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'''Donald Merriam Allen''' ([[Iowa]], 1912 – [[San Francisco]], August 29, 2004) was an [[editing|editor]], publisher, and translator of contemporary American literature.<ref name=":0">{{Cite web|title = Register of Donald Allen Collection - MSS 3|url = http://libraries.ucsd.edu/speccoll/findingaids/mss0003.html|website = libraries.ucsd.edu|accessdate = 2015-06-06}}</ref> He is perhaps best known for his project ''[[The New American Poetry 1945-1960]]'' (1960), among anthologies of contemporary American writing he released.<ref>{{Cite web|title = Whose New American Poetry?: Anthologizing in the Nineties|url = http://epc.buffalo.edu/authors/perloff/anth.html|website = epc.buffalo.edu|accessdate = 2015-06-06|last = Perloff|first = Marjorie}}</ref> Allen began his working life as a Japanese translator within the US military, serving in WWII. After his service ended, Allen became an editor at [[Grove Press]], where he worked for 16 years.<ref name=":0" /> He was one of the first translators of the Romanian-French [[Theatre of the Absurd|Absurdist]] playwright [[Eugène Ionesco]], and Allen's 1958 volume ''Four Plays of Eugène Ionesco'' helped to introduce the playwright to American audiences in the 1960s.
'''Donald Merriam Allen''' ([[Iowa]], 1912 – [[San Francisco]], August 29, 2004) was an [[editing|editor]], publisher, and translator of contemporary American literature.<ref name=":0">{{Cite web|title = Register of Donald Allen Collection - MSS 3|url = http://libraries.ucsd.edu/speccoll/findingaids/mss0003.html|website = libraries.ucsd.edu|accessdate = 2015-06-06}}</ref> He is perhaps best known for his project ''[[The New American Poetry 1945-1960]]'' (1960), among anthologies of contemporary American writing he released.<ref>{{Cite web|title = Whose New American Poetry?: Anthologizing in the Nineties|url = http://epc.buffalo.edu/authors/perloff/anth.html|website = epc.buffalo.edu|accessdate = 2015-06-06|last = Perloff|first = Marjorie}}</ref> Allen began his working life as a Japanese translator within the US military, serving in WWII. After his service ended, Allen became an editor at [[Grove Press]], where he worked for 16 years.<ref name=":0" /> He was one of the first translators of the Romanian-French [[Theatre of the Absurd|Absurdist]] playwright [[Eugène Ionesco]], and Allen's 1958 volume ''Four Plays of Eugène Ionesco'' helped to introduce the playwright to American audiences in the 1960s.


Along with editing works by [[Lew Welch]], Allen edited [[Frank O'Hara]], including the seminal ''Collected Poems'' (1971; 1991) and ''Selected Poems'' (1974). He is referred to directly in O'Hara's "Personal Poem" which is in ''[[Lunch Poems]]'', a book Allen also edited. O'Hara writes, in reference to a conversation he had with [[LeRoi Jones]], "we don't like Lionel Trilling/we decide, we like Don Allen."
Along with editing works by [[Lew Welch]], Allen edited [[Frank O'Hara]], including ''Collected Poems'' (1971; 1991) and ''Selected Poems'' (1974). He is referred to directly in O'Hara's "Personal Poem" which is in ''[[Lunch Poems]]'', a book Allen also edited. O'Hara writes, in reference to a conversation he had with [[LeRoi Jones]], "we don't like Lionel Trilling/we decide, we like Don Allen."


In 1960, Allen moved permanently from New York to San Francisco, where he established Grey Fox Press and the Four Seasons Foundation, two significant literary presses where he continued to publish work from Beat, San Francisco Renaissance, Black Mountain, and New York School writers, as well as younger new voices. He served as the [[CEO]] of Grey Fox Press, publishing important work by [[Jack Spicer]] along with such volumes as ''Enough Said'' (1980) by [[Philip Whalen]] and ''I Remain'' (1980), a collection of Welch's letters. Some other notable authors published by Grey Fox Press were: [[Richard Brautigan]], [[Robert Duncan (poet)|Robert Duncan]], [[Jack Kerouac]], [[Joanne Kyger]], [[Philip Lamantia]], [[Charles Olson]], [[John Rechy]], [[Michael Rumaker]], [[Aaron Shurin]], and [[Gary Snyder]].
In 1960, Allen moved from New York to San Francisco, where he established Grey Fox Press and the Four Seasons Foundation, two literary presses where he continued to publish work from Beat, San Francisco Renaissance, Black Mountain, and New York School writers, as well as younger voices. He served as the [[CEO]] of Grey Fox Press, publishing works by [[Jack Spicer]] along with such volumes as ''Enough Said'' (1980) by [[Philip Whalen]] and ''I Remain'' (1980), a collection of Welch's letters. Some other notable authors published by Grey Fox Press were: [[Richard Brautigan]], [[Robert Duncan (poet)|Robert Duncan]], [[Jack Kerouac]], [[Joanne Kyger]], [[Philip Lamantia]], [[Charles Olson]], [[John Rechy]], [[Michael Rumaker]], [[Aaron Shurin]], and [[Gary Snyder]].


