Stimulus and Nicky Chinn: Difference between pages

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'''Nicky Chinn''' (born '''Nicholas Barry Chinn'''<ref>[http://www.secondhandsongs.com/forum/index.php?topic=15087.msg35997#msg35997 Secondhandsongs.com]</ref>, [[16 May]] [[1945]]<ref>[http://www.brainyhistory.com/daysbirth/birth_may_16.html Brainyhistory.com timescale]</ref>, [[London]], [[England]]) is an [[English people|English]] [[songwriter]] and [[record producer]]. Together with [[Mike Chapman]] he had a long string of [[hit single]]s in the [[United Kingdom|UK]] in the 1970s, including several [[chart-topper|#1]] [[gramophone record|records]]. The duo wrote hits for such notable UK based [[musician|artists]] as [[Suzi Quatro]], [[Mud (band)|Mud]], [[Sweet (band)|Sweet]], [[The Arrows]] ("[[Touch Too Much (The Arrows song)|Touch Too Much]]"), [[Racey]] and [[Smokie (band)|Smokie]].
'''Stimulus''' may refer to:


==Career==
*[[Sha Stimuli]], a brooklyn based rapper.
Chinn originally was trained as a [[auto mechanic|motor mechanic]] and only took to [[music]] when he was in his mid-twenties circa 1970. His talent for writing disposable [[pop music|pop]] [[song]]s, however, proved so obvious that within a month or two of his first efforts as a songwriter, Chinn co-wrote with [[Mike d'Abo]] some songs for the [[film|movie]], ''[[There's a Girl in My Soup]]''.
*[[Stimulus (band)]], an experimental band
*[[Stimulus (physiology)]], something external that influences an activity
*[[Stimulus (psychology)]], a concept in [[behaviorism]]
*[[Input]] to a system in other fields
*Economic stimuli, [[incentives]] and [[fiscal policy]]


It was at this point that Chinn joined the [[Australian]] born Chapman, who was a waiter at a restaurant Chinn frequented. In contrast to Chinn, Chapman was already a professional musician with the band Tangerine Peel, and the two quickly joined up with [[Mickie Most]]'s [[RAK Records|RAK]] [[record label|label]] and began writing songs for a new [[glam rock]] band, Sweet. Whilst they did not write all the songs, their catchy and intentionally disposable compositions accounted for all the singles the band released in their early years.
{{disambig}}


Chinn's and Chapman's songwriting style was so successful with British, [[Europe]]an and [[Australia]]n audiences that Sweet had an uninterrupted string of hits in the next few years. These included "Little Willy", "Wig-Wam Bam", "Hell Raiser", "Teenage Rampage", the UK [[List of number-one singles (UK)|number one]] "[[Blockbuster!]]" and "[[The Ballroom Blitz]]". Sweet were so popular in Britain that "The Ballroom Blitz" entered the [[UK Singles Chart]] at number two - an unusual feat in those days.
[[es:Estímulo]]
[[id:Stimulus]]
[[pl:Bodziec]]
[[pt:Estímulo]]
stimulus is the singular of stimuli (plural)


Because Sweet wanted to move towards a harder, stripped-down style, they turned to writing their own songs {{Fact|date=October 2007}}, but Chinn and Chapman achieved equal success in Europe and Australia with [[Suzi Quatro]], for whom they wrote four hits in "[[Can the Can]]", "[[48 Crash]]", "Daytona Demon" and "[[Devil Gate Drive]]". Chinn and Chapman also [[record producer|produced]] Quatro's first three hit [[album]]s, ''Suzi Quatro'' (''[[Can the Can]]'' in Australia), ''[[Quatro (album)|Quatro]]'' and ''Your Mama Won't Like Me''. They continued writing singles for Quatro for the rest of the decade, though scoring fewer hits. Chinn and Chapman (now known as "Chinnichap" in the [[music journalism|press]]) found their next big success with [[Mud (band)|Mud]], who had hits with four of their compositions in 1974 and 1975, including number ones in "[[Tiger Feet]]" and "[[Lonely This Christmas]]". [[Smokie (band)|Smokie]] became Chinn and Chapman's next target, and they had five hit singles with them between 1975 and 1978.
(in easier words)

Stimulus-something that stimulates one's senses
For all their success in Europe and Australia, it was not until 1978 that the two scored a major hit in the [[United States|U.S.]], when [[Exile (American band)|Exile's]] "[[Kiss You All Over]]" reached number one on the [[Billboard Hot 100]] [[record chart|chart]], and Suzi Quatro and [[Chris Norman]] (Smokie's lead [[singer]]) reached number four with the [[ballad]] "Stumblin' In".

However, the seemingly invincible pair were shattered back at home by the arrival of [[punk rock]] that made their catchy glam-pop style sound dated extremely quickly, with the result that fewer and fewer performers took an interest in working for them. To add to this, Chapman turned to solo production with [[Blondie (band)|Blondie]]'s hugely successful ''[[Parallel Lines]]'' album that year, and this meant the duo had less time to write songs together.

