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{{Short description|Slovenian poet and composer (1833–1854)}}
{{Use dmy dates|date=January 2021}}
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{{No footnotes|section|date=December 2011}}
{{Infobox writer
{{Infobox writer
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| image = Josipina Urbančič.jpg
| image = Josipina Urbančič.jpg
| caption =
| caption =
| birth_name = Josepha Constantia Anna Urbantschitsch<ref name="Taufbuch">{{cite book |title=Taufbuch |date=1822–1858 |location=Preddvor |page=40 |url=https://data.matricula-online.eu/sl/slovenia/ljubljana/preddvor/01832/?pg=41 |access-date=August 30, 2021}}</ref>
| birth_date = {{birth date|1833|7|9|df=y}}
| birth_date = {{birth date|1833|7|9|df=y}}
| birth_place = [[Turn Castle, Preddvor|Turn castle]], [[Preddvor]], [[Kingdom of Illyria (1816–1849)|Kingdom of Illyria]], [[Austrian Empire]] (now in [[Slovenia]])
| birth_place = [[Turn Castle, Preddvor|Turn Castle]], Preddvor, [[Kingdom of Illyria (1816–1849)|Kingdom of Illyria]], [[Austrian Empire]] (now in [[Slovenia]])
| death_date = {{death date|1854|6|1|df=y}}
| death_date = {{death date and age|1854|6|1|1833|7|9|df=y}}
| death_place = [[Graz]], [[Duchy of Styria]], Austrian Empire (now in [[Austria]])
| death_place = [[Graz]], [[Duchy of Styria]], Austrian Empire (now in [[Austria]])
| occupation = [[Writer]], [[Poet]]
| occupation = Writer, poet
| genre =
| genre =
| movement = [[Romanticism]]
| movement = [[Romanticism]]
| magnum_opus =
| magnum_opus =
| influences = [[France Prešeren]], [[Fany Hausmann]]
| influenced = [[Luiza Pesjak]], [[Pavlina Pajk]], [[Davorin Trstenjak]]
| website =
| website =
| footnotes =
| footnotes =
}}
}}
'''Josipina Urbančič''' (married name '''Toman'''), who published under the [[pen name]] '''Josipina Turnograjska''' (9 July 1833 – 1 June 1854), was one of the first [[Slovenes|Slovene]] female [[writer]]s, [[poet]]s, and [[composer]]s.
'''Josipina Urbančič''' (married name '''Toman'''), who published under the pen name '''Josipina Turnogradska'''<ref>{{cite journal |last1=Turnogradska |first1=Josipina |title=Izdajstvo in sprava |journal=Slovenska bčela: Podučen in kratkočasen list |date=March 1, 1851 |pages=65–68 |url=https://www.dlib.si/stream/URN:NBN:SI:DOC-S0TCLOHG/21316ecc-18e8-410e-a9b7-0bb4ef2d8bb0/PDF |access-date=August 30, 2022}}</ref><ref>{{cite journal |last1=Fekonja |first1=Andrej |title=Josipina Turnogradska, slovenska pisateljica |journal=Ljubljanski Zvon |volume=4 |issue=6 |pages=345–352 |url=https://www.dlib.si/stream/URN:NBN:SI:DOC-9YNXSPI1/ba6080e0-4164-46dc-b41b-84e69317ba95/PDF |access-date=August 30, 2022}}</ref> (later respelled '''Turnograjska''', 9 July 1833 – 1 June 1854), was one of the first [[Slovenes|Slovene]] female writers, poets, and composers.