The same year, Allen edited the anthology ''The New American Poetry''. In that book, released through Grey Fox Press, Allen included "Statements of Poetics," which was an experimental aesthetics discussion from [[Lawrence Ferlinghetti]], Whalen, Snyder, [[Michael McClure]], Jones, [[John Wieners]], along with Kerouac and [[Allen Ginsberg]].<ref>https://archive.org/stream/EncyclopediaOfBeatLiterature/Encyclopedia%20of%20Beat%20Literature_djvu.txt</ref>
While working with the ''Four Seasons Foundation'', Allen assisted in the publication of (among others): ''Interviews'' (1980) by [[Edward Dorn]], ''A Quick Graph: Collected Notes and Essays'' (1970) by [[Robert Creeley]], and ''The Graces'' (1983) by [[Aaron Shurin]]. In 1997, he helped edit, along with Benjamin Friedlander, the ''Collected Prose of [[Charles Olson]]'' (University of California Press).

While working with the ''Four Seasons Foundation'', Allen also assisted in the publication of (among others): ''Interviews'' (1980) by [[Edward Dorn]], ''A Quick Graph: Collected Notes and Essays'' (1970) by [[Robert Creeley]], and ''The Graces'' (1983) by [[Aaron Shurin]]. In 1997, Allen helped edit, along with Benjamin Friedlander, the ''Collected Prose of [[Charles Olson]]'' (University of California Press).


==Grey Fox Press==
==Grey Fox Press==

Revision as of 02:43, 12 January 2018

Donald Merriam Allen (Iowa, 1912 – San Francisco, August 29, 2004) was an editor, publisher, and translator of contemporary American literature.[1] He is perhaps best known for his project The New American Poetry 1945-1960 (1960), among anthologies of contemporary American writing he released.[2] Allen began his working life as a Japanese translator within the US military, serving in WWII. After his service ended, Allen became an editor at Grove Press, where he worked for 16 years.[1] He was one of the first translators of the Romanian-French Absurdist playwright Eugène Ionesco, and Allen's 1958 volume Four Plays of Eugène Ionesco helped to introduce the playwright to American audiences in the 1960s.

Along with editing works by Lew Welch, Allen edited Frank O'Hara, including Collected Poems (1971; 1991) and Selected Poems (1974). He is referred to directly in O'Hara's "Personal Poem" which is in Lunch Poems, a book Allen also edited. O'Hara writes, in reference to a conversation he had with LeRoi Jones, "we don't like Lionel Trilling/we decide, we like Don Allen."

In 1960, Allen moved from New York to San Francisco, where he established Grey Fox Press and the Four Seasons Foundation, two literary presses where he continued to publish work from Beat, San Francisco Renaissance, Black Mountain, and New York School writers, as well as younger voices. He served as the CEO of Grey Fox Press, publishing works by Jack Spicer along with such volumes as Enough Said (1980) by Philip Whalen and I Remain (1980), a collection of Welch's letters. Some other notable authors published by Grey Fox Press were: Richard Brautigan, Robert Duncan, Jack Kerouac, Joanne Kyger, Philip Lamantia, Charles Olson, John Rechy, Michael Rumaker, Aaron Shurin, and Gary Snyder.

The same year, Allen edited the anthology The New American Poetry. In that book, released through Grey Fox Press, Allen included "Statements of Poetics," which was an experimental aesthetics discussion from Lawrence Ferlinghetti, Whalen, Snyder, Michael McClure, Jones, John Wieners, along with Kerouac and Allen Ginsberg.[3]

While working with the Four Seasons Foundation, Allen also assisted in the publication of (among others): Interviews (1980) by Edward Dorn, A Quick Graph: Collected Notes and Essays (1970) by Robert Creeley, and The Graces (1983) by Aaron Shurin. In 1997, Allen helped edit, along with Benjamin Friedlander, the Collected Prose of Charles Olson (University of California Press).

Grey Fox Press

Grey Fox Press and Four Seasons Foundation were among the many emerging presses that City Lights distributed in the late 1960s, and when Don Allen began thinking about retirement, City Lights offered to acquire the backlists. Today, City Lights publishes the significant works from these presses in their City Lights/Grey Fox series.[4]

External links

References

  1. ^ a b "Register of Donald Allen Collection - MSS 3". libraries.ucsd.edu. Retrieved 2015-06-06.
  2. ^ Perloff, Marjorie. "Whose New American Poetry?: Anthologizing in the Nineties". epc.buffalo.edu. Retrieved 2015-06-06.
  3. ^ https://archive.org/stream/EncyclopediaOfBeatLiterature/Encyclopedia%20of%20Beat%20Literature_djvu.txt
  4. ^ "City Lights Books : City Lights/Grey Fox". www.citylights.com. Retrieved 2015-06-06.