Peace Tower

For other uses, see Peace Tower (disambiguation).

The Peace Tower, viewed from the front.

An image showing the south face of the Peace Tower's clock and the glass windows of the observation deck below.

File:Christmas Lights by rossoblack.jpg

The Peace Tower with projected light decorations for Christmas.

The Peace Tower (officially The Tower of Victory and Peace) is a focal clock tower, sitting on the central axis of the Centre Block of the Canadian parliament buildings in Ottawa, Ontario. The present incarnation replaced the 55 m (180 ft) Victoria Tower after the latter burned down in 1916, along with most of the Centre Block. It today serves as a Canadian icon, and appears on the obverse of both the Canadian fifty-dollar and twenty-dollar bills.

Characteristics

Designed by Jean Omer Marchand and John A. Pearson, the tower is a campanile who's height reaches 92.2 metres (302 ft 6 in), over which are arranged a multitude of stone carvings, including approximately 370 gargoyles, grotesques, and friezes, keeping with the Victorian High Gothic style of the rest of the parliamentary complex. The walls are of Nepean sandstone, and the roof is of reinforced concrete covered with copper.

At its base is a porte-cochere within four equilateral pointed arches, the north of which frames the main entrance of the Centre Block, and the jambs of the south adorned by the supporters of the Royal coat of arms of Canada. Near the apex, just below the steeply pitched roof, are the tower's 4.8 m (16 ft) diameter clock faces, one on each of the four facades. The mechanical workings of the timepiece were manufactured by the Verdin Company, and are set by the National Research Council Time Signal. One level below, running around the circumfrence of the tower's shaft, is an observation deck. This was the highest accessible space in Ottawa until the early 1970s; the Peace Tower dominated the Ottawa skyline, as a strict 45.7 m (150 ft) height limit was placed on other buildings. That limit, however, was later rescinded, leading the Peace Tower to lose its distinction as the city's tallest structure. Cantilevered out at each of the four corners of the tower, at the level of the observation platform, are four 2.5 m (8 ft 4 in) long, 75 cm (2 ft 6 in) high, and 45 cm (1 ft 6 in) thick gargoyles made of Stanstead grey granite from Beebe, Quebec.

The tower's flagpole holds symbolic significance, and acts as the flagpole of the nation. As such, strict protocol surrounds the display of banners atop the Peace Tower, such as half-masting for national mourning, and showing the flag of the sovereign, that of any member of the Royal Family, or the flag of the Governor General, when any of those persons are present on Parliament Hill.

Memorial Chamber

The Peace Tower was built not only to stand as an archicetural feature and landmark, but also to function as a memorial. It thus houses the Memorial Chamber, a vaulted room directly above the porte-cochere, with stained glass windows, and with various features illustrating Canada's war record, such as the steps manufactured from stone quarried from Flanders' fields, and brass plates made from spent shell casings found on battlefields and bearing the name of each of Canada's major conflicts during the First World War. The stone walls were originally to have bore the names of all Canada's servicemen and women who had died during World War I; but, without enough space for all 66,000 names, it was later decided to place Books of Remembrance there instead; these books list all Canadian soldiers, airmen, and seamen who died in service of the Crown– whether that of Britain (before 1931) or the that of Canada (after 1931)– or allied countries in foreign wars, including the Nile Expedition and Boer War, the First World War, the Second World War, and the Korean War. The displays were later modified to represent a more broad overview of Canadian armed conflict, both foreign and domestic, since Confederation in 1867.

After John Pearson canvassed British artists in stained glass for designs for the Memorial Chamber's windows, he settled on Frank S.J. Hollister of Toronto for the task, and who's proposal was presented in 1925 to the Department of Public Works for the Governor-in-Council's approval. Each of the three 7 m by 3.5 m windows is divided into vertical quadrants by stone mullions, and contain allegorical figures amongst heraldic symbols, including the Royal Arms of Canada, the arms of each of the provinces, and those of the United Kingdom.

The Call to Arms

This window displays four allegories: Victory, as a woman holdng a crown and surrounded by a laurel branch and a helmet on a shield; Labour, a male figure amongst objects such as a shovel, spinning wheel, and astrolabe, with the motto Fortitudo Industria et Pax (Strength Industry and Peace); Progress, a man holding a book and quill, surrounded by a celestial crown, weighing scales, hourglass, and galley; and Science, a male holding a microscope and flask, amongst symbols such as a globe and torch, all below a ribbon indicating metallurgy, mineralogy, and chemistry. Thes four figures are arranged above four lower panels, the first showing three inscriptions: THANKS BE TO GOD WHO GIVETH US THE VICTORY, from 1 Corinthians 15:57, FAITH UNTO DEATH, and ACQUIT YE LIKE MEN BE STRONG, both from 1 Corinthians 16:13. Also in this section is a crowd of people bearing shields and spears, who represent the people of Canada uniting in response to the call of the man shown in the second panel, who holds a sword and trumpet, calling "To Arms"; at his side is a child holding flowers, representing faith and courage. This section also displays the words THOU HAST GIRDED ME WITH STRENGTH UNTO THE BATTLE, from Psalm 18:39. In the third panel stands a woman supporting a rod entwined with winged serpents, the Rod of Asclepius, characterising the nurses of battle, and below her is the phrase TRUE WORTH THAT NEVER KNOWS IGNOBLE DEFEAT SHINES WITH UNDIMMED GLORY, taken from Horace's Odes. The fourth bay displays a group of men and horses congregating from farms, offices, and factories, while a fleet of ships rests at bay awaiting the men to ship them to war.

