Goodnight My Love (Pleasant Dreams)
Goodnight My Love (Pleasant Dreams) |
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Jesse Belvin | |
publication | 1956 |
length | 3:06 |
Genre (s) | Rhythm and blues , pop |
Author (s) | Jesse Belvin , George Motola , John Marascalco |
Publisher (s) | Quintet Music Inc. House of Fortune Music |
Label | Modern Records |
Cover versions | |
1956 | The McGuire Sisters |
1959 | Ray Peterson |
1963 | The Fleetwoods |
1966 | Ben E. King |
1969 | Paul Anka |
1977 | Tavares |
Goodnight My Love (Pleasant Dreams) , sometimes shortened to Goodnight My Love , is a successful rhythm and blues ballad by George Motola and Jesse Belvin from the year 1956. The original recording was made by Jesse Belvin for Modern Records . Songwriter John Marascalco Belvin bought a share of the author's rights per cut-in . The chord progression of the stanzas corresponds to a typical pop turnaround and is interrupted twice by a bridge . The song is addressed to a loved one who, with the assurance of mutual affection, is wished good night as a farewell in the evening. By 1977 the piece was in seven versions in the American charts.
Emergence
When Jesse Belvin sang the falsetto voice in 1956 for the hit Dreamy Eyes by the group The Youngsters on Empire Records , he met the label boss George Motola. The independent producer took Belvin with him when he started working for Modern Records as well. Together they developed Goodnight My Love (Pleasant Dreams) , although there are different reports on the exact contributions and parts of the songwriting: According to Billy Vera's research, Motola had already thought up the song in the 1940s and Belvin only contributed the bridge . According to Steve Propes and Galen Gart, however, Belvin brought the unfinished composition to Motola's office. The producer already knew about the financial importance of promising song rights and was happy to take over the publishing house with his publishing house House of Fortune Music for 400 dollars. He also added the bridge. Motola's songwriting partner John Marascalco also joined the session and helped complete the song. A few days later, Jesse Belvin, who was in need of money, called Marascalco and offered him half of the author's rights for $ 400. Marascalco's money enabled Belvin to marry his future manager Jo Ann Johnson, who at the time was a saleswoman in John Dolphin's record store .
Just a few weeks after the piece was sold, Jesse Belvin went into the studio with George Motola for the recording. Motola's Modern colleague Maxwell Davis contributed an arrangement for strings. A vocal quartet led by Don Raike and his wife Dee Dee Patrick were engaged for the background choir . Maybe Motola's wife Rickie Page also sang for the Don Raike Singers. The prominent background choir was unusual for an independent label of the time. Barry White , who was only 11 years old, helped out on the piano . The title was registered by Motola and Marascalco on December 10, 1956 with the Library of Congress .
Musical structure
Goodnight My Love (Pleasant Dreams) is a ballad in the moderate pace . The original recording of the song is in C major in 4/4 time and is mainly performed in triplets . While the piano accompaniment is playing eighth note, the singer uses quarter-note triplets and the melody shuffled punctures . Eighth note triplets are only sung in the bridge. The four-bar intro is followed by two stanzas, each of which consists of four turnarounds over the chords C major, A minor, D minor and G major, so they can be represented theoretically as I-VI-II-V. The following Bridge switches between E major and B major, only to a minor third upwards on G major and D major move . Then the first verse, the bridge and again the first verse are repeated, whereupon the song ends in a ritualistic way .