==Biography==
==Biography==
Josipina was born at [[Turn Castle, Preddvor|Turn Castle]] in what was then the [[Austrian Empire]], (now part of the municipality of [[Preddvor]]), from which she also derived her [[pseudonym]] ''Turnograjska'' (literally 'of Turn Castle'). When sending her first story to the editor of the literary magazine ''[[Slovenska Bčela]]'' she explained the choice of name by writing: "[[Slavic peoples|Slavic]] sons are keen to show their strength and worth. Why should Slav daughters not have the same desire? This is why I have decided to try to write something in my own mild language and I dare send into daylight one story from my collection and ask you to include it in your publication. Let my name be Josipina Turnograjska, since Turn Castle is my home." Her parents were Janez Urbančič and Josipina Tepinc, who belonged to the local [[Carniola]]n gentry. Her father died when she was eight. She was educated by private tutors at Turn Castle, particularly in [[music]], [[religion]], as well as in [[Latin]] and [[Italian language|Italian]]. She taught herself [[French language|French]]. After 1849 a new tutor expanded the subjects of her instruction to include [[Ancient Greek]], [[natural sciences]], and [[history]], with a particular emphasis on [[Slovene language|Slovene]] and the history of Slavic peoples. This proved to be the catalyst for the awakening of a national enthusiasm in Josipina, which made her decide to become a writer. In 1850 she was engaged to [[Lovro Toman]], a poet that would later become a successful [[lawyer]] and influential politician. Toman studied law in [[Graz]] and during their engagement the two maintained an extensive correspondence. More than a thousand letters survive, some up to twenty-five pages long. Their interest is not only in showing the relationship and feelings of two separated lovers, but also because they give an important insight into everyday life in the mid-19th century in the [[Slovene Lands]]. In 1853 they were married and due to Toman’s work moved permanently to Graz. Josipina died there a year later after a combination of complications at childbirth and [[measles]]. She was only 21.
Josipina was baptized ''Josepha Constantia Anna Urbantschitsch''.<ref name="Taufbuch"/> She was born at [[Turn Castle, Preddvor|Turn Castle]] in what was then the [[Austrian Empire]], (now part of the municipality of [[Preddvor]]), from which she also derived her pseudonym ''Turnograjska'' (literally 'of Turn Castle'). When sending her first story to the editor of the literary magazine ''[[Slovenska Bčela]]'' she explained the choice of name by writing: "[[Slavic peoples|Slavic]] sons are keen to show their strength and worth. Why should Slav daughters not have the same desire? This is why I have decided to try to write something in my own mild language and I dare send into daylight one story from my collection and ask you to include it in your publication. Let my name be Josipina Turnograjska, since Turn Castle is my home." Her parents were Johann Nepomuk Urbantschitsch and Josephina Terpinz,<ref name="Taufbuch"/> who belonged to the local [[Carniola]]n gentry. Her father died when she was eight. She was educated by private tutors at Turn Castle, particularly in music, religion, as well as in [[Latin]] and Italian. She taught herself French. After 1849 a new tutor expanded the subjects of her instruction to include [[Ancient Greek]], [[natural sciences]], and history, with a particular emphasis on [[Slovene language|Slovene]] and the history of Slavic peoples. This proved to be the catalyst for the awakening of a national enthusiasm in Josipina, which made her decide to become a writer. In 1850 she was engaged to [[Lovro Toman]], a poet that would later become a successful lawyer and influential politician. Toman studied law in [[Graz]] and during their engagement the two maintained an extensive correspondence. More than a thousand letters survive, some up to twenty-five pages long. Their interest is not only in showing the relationship and feelings of two separated lovers, but also because they give an important insight into everyday life in the mid-19th century in the [[Slovene Lands]]. In 1853 they were married and due to Toman's work moved permanently to Graz. Josipina died there a year later after a combination of complications at childbirth and [[measles]]. She was only 20.