Despite an international #1 with "[[Mickey (song)|Mickey]]" ([[Toni Basil]]) in 1982, Chinn and Chapman gradually separated during the early 1980s, and Chinn did not continue much longer in the [[music industry]]. However in 1983 he co-wrote "[[Dancing in the Dark (Kim Wilde song)|Dancing in the Dark]]", a UK hit for [[Kim Wilde]], and teamed up with Chapman and [[Holly Knight]] penning [[Tina Turner]]'s 1985 [[single (music)|single]] release, "[[Better Be Good to Me]]". In all, however, Chinn's fourteen year stint had made him co-writer of over forty UK [[Top 40]] hits.

==See also==
*[[Bubblegum pop]]

==References==
{{reflist}}

==External links==
*[http://wc02.allmusic.com/cg/amg.dll?p=amg&searchlink=NICKY|CHINN&sql=11:dvfyxqe5ldje~T1 Nicky Chinn biography] at [[Allmusic]] [[website]]

{{DEFAULTSORT:Chinn, Nicky}}
[[Category:1945 births]]
[[Category:Living people]]
[[Category:People from London]]
[[Category:English songwriters]]
[[Category:English record producers]]

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[[ru:Никки Чинн]]
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Revision as of 11:11, 13 October 2008

Nicky Chinn (born Nicholas Barry Chinn[1], 16 May 1945[2], London, England) is an English songwriter and record producer. Together with Mike Chapman he had a long string of hit singles in the UK in the 1970s, including several #1 records. The duo wrote hits for such notable UK based artists as Suzi Quatro, Mud, Sweet, The Arrows ("Touch Too Much"), Racey and Smokie.

Career

Chinn originally was trained as a motor mechanic and only took to music when he was in his mid-twenties circa 1970. His talent for writing disposable pop songs, however, proved so obvious that within a month or two of his first efforts as a songwriter, Chinn co-wrote with Mike d'Abo some songs for the movie, There's a Girl in My Soup.

It was at this point that Chinn joined the Australian born Chapman, who was a waiter at a restaurant Chinn frequented. In contrast to Chinn, Chapman was already a professional musician with the band Tangerine Peel, and the two quickly joined up with Mickie Most's RAK label and began writing songs for a new glam rock band, Sweet. Whilst they did not write all the songs, their catchy and intentionally disposable compositions accounted for all the singles the band released in their early years.

Chinn's and Chapman's songwriting style was so successful with British, European and Australian audiences that Sweet had an uninterrupted string of hits in the next few years. These included "Little Willy", "Wig-Wam Bam", "Hell Raiser", "Teenage Rampage", the UK number one "Blockbuster!" and "The Ballroom Blitz". Sweet were so popular in Britain that "The Ballroom Blitz" entered the UK Singles Chart at number two - an unusual feat in those days.

Because Sweet wanted to move towards a harder, stripped-down style, they turned to writing their own songs [citation needed], but Chinn and Chapman achieved equal success in Europe and Australia with Suzi Quatro, for whom they wrote four hits in "Can the Can", "48 Crash", "Daytona Demon" and "Devil Gate Drive". Chinn and Chapman also produced Quatro's first three hit albums, Suzi Quatro (Can the Can in Australia), Quatro and Your Mama Won't Like Me. They continued writing singles for Quatro for the rest of the decade, though scoring fewer hits. Chinn and Chapman (now known as "Chinnichap" in the press) found their next big success with Mud, who had hits with four of their compositions in 1974 and 1975, including number ones in "Tiger Feet" and "Lonely This Christmas". Smokie became Chinn and Chapman's next target, and they had five hit singles with them between 1975 and 1978.

For all their success in Europe and Australia, it was not until 1978 that the two scored a major hit in the U.S., when Exile's "Kiss You All Over" reached number one on the Billboard Hot 100 chart, and Suzi Quatro and Chris Norman (Smokie's lead singer) reached number four with the ballad "Stumblin' In".

However, the seemingly invincible pair were shattered back at home by the arrival of punk rock that made their catchy glam-pop style sound dated extremely quickly, with the result that fewer and fewer performers took an interest in working for them. To add to this, Chapman turned to solo production with Blondie's hugely successful Parallel Lines album that year, and this meant the duo had less time to write songs together.

Despite an international #1 with "Mickey" (Toni Basil) in 1982, Chinn and Chapman gradually separated during the early 1980s, and Chinn did not continue much longer in the music industry. However in 1983 he co-wrote "Dancing in the Dark", a UK hit for Kim Wilde, and teamed up with Chapman and Holly Knight penning Tina Turner's 1985 single release, "Better Be Good to Me". In all, however, Chinn's fourteen year stint had made him co-writer of over forty UK Top 40 hits.

See also

References

External links