Publications
The song was released on Modern 1005 in October 1956 along with I Want You with Me Christmas . Belvin's first name was varied to "Jessie". The Christmas B-side was replaced with Let Me Love You Tonight after the holidays . In 1959 Belvin was in the charts with Guess Who , so Jamie Records re-released the Modern recording with an additional string arrangement under the number 1145, but without the addition of brackets in the title. In the same year, the original appeared again with Senorita on the modern sub-label Kent Records under the number 1005. In 1960 there was a follow-up release on Lana Records , and again in the mid-1960s on Modern Oldies. A sheet music edition was published by the music publisher Quintet Music by Lester Sill , Jerry Leiber and Mike Stoller in collaboration with George Motola's own publishing house House of Fortune. The New York publishing house Hill and Range took over the distribution . The title appeared on LP for the first time in 1959 on the compilation Casual Jesse Belvin from Crown Records , a subsidiary of Modern Records, which has dedicated itself to the inexpensive new edition of the parent company's catalog. After Jesse Belvin's accidental death on February 6, 1960, this practice was continued through numerous compilations, including split editions with Brook Benton .
Cover versions
Goodnight My Love (Pleasant Dreams) has been covered over 70 times since it was first released. Many interpreters shorten the title when it is stated on the sound carrier and omit the addition in brackets. When releasing on LP, the title is often set as the final track. The QRS Company had Clyde Ridge play a word roll for pianola in 1956 ; Ray Anthony in 1962 and Fred Mollin in 1990 produced other instrumental versions . In 1957 the Sunnies and the Coronels recorded a German version under the title Ein Leben lang and directed by Günter Fuhlisch .
- 1956 - The McGuire Sisters , Coral 61748
- 1956 Mindy Carson , Columbia 40789
- 1956 - Earl Grant , Decca 9-30150
- 1956 - Clyde Ridge , QRS 10-292, Word Roll for Pianola
- 1957 - Eileen Barton , Epic 5-9925
- 1957 - Margaret Bond , Parlophone R 4283
- 1957 - Roy Hamilton , Epic S 70583
- 1957 - The Sunnies and the Coronels , Telefunken 987
- 1958 - Rocke-Pelle with Sigurd Jansen and his Rockin 'Five , Fontana 268 003 TF
- 1959 - Ray Peterson , RCA Victor 7635
- 196? - John Evans , Libra JCL 30002
- 1962 - Faye Adams , Prestige 224
- 1962 - Pat Hunt , Kent 374
- 1962 - Ray Anthony , instrumental version on the album I Almost Lost My Mind , Capitol ST 1783
- 1963 - The Fleetwoods , Dolton 75
- 1963 - Bobby Vinton on the album The Greatest Hits Of The Golden Groups , Epic BN 26049
- 1963 - Barry & the Tamerlanes on the album I Wonder What She's Doing Tonight , Valiant LP 406
- 1963 - Dee Dee Sharp on the album Down Memory Lane , cameo C-1074
- 1963 - The Tymes on the album So Much in Love , Parkway P-7032
- 1964 - The Four Seasons , Vee-Jay 582
- 1964 - The Deltas , Cambridge 124
- 1965 - The Shangri-Las on the Leader of the Pack album , Red Bird RB 20-101
- 1965 - Joey Page , Vee-Jay 704
- 1965 - The Vogues on the album Five O'Clock World , Co & Ce # 1230
- 1966 - Ben E. King , Atlantic 4065
- 1966 - The Gary Glenn Family , Stone 46
- 1967 - Christopher Paul and Shawn , Scepter 12423
- 1967 - The Blues Busters , Sunshine
- 1968 - Ballads , Venture 630
- 1968 - Tamiko Jones , A&M 956
- 1968 - Jerry Butler on The Soul Goes On album , Mercury SR-61171
- 1968 - Rocky Gil and the Bishops on Soul Party album , Tear Drop LP-2022
- 1969 - Paul Anka , RCA Victor 9648
- 1969 - The Honeys , Capitol 2454
- 1969 - Jay & the Americans on the album Sands of Time , United Artists