==Work==
==Work==
[[Image:Potoče, Preddvor - grad Turn - doprsni kip Josipine Urbančič (2).jpg|thumb|left|180px|Josipina Turnograjska's bust on the facade of [[Turn Castle, Preddvor|Turn Castle]]]]
[[Image:Potoče, Preddvor - grad Turn - doprsni kip Josipine Urbančič (2).jpg|thumb|left|180px|Josipina Turnograjska's bust on the facade of [[Turn Castle, Preddvor|Turn Castle]]]]
Josipina had extended knowledge of [[Slovene literature|Slovene]] and [[European literature]] and greatly admired [[France Prešeren]]’s poetry (she copied his style in her writing) and [[German Romanticism|German Romantic]] writers, as well as popular adventure novels of the time. There is an emphasis in her writings on the role of women as writers as well as in national awakening. Her work was appreciated in other areas of the Slav-speaking world ([[Russia]] and the [[Czech Lands]]), mainly because she wrote in a [[Slavic languages|Slavic language]]. In the period following the fall of the [[Absolutism (European history)|absolutist]] [[Age of Metternich|Metternich regime]], strict [[censorship]] was loosened and cultural activities with a stronger Slovene and Slavic note started to blossom. Josipina's work was marked by the ideas of [[Romantic Nationalism]], which in the Slovene Lands was connected with Slav mutualism and [[Panslavism]].
Josipina had extended knowledge of [[Slovene literature|Slovene]] and [[European literature]] and greatly admired [[France Prešeren]]’s poetry (she copied his style in her writing) and [[German Romanticism|German Romantic]] writers, as well as popular adventure novels of the time. There is an emphasis in her writings on the role of women as writers as well as in national awakening. Her work was appreciated in other areas of the Slav-speaking world (Russia and the [[Czech Lands]]), mainly because she wrote in a [[Slavic languages|Slavic language]]. In the period following the fall of the [[Absolutism (European history)|absolutist]] [[Age of Metternich|Metternich regime]], strict censorship was loosened and cultural activities with a stronger Slovene and Slavic note started to blossom. Josipina's work was marked by the ideas of [[Romantic Nationalism]], which in the Slovene Lands was connected with Slav mutualism and [[Panslavism]].


In her brief creative life, Josipina Turnograjska wrote around thirty stories, the first when she was only seventeen. She picked her material from the [[History of Slovenia|history of Slovenes]] and other Slavic peoples, as well as from popular legends. She gave great emphasis to poetical descriptions of nature. Five of her stories were published in the literary magazines ''Slovenska Čbela'' ("The Slovene Bee", 1851) edited by [[Anton Janežič]], three in ''Zora'' ("Dawn") and one in the almanac ''Vodnikov spomenik'' ("[[Valentin Vodnik|Vodnik]]'s Monument", 1852–1853). Around twenty texts remained unpublished at the time of her death.
In her brief creative life, Josipina Turnograjska wrote around thirty stories, the first when she was only seventeen. She picked her material from the [[History of Slovenia|history of Slovenes]] and other Slavic peoples, as well as from popular legends. She gave great emphasis to poetical descriptions of nature. Five of her stories were published in the literary magazines ''Slovenska Čbela'' ("The Slovene Bee", 1851) edited by [[Anton Janežič]], three in ''Zora'' ("Dawn") and one in the almanac ''Vodnikov spomenik'' ("[[Valentin Vodnik|Vodnik]]'s Monument", 1852–1853). Around twenty texts remained unpublished at the time of her death.