The Assembly of Remembrance

This is the south window, the first panel of which shows the archangel Michael holding a trumpet, representing the call to battle, and, above his head, a seated woman with children at her knee, symbolising the sacrifices of women and children in the name of liberty, honour, and justice, while in the lower portion an armoured figure bears the Crown of Victory in his hands. The second panel contains the inscriptions: AT THE GOING DOWN OF THE SUN AND IN THE MORNING WE WILL REMEMBER THEM, taken from the work of Laurence Binyon, and FREEDOM IS THE SURE POSSESSION OF THOSE ALONE WHO HAVE COURAGE TO DEFEND IT, from Pericles, as well as, in the lower portion, an armoured figure holding a flambeau, and, in the upper part, St. George slaying the dragon. The third panel contains Lady Justice bearing the Scales of Justice and the Great Sword of Judgement, the sword-guard of which shows a figure in a crucifixion pose– representing suffering for both the victors and the defeated– and below her the words JUSTITIA LIBERTAS PERPETUO (Justice Liberty in Perpetuity). Beneath Lady Justice in this panel is the heroic figure of Canada wearing armour and helmet and holding the laurel wreath of victory, but looking mournfully at the Book of Remembrance, and behind her are two other persons, one symbolising Canadian motherhood, and the other First Nations. The fourth quadrant shows Joan of Arc bearing a shield and standing before the royal coat of arms of France.

The Dawn of Peace

Similar to the other windows, this one shows four figures across the top portion. The first of these is the figure of the Victory of Peace, holding both a palm branch and the sword of judgement, while a dove flies overhead. The second person shown is that of Prosperity, who holds a wheat sheaf and a sicle, and, next to him, is Progress, bearing a winged wheel and with the Lamp of Knowledge above his head. The fourth figure is Plenty, symbolising the replenishment of both material and spirit through noble pursuit. Arranged in the lower portion of the window is a crowd of people assembled in peace and led by three figures in the foreground and bearing the symbols of their trades: Industry holds a mallet and dynamo, Agriculture bears a scythe, Honour carries a torch inscribed with words from John McCrae's poem In Flanders Fields: BE THE TORCH YOURS TO HOLD IT HIGH, and Motherhood, who is surrounded by children. At the base of the second and third panels are the phrases: HE MAKETH WARS TO CEASE, from Psalm 46:9, and JUDGEMENT SHALL RETURN UNTO RIGHTEOUSNESS, from Psalm 94:15.

Carillon

Accompanying the Peace Tower clock is a 53-bell carillon, conceived by an act of parliament as a commemoration of the 1918 armistice that ended World War I, and was innagurated on 1 July 1927, to mark the 60th anniversary of Confederation. The bells weigh from 4.5 kg to the 10,160 kg (10 lbs to 23,399 lbs) bourdon, all cast and tuned by Gillett & Johnston in Croydon, England, and which are used by the Dominion Carillonneur for both regular recitals and to toll to mark major occasions such as state funerals and Remembrance Day. Each bell is stationary and is struck by its internal clapper, itself mechanically linked to the carillon keyboard, to create a note, a particular one on the music scale for each bell. In this way, the carillon plays similarly to a piano, allowing the carillonneur to change the sounds by varying the way he or she strikes the keys.

History

Coming immediately after the destruction of the parliament buildings by fire in 1916, the Peace Tower's conception coinceided with the end of the First World War. With this in mind, Prime Minister Robert Borden dedicated the site of the tower on 1 July 1917, with the words: "[the tower will be a] memorial to the debt of our forefathers and to the valour of those Canadians who, in the Great War, fought for the liberties of Canada, of the Empire, and of humanity." Two years later, the Peace Tower's foundation stone was laid by Prince Edward, Prince of Wales (later King Edward VIII), during his wider royal tour of Canada, and the structure was topped out in 1922. The Prince of Wales returned to Ottawa again in 1927 to dedicate the altar of the Memorial Chamber, and to innagurate the Dominion Carillon, the first playing of which on that day was heard by listeners across the country on the first ever coast-to-coast radio broadcast in Canada.

Starting in 1994, the Peace Tower was covered and the accessible spaces closed for a two year conservation project aimed at reversing deterioration of the masonry and preventing further moisture penetration.

On May 24, 2006, the clock atop the tower stopped for the first time in 28 years. It was inactive, displaying 7:28 for about one day, to the confusion of many Ottawans and visitors.

External links

• Parliament Hill History
• Books of Remembrance Online
• Parliament Hill Hillcam
• Parliament Hill Website
• Peace Tower Carillon