- 1969 - The Nitty Gritty Dirt Band on the live album Alive! , Liberty LST-7611
- 1969 - The Johnny Mann Singers on the album Goodnight My Love , Liberty LST 7620
- 1969 - John Davidson on the album John Davidson , Columbia CS-9795
- 1973 - Carlton Beck , Zip 711
- 1973 - Lenny Welch , Atco 6915
- 1973 - Gladys Knight and the Pips on How Do You Say Goodbye album , Springboard International SPB-4050
- 1974 - Wilson Pickett on the live album Live in Japan
- 1978 - The Pioneers on the album Pusher Man , Trojan TRLS 156
- 1975 - James Brown on the album Hot , Polydor 2391 214
- 1976 - Barry Biggs on the album Mr. Biggs , Dynamic Sounds DYLP 3005
- 1976 - John Holt , Weed Beat WB008
- 1976 - Christopher Paul & Shawn , Scepter SDJ-12423
- 1976 - Randy Barlow , Gazelle 217
- 1977 - Tavares on the album Lovestorm , LP Capitol 062-85 117, and on Capitol 4453
- 1978 - The Pioneers on the album Pusher Man , Trojan TRLS 156
- 1986 - Fullerton College Jazz Ensembles on Love Ya album , AM-PM JLFC-6386
- 1987 - Los Lobos on the soundtrack for the film La Bamba
- 1987 - Howard Huntsberry on Slash 7-28166
- 1988 - Screamin 'Jay Hawkins on the album Feast of the Mau Mau , Edsel DED 252
- 1989 - El Debarge on the album Rock, Rhythm and Blues , Warner Bros.
- 1989 - Barry White on the album The Man Is Back! , AT THE
- 1989 - Doug Sahm on the album Juke Box Music , Antone’s
- 1990 - Lou Rawls on It's Suppose to Be Fun , Blue Note / Capitol # 93841-2 album
- 1990 - Fred Mollin , instrumental version on Disney's Lullaby Album , Festival
- 1991 - Paula Abdul on the album For Our Children ,
- 1994 - Gloria Estefan on the album Hold Me, Thrill Me, Kiss Me , Sony
- 1995 - Frankie Avalon on the album Rock & Roll of Fame , EMI 56923 (recorded 1958)
- 1996 - Art Garfunkel on the live album Across America , Hybrid
- 1998 - John Davidson on the album Side by Side , Sony
- 1999 - Alex Chilton on the album Loose Shoes and Tight Pussy , Last Call Records
- 2000 - Mike Sanchez on Just Can't Afford It , Doopin 'Records
- 2002 - Tony Danza on The House I Live In , Sin-Drome album
- 2004 - Lannie Garrett on the album Just for a Thrill
- 2004 - Hula Honeys on Life Just Got Sweeter , Ululoa Records
- 2004 - Harry Connick, Jr. on Only You in Concert DVD , Sony BMG
- 2005 - proGrammar on the album Somaphone, Vol. 2: Grammar Sings the Classics , Media Mackenzie
- 2006 - The Blue Satins on the album The Blue Satins Revisited
- 2013 - Aaron Neville on the album My True Story , Blue Note
Importance, Criticism, and Success
Chart positions Explanation of the data |
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Goodnight My Love (Pleasant Dreams) was quickly becoming an R&B standard. Modern Records co-owner Saul Bihari recommended the song to his New York friend Alan Freed , who used it as the credits for his popular nightly radio show on WINS. On the west coast, too, the title received plenty of airplay and was able to place itself in various local radio charts. Nationally, the record peaked at number seven on the R&B jukebox charts and stayed on Billboard Magazine's R&B sales charts for three weeks . Through the repeated reprints of the piece, the title became the outstanding "bread merit song" of the Modern group.
The success of the title underpinned Belvin's ambitions to seek a crossover from the black R&B genre into the pop music market, which was perceived as rough . His musical and vocal role model for this was Nat King Cole , especially on his hit Sentimental Reasons . In his greatest success, Guess Who, in 1959, Belvin drew heavily on Goodnight My Love . Don Raike's choral setting also anticipated the arrangement of Sam Cooke's first pop recording You Send Me on Keen Records from 1957.