One of her best-known works is the tale of [[Veronika of Desenice]], a tragic heroine from the [[Renaissance]] period that was killed due to her involvement in a love affair at the court of the [[Counts of Celje]]. In the story, entitled ''Nedolžnost in sila'' (Innocence and Force), she developed the motif of Veronika as a Slavic heroine and Slavicized the names of [[Hermann II of Celje]] and his son [[Frederick II, Count of Celje|Frederick]] to Jerman and Miroslav. Another story, ''Rožmanova Lenčica'', also featured a female heroine from the 15th century that went to fight against the [[Ottoman Empire|Turks]] in place of her murdered father and returned marry her lover on [[Lake Bled|Bled Island]]. Other important stories include ''Izdajstvo in sprava'' (Betrayal and Reconciliation), about the [[Albanians|Albanian]] hero [[Skanderbeg|Kastriot Skanderbeg]], ''Povest o Bolgarskem knezu Borisu'' (The Tale of [[Bulgaria]]n Duke Boris) about the conversion of the [[Bulgarians]] to [[Christianity]], and the story ''Slavljanski mučenik'' (A Slavic Martyr) about the [[Slovak people|Slovak]] political hero [[Vilko Šulek]] executed by the [[Hungarians]]. In ''Svatoboj puščavnik'' (Svatoboj the Hermit), she wrote about a defeated leader that went into the desert where, in simple surroundings, he recognized the importance of life. She wrote two poems: ''Zmiraj krasna je narava'' (Always Beautiful Is Nature) and ''Donava'' (The [[Danube]]). She also composed a number of songs for the piano with Slovene lyrics.
One of her best-known works is the tale of [[Veronika of Desenice]], a tragic heroine from the [[Renaissance]] period that was killed due to her involvement in a love affair at the court of the [[Counts of Celje]]. In the story, entitled ''Nedolžnost in sila'' (Innocence and Force), she developed the motif of Veronika as a Slavic heroine and Slavicized the names of [[Hermann II of Celje]] and his son [[Frederick II, Count of Celje|Frederick]] to Jerman and Miroslav. Another story, ''Rožmanova Lenčica'', also featured a female heroine from the 15th century that went to fight against the [[Ottoman Empire|Turks]] in place of her murdered father and returned marry her lover on [[Lake Bled|Bled Island]]. Other important stories include ''Izdajstvo in sprava'' (Betrayal and Reconciliation), about the [[Albanians|Albanian]] hero [[Skanderbeg|Kastriot Skanderbeg]], ''Povest o Bolgarskem knezu Borisu'' (The Tale of Bulgarian Duke Boris) about the conversion of the [[Bulgarians]] to Christianity, and the story ''Slavljanski mučenik'' (A Slavic Martyr) about the [[Slovak people|Slovak]] political hero [[Vilko Šulek]] executed by the [[Hungarians]]. In ''Svatoboj puščavnik'' (Svatoboj the Hermit), she wrote about a defeated leader that went into the desert where, in simple surroundings, he recognized the importance of life. She wrote two poems: ''Zmiraj krasna je narava'' (Always Beautiful Is Nature) and ''Donava'' (The [[Danube]]). She also composed a number of songs for the piano with Slovene lyrics.


== References ==
== References ==
{{reflist}}
{{reflist}}
{{commons category|Josipina Urbančič}}
{{commons category|Josipina Urbančič}}
* Nataša Budna Kodrič, "Zgodba Josipine Turnograjske in Lovra Tomana" ''Kronika'' 51 (2003), 197-216.
* Nataša Budna Kodrič, "Zgodba Josipine Turnograjske in Lovra Tomana" ''Kronika'' 51 (2003), 197–216.
* Mira Delavec, ''Nedolžnost in sila, življenje in delo Josipine Urbančič Turnograjske'' (Kranj: Gorenjski glas, 2004).
* Mira Delavec, ''Nedolžnost in sila, življenje in delo Josipine Urbančič Turnograjske'' (Kranj: Gorenjski glas, 2004).
* Helga Glušič, ''Sto Slovenskih Pripovednikov'' (Ljubljana: Prešernova družba, 1996) {{ISBN|961-6186-21-3}}
* Helga Glušič, ''Sto Slovenskih Pripovednikov'' (Ljubljana: Prešernova družba, 1996) {{ISBN|961-6186-21-3}}
* Ivan Lah, ''Josipina Turnograjska: njeno življenje in delo'' (Maribor: Slovenska ženska knjižnica, 1921).
* Ivan Lah, ''Josipina Turnograjska: njeno življenje in delo'' (Maribor: Slovenska ženska knjižnica, 1921).
* Alenka Šelih et al., ''Pozabljena polovica: portreti žensk 19. in 20. stoletja na Slovenskem'' (Ljubljana: [[Slovene Academy of Sciences and Arts|SASA]], 2007).
* Alenka Šelih et al., ''Pozabljena polovica: portreti žensk 19. in 20. stoletja na Slovenskem'' (Ljubljana: [[Slovene Academy of Sciences and Arts|SASA]], 2007).
* Blažić, Milena Mileva "A Survey of Slovenian Women Fairy Tale Writers." CLCWeb: Comparative Literature and Culture 15.1 (2013): <https://doi.org/10.7771/1481-4374.2064>


