Yoriaki Matsudaira
Yoriaki Matsudaira ( Japanese 松 平 頼 暁 , Matsudaira Yoriaki ; born March 27, 1931 in Tokyo Prefecture ), also Yori-Aki Matsudaira , is a Japanese composer.
The son of the composer Yoritsune Matsudaira studied biology at the University of Tokyo . In addition, he trained himself as a pianist and composer. He initially composed serial music, later came to a new modality and, from the 1970s, turned to the u. a. by Allen Forte and John Rahn theoretically based musical set theory and the pitch interval technique .
His works have been selected nine times for performance at the World Music Days of the International Society for Contemporary Music (ISCM). In 1990 he received a special prize at the third Kazimierz Serocki International Competition for Composition . From 1998 to 2002 he was president of the Japanese section of ISCM and organized the World Music Days 2001 in Yokohama. In 2008 he was elected an honorary member of the ISCM.
Works
- Variations for piano, violin and cello, 1958
- Velocity Coefficient for flute, keyboard, percussion and piano, 1958
- Syntaxis for three chamber ensembles, 1959
- La vie noire, le beton blanc for two speakers and chamber orchestra, 1959
- Orbits for flute, clarinet and piano, 1960
- Instruction for piano, 1961
- Co-Action for cello and piano, 1962
- Configuration I for chamber orchestra, 1961–63
- Configuration II for chamber orchestra, 1963
- Transient '64 for tape, 1963–64
- Rhymes for GAZZELLONI for flute and percussion, 1965–66
- Distribution for two violins, viola, cello and electronics, 1966–67
- Alternation for combo for trumpet, double bass, percussion, piano and electronics, 1867
- Assemblages for tape, 1968
- Assemblage for 6 female voices, 1968
- Allotoropy for piano, 1970
- Wand Waves for tape, 1970
- Why not? for players, 1970
- What's next? for soprano, noise, electronics and tape, 1967–71
- Gradation for violin, viola and electronics, 1971
- The Symphony for 14 players, tape and electronics, 1971
- Substitution for soprano and piano, 1972
- Etudes for piano, 1971–73
- Messages I for wind instruments and tape, 1973
- Where now? for actress, dancer and instrumentalist, 1973
- Transient '74 for guitar and harmonium, 1974
- Elegie for ARON for soprano, 1974
- The Music for drivers, choirs, instrumentalists and operators, 1974–77
- Simulation for tuba, 1974–75
- Accumulation for violin and electronics, 1976
- Coherency for ARK for flute, clarinet, percussion and electric piano, 1976
- Shift for flute, clarinet, two electric organs and percussion, 1976
- Messages II for wind ensemble, 1978
- Oscillation , 1977
- Monuments for soprano, flute, trombone, cello and electronics, 1977
- Brilliancy for flute and piano, 1978
- Coding I for piano, 1978
- Epitaph for SESSHUH KAI for 7 instruments, 1979
- Gestaphony for saxophone, 1979
- Spectra for three amplified guitars, 1979
- Erixatone for electric piano and tape, 1979
- Why not? for piano, 1979
- Albedo for soprano, viola and piano, 1979–80
- Zoellka for two flutes, 1980
- Celebration for piano, 1980
- It's gonna be a hardcore! for soprano and piano, 1980
- Epitaph for YOSHIRO IRINO for flute, shakuhachi, scho, two kotos, percussion, piano and electronics, 1980
- to the Victims of Cain for Shamisen and tape, 1980
- Genesis for soprano, flute, clarinet, cello and piano, 1981
- Archeology for Soprano and Percussion, 1981
- Extension for percussion ensemble, 1981
- Salve Regina for two keyboards and vocorder, 1981
- Fluctuation for marimba, marimba maya or tape, 1981
- Resonance for piano, 1982
- Kurtosis I for orchestra, 1982
- Kurtosis II for two pianos, 1982
- Bedside Moonlight for soprano and piano, 1982
- Magnification for harpsichord, 1983
- Like as likes .... for soprano, 1983
- Constellation for Electronics, 1984
- Epitaph for SATOSHI ASHIKAWA for piano and feedback system, 1984
- Scroll for three bass clarinets, 1984
- Blending for piano, 1984
- Annotation for piano, 1984