Billy Vera praised the emotionality of the piece. To this day he could not hear Belvin's performance without “feelings of innocent romanticism” arising in him. It is a perfect mixture of a rock ballad and a string landscape that sounds like film music. Even Dick Clark recalled in his biography like the fact that he ended his dancing "wonderfully romantic" with Belvins ballad to which the couples were able to cling to each other again. Gretchen Christopher from the Fleetwoods said goodbye to the late George Motola with the song in 1991 at his burial at sea.
The McGuire Sisters covered the piece in the year of its first release and charted it high in the pop charts. In 1959, Ray Peterson reached 64th place with his version. In the 1960s, The Fleetwoods , Ben E. King and Paul Anka took on the song and thus reached the top list of the American music market. The last chart listing for the time being dates from 1977 and goes back to the funk band Tavares , which, like the original version in 1956, only scored in the black market of the R&B charts. Outside of the United States, no recording of the song reached a leaderboard. In 1987 Los Lobos recorded Goodnight My Love for the film La Bamba about the brief career of Ritchie Valens . The song also appeared on the accompanying soundtrack album , which sold over two million times.
Individual evidence
- ↑ a b c Billy Vera: Jesse Belvin: Mr.Easy. (No longer available online.) In: DooWop Cafe. 2001, formerly in the original ; Retrieved March 27, 2013 (originally published as liner notes on the RCA Victor album Mr. Easy ). ( Page no longer available , search in web archives ) Info: The link was automatically marked as defective. Please check the link according to the instructions and then remove this notice.
- ↑ a b c d e f Steve Propes, Galen Gart: LA R&B Vocal Groups 1945–1965 . 1st edition. Nickel Publications, Milford 2001, ISBN 0-936433-18-3 , Jesse Belvin, pp. 14-18 (American English).
- ↑ a b c d e f Steve Propes: Old School. 77 Years of Southern California R&B & Vocal Group Harmony Records 1934-2011 . 1st edition. San Bernadino 2013, ISBN 978-1-4610-7692-6 , p. 134 (American English).
- ↑ a b c Jim Dawson: Jesse Belvin Discography. In: The Doo-Wop Society of Southern California. 2004, accessed March 27, 2013 .
- ↑ a b John Broven: Record Makers and Breakers. Voices of the Independent Rock 'n' Roll Pioneers . University of Illinois Press, Urbana, Chicago 2010, ISBN 978-0-252-03290-5 , Harold Battiste: Specialty Records Branch Manager, New Orleans, pp. 299 f . (American English).
- ↑ Bobby Bennett, Sarah Smith: The ultimate soul music trivia book: 501 questions and answers about Motown, Rhythm & Blues, and More . Carol Pub. Group, Secaucus 1998.
- ^ Public Catalog. Library of Congress, accessed March 27, 2013 .
- ^ A b George Motola, John Marascalco: Good-Night, My Love, Pleasant Dreams . Quintet Music, House of Fortune Music, Hill and Range Songs, New York 1956 (sheet music edition).
- ^ Gérard Lambert: Jesse Belvin. In: Rocky 52. 2011, accessed March 27, 2013 (French).
- ↑ a b c Joel Whitburn: Hot R&B Songs. Billboard 1942-2010 . 6th edition. Record Research Inc., Menomonee Falls 2010, ISBN 978-0-89820-186-4 (American English).
- ^ Joel Whitburn: Top Pop Singles 1955-2006 . Record Research, 2007, ISBN 978-0-89820-172-7 .
- ↑ Charts US
- ↑ Dick Clark, Richard Robinson: Rock, Roll & Remember . Popular Library, 1978, ISBN 978-0-445-04178-3 , pp. 150 (American English).
- ^ William Ruhlmann: Original Motion Picture Soundtrack. La Bamba. In: Allmusic. Retrieved July 25, 2013 .