{{Preddvor}}
{{Preddvor}}
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[[Category:1833 births]]
[[Category:1833 births]]
[[Category:1854 deaths]]
[[Category:1854 deaths]]
[[Category:Poets from the Austrian Empire]]
[[Category:Composers from the Austrian Empire]]
[[Category:People from the Municipality of Preddvor]]
[[Category:People from the Municipality of Preddvor]]
[[Category:Slovenian women writers]]
[[Category:Slovenian women poets]]
[[Category:Slovenian women poets]]
[[Category:Slovenian poets]]
[[Category:Slovenian composers]]
[[Category:Slovenian composers]]
[[Category:Slovenian women composers]]
[[Category:19th-century composers]]
[[Category:19th-century composers]]
[[Category:19th-century poets]]
[[Category:19th-century poets]]
[[Category:19th-century women writers]]
[[Category:19th-century women writers]]
[[Category:19th-century writers]]
[[Category:Deaths in childbirth]]

Latest revision as of 03:59, 29 January 2024

Josipina Turnograjska
BornJosepha Constantia Anna Urbantschitsch[1]
(1833-07-09)9 July 1833
Turn Castle, Preddvor, Kingdom of Illyria, Austrian Empire (now in Slovenia)
Died1 June 1854(1854-06-01) (aged 20)
Graz, Duchy of Styria, Austrian Empire (now in Austria)
OccupationWriter, poet
Literary movementRomanticism

Josipina Urbančič (married name Toman), who published under the pen name Josipina Turnogradska[2][3] (later respelled Turnograjska, 9 July 1833 – 1 June 1854), was one of the first Slovene female writers, poets, and composers.

Biography[edit]

Josipina was baptized Josepha Constantia Anna Urbantschitsch.[1] She was born at Turn Castle in what was then the Austrian Empire, (now part of the municipality of Preddvor), from which she also derived her pseudonym Turnograjska (literally 'of Turn Castle'). When sending her first story to the editor of the literary magazine Slovenska Bčela she explained the choice of name by writing: "Slavic sons are keen to show their strength and worth. Why should Slav daughters not have the same desire? This is why I have decided to try to write something in my own mild language and I dare send into daylight one story from my collection and ask you to include it in your publication. Let my name be Josipina Turnograjska, since Turn Castle is my home." Her parents were Johann Nepomuk Urbantschitsch and Josephina Terpinz,[1] who belonged to the local Carniolan gentry. Her father died when she was eight. She was educated by private tutors at Turn Castle, particularly in music, religion, as well as in Latin and Italian. She taught herself French. After 1849 a new tutor expanded the subjects of her instruction to include Ancient Greek, natural sciences, and history, with a particular emphasis on Slovene and the history of Slavic peoples. This proved to be the catalyst for the awakening of a national enthusiasm in Josipina, which made her decide to become a writer. In 1850 she was engaged to Lovro Toman, a poet that would later become a successful lawyer and influential politician. Toman studied law in Graz and during their engagement the two maintained an extensive correspondence. More than a thousand letters survive, some up to twenty-five pages long. Their interest is not only in showing the relationship and feelings of two separated lovers, but also because they give an important insight into everyday life in the mid-19th century in the Slovene Lands. In 1853 they were married and due to Toman's work moved permanently to Graz. Josipina died there a year later after a combination of complications at childbirth and measles. She was only 20.