- Marquitry for flute, clarinet, harp, percussion and piano, 1985
- Requiem saecularem I for 9 instruments, 1985
- Crystal for glass harp and two percussionists, 1985
- Duologue for Shamisen and Koto, 1984–86
- Trecento for organ, 1985–86
- Undulation for guitar, 1986
- Reunion for two violins, 1986
- Perpetual mobile for children's choir, 1986
- The Conduct for Conductors, Lighting Technicians, and Tape, 1986
- Declaration for trombone and piano, 1987
- Ornithology [Gamelan] , 1987
- Lamentation for piano, 1987
- Palindrome for violin and piano, 1987
- Replacement for double bass, 1987
- Reciprocation for Shakuhachi, Shamisen and Koto, 1987
- Brightness for piano, 1988
- Interchanging for recorders, 1988
- Waving for organ, 1988
- Prologue and Epilogue from opera “The Provocators” , 1988
- Perspective A for piano, 1988
- Perspective B for piano, 1988
- Variegation for string ensemble and harpsichord, 1988
- Requiem saecularem VI & VIII for horn, two trumpets, two trombones and percussion, 1988
- Heptahedra for harp, 1989
- Lexicon for piano, 1989
- Toybox for piano, 1989
- Recollection for piano and chamber orchestra, 1989
- Engraving I & II for flute and piano, 1989
- And I love .... for piano or trumpet and piano, 1989
- GALA for piano, 1990
- Metathesis for accordion, 1990
- Modification for piano, 1990
- Binary-Stars for two pianos, 1990
- 0, 1 & 2 for U for cello, 1990
- Multistrata for piano, 1990
- Symposium for choir, 1990
- 5 folklores for children's choir, 1991
- Revolution for piano and orchestra, 1991
- Semiology for John Dowland for soprano and tape, 1991
- Domain for two violins, viola and cello, 1991
- Fresco for Gagaku instruments, 1991
- Morphogenesis I for piano, 1991
- Morphogenesis II for piano, 1992
- Mac Voices for soprano, electronics and tape, 1992
- Morphogenesis III for piano, 19922
- Colorization for clarinet, guitar, percussion and piano, 1992
- Acrostics for piano, 1992
- Response for double bass and oboe, 1992
- Michelangelo's Pup for piano, 1993
- Dialogue for violin and harpsichord, 1993
- Coexistence for piano and gamelan instruments, 1993
- Morphogenesis IV for piano, 1994
- Convolution for piano and 3 hichirikis, 1994
- to you from ..... for piano, 1994
- Helices for orchestra, 1995
- Cardgame for soprano, 1995
- Blessing for bassoon and piano, 1995
- Transliteration for viola, 1996
- WooDruM.et.al. for percussion, 1996
- Interlude from Requiem for organ and slide trumpet, 1996
- Remembrance for piano and orchestra, 1996
- List for INOUE SATOKO for piano, 1997
- The Prayer for organ, 1997
- Memorial for Kuniharu Akiyama for piano, 1997
- Cores for piano and computer, 1997
- Sparkling for flute, two violins, piano and toy piano, 1997
- Canon XXIX & VIII for guitar, mandolin, clarinet, violin, viola and vello, 1997
- Theme & Variations for guitar, mandolin, clarinet, violin, viola and cello, 1997
- Micell for chamber orchestra, 1999
- Grating for guitar, 1999
- La Genealogy des Etoiles for soprano, violin, cello, double bass, percussion and piano, 1999
- Le Ranz des Vaches for children's choir, 1999
- Maria della Glisch for children's choir, 1999
- Tori no Uta for children's choir, 1999
- Sakura for children's choir, 1999
- 24 essays for piano, 2000
- Dialectics I for harpsichord and obbligato oboe, 2001
- Academic festival music for piano, 2003
- Requiem for mixed choir, orchestra and organ, 2004
- Dialectics II for orchestra, 2004
- Morphogenesis I for orchestra, 2005
- Polychronometry for clarinet, 2005
- Bee in the Cage for soprano and mandolin orchestra, 2005
swell
- Yori-Aki Matsudaira , biography, works
Individual evidence
- ^ Honorary members. ISCM , accessed June 30, 2020 .
| personal data | |
|---|---|
| SURNAME | Matsudaira, Yoriaki |
| ALTERNATIVE NAMES | 松 平 頼 暁 (Japanese); Matsudaira, Yori-Aki |
| BRIEF DESCRIPTION | Japanese composer |
| DATE OF BIRTH | March 27, 1931 |
| PLACE OF BIRTH | Tokyo prefecture |