacral topography using the example of St. Ulrich and Afra in Augsburg in front of the late Gothic building of the church . In: Studies and communications on the history of the Benedictine order and its branches , 128 (2017), pp. 95–127.
• Adolph Goldschmidt's "Ivory Sculptures" and the German Association for Art History . In: Atlanten des Wissens, Adolph Goldschmidts Corpuswerke 1914 bis today , ed. Kai Kappel, Claudia Rückert, Stefan Trinks, Berlin / Munich: Deutscher Kunstverlag 2016, pp. 44–61.
• with Johann Michael Fritz: Article "Foot washing, liturgical" . In: Reallexikon zur Deutschen Kunstgeschchte , X, Lfg. 119, Munich: Zentralinstitut für Kunstgeschichte 2016, Sp. 1332–1338 (WA: Sp. 1332–1333)
• Giotto di Bondone (1267–1337) as a pioneer of modern painting . In: to debate. Topics of the Catholic Academy in Bavaria , ISSN  0179-6658 , vol. 46 (2016), issue 7, pp. 22-25.
• Hermann the Lame - Afterlife in the picture . In: Hermann the Lame. Reichenau monk and universal scholar of the 11th century , ed. Felix Heinzer and Thomas Zotz, Stuttgart: Kohlhammer Verlag 2016 (publications of the Commission for historical regional studies in Baden-Württemberg, B 208), pp. 65–84
• Verhelst . In: Neue Deutsche Biographie, Berlin: Duncker & Humblot 2016, pp. 758–761
• Januarius Zick. A painter in the Age of Enlightenment in Upper Swabia . In: Enlightenment in Upper Swabia. Baroque world in transition , ed. Katharina Bechler, Dietmar Schiersner, Stuttgart: Kohlhammer 2016, pp. 147–168.
• Long breath or breathlessness? On major scientific projects in art history . In: Corpus inventory catalog. Examples of research and documentation on the material transmission of the arts , ed. Wolfgang Augustyn, Munich: Central Institute for Art History 2015 (publications of the Central Institute for Art History, Volume 35; Writings of the Research Center Realienkunde, Volume 2), pp. 7–11.
• The Johannes Prologue - Thoughts of an Art Historian . In: In: to debate. Topics of the Catholic Academy in Bavaria , vol. 45 (2015), issue 7, pp. 19–21.
• An old faith confession: The Eucharistic Mill . In: Controversy & Compromise. The cycle of pillar paintings of the Mariendom and the culture of biconfessionalism in Erfurt in the 16th century , ed. Eckhard Leuschner, Falko Bornschein and Kai Uwe Schierz Dresden: Sandstein Verlag 2015, pp. 75–83.
• Relationships and interrelationships in the arts of the Middle Ages. On a familiar topic . In: Dialog - Transfer - Conflict , Passau: Dietmar Klinger Verlag 2014, pp. 1–39.
• Millennium Benedictinum. What connects St. Stephan in Augsburg with St. Ulrich and Afra . In: Yearbook of the Association for the History of the Augsburg Diocese , 47 (2013), pp. 435–519.
• Material, technology and image. The new research center Realienkunde at the Central Institute for Art History in Munich . In: The Challenge of the Object. The challenge of the object. 33rd Congress of the International Committee of the History of Art; 33rd International Art Historians Congress, Nuremberg, 15. – 20. July 2012 , ed. G. Ulrich Großmann and Petra Krutisch, Nuremberg: Verlag des Germanisches Nationalmuseums 2013 (CIHA 2012. Congress Proceedings, 2; 32nd Scientific Supplement to the Anzeiger des Germanisches Nationalmuseums), pp. 617–619.
• Church and monastery of the Franciscans of the Holy Sepulcher (1609-1808) - construction and equipment . In: Barefoot in front of St. Max. From the Franciscan Monastery Church to the Parish Church of St. Maximilian , ed. Melanie Thierbach, Augsburg: Wißner 2013, pp. 72–98.
• Article "Steidl, Melchior" . In: Neue Deutsche Biographie , Berlin: Duncker & Humblot 2013, pp. 120f.
• Liberalitas-Largitas in the Middle Ages. Comments on the concept and image of a virtue . In: Art Criticism History. Festschrift for Johann Konrad Eberlein , ed. Johanna Aufreiter, Gunther Reisinger, Elisabeth Sobiecky, Claudia Steinhardt-Hirsch, Berlin: Reimer 2013, pp. 73–106.

Web links

• Homepage of the Central Institute for Art History