Work[edit]

Josipina Turnograjska's bust on the facade of Turn Castle

Josipina had extended knowledge of Slovene and European literature and greatly admired France Prešeren’s poetry (she copied his style in her writing) and German Romantic writers, as well as popular adventure novels of the time. There is an emphasis in her writings on the role of women as writers as well as in national awakening. Her work was appreciated in other areas of the Slav-speaking world (Russia and the Czech Lands), mainly because she wrote in a Slavic language. In the period following the fall of the absolutist Metternich regime, strict censorship was loosened and cultural activities with a stronger Slovene and Slavic note started to blossom. Josipina's work was marked by the ideas of Romantic Nationalism, which in the Slovene Lands was connected with Slav mutualism and Panslavism.

In her brief creative life, Josipina Turnograjska wrote around thirty stories, the first when she was only seventeen. She picked her material from the history of Slovenes and other Slavic peoples, as well as from popular legends. She gave great emphasis to poetical descriptions of nature. Five of her stories were published in the literary magazines Slovenska Čbela ("The Slovene Bee", 1851) edited by Anton Janežič, three in Zora ("Dawn") and one in the almanac Vodnikov spomenik ("Vodnik's Monument", 1852–1853). Around twenty texts remained unpublished at the time of her death.

One of her best-known works is the tale of Veronika of Desenice, a tragic heroine from the Renaissance period that was killed due to her involvement in a love affair at the court of the Counts of Celje. In the story, entitled Nedolžnost in sila (Innocence and Force), she developed the motif of Veronika as a Slavic heroine and Slavicized the names of Hermann II of Celje and his son Frederick to Jerman and Miroslav. Another story, Rožmanova Lenčica, also featured a female heroine from the 15th century that went to fight against the Turks in place of her murdered father and returned marry her lover on Bled Island. Other important stories include Izdajstvo in sprava (Betrayal and Reconciliation), about the Albanian hero Kastriot Skanderbeg, Povest o Bolgarskem knezu Borisu (The Tale of Bulgarian Duke Boris) about the conversion of the Bulgarians to Christianity, and the story Slavljanski mučenik (A Slavic Martyr) about the Slovak political hero Vilko Šulek executed by the Hungarians. In Svatoboj puščavnik (Svatoboj the Hermit), she wrote about a defeated leader that went into the desert where, in simple surroundings, he recognized the importance of life. She wrote two poems: Zmiraj krasna je narava (Always Beautiful Is Nature) and Donava (The Danube). She also composed a number of songs for the piano with Slovene lyrics.

References[edit]

  1. ^ a b c Taufbuch. Preddvor. 1822–1858. p. 40. Retrieved 30 August 2021.
  2. ^ Turnogradska, Josipina (1 March 1851). "Izdajstvo in sprava". Slovenska bčela: Podučen in kratkočasen list: 65–68. Retrieved 30 August 2022.
  3. ^ Fekonja, Andrej. "Josipina Turnogradska, slovenska pisateljica". Ljubljanski Zvon. 4 (6): 345–352. Retrieved 30 August 2022.
  • Nataša Budna Kodrič, "Zgodba Josipine Turnograjske in Lovra Tomana" Kronika 51 (2003), 197–216.
  • Mira Delavec, Nedolžnost in sila, življenje in delo Josipine Urbančič Turnograjske (Kranj: Gorenjski glas, 2004).
  • Helga Glušič, Sto Slovenskih Pripovednikov (Ljubljana: Prešernova družba, 1996) ISBN 961-6186-21-3
  • Ivan Lah, Josipina Turnograjska: njeno življenje in delo (Maribor: Slovenska ženska knjižnica, 1921).
  • Alenka Šelih et al., Pozabljena polovica: portreti žensk 19. in 20. stoletja na Slovenskem (Ljubljana: SASA, 2007).
  • Blažić, Milena Mileva "A Survey of Slovenian Women Fairy Tale Writers." CLCWeb: Comparative Literature and Culture 15.1 (2013): <https://doi.org/10.7771/1481-4374.2064>