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'''Cornelis van der Voort''' (Antwerp circa [[1576]] – Amsterdam [[1624]]) was a Dutch portraitpainter from the 17th century before [[Rembrandt]] appeared on stage.
'''Cornelis van der Voort''' (Antwerp circa [[1576]] – Amsterdam [[1624]]) is a Dutch portraitpainter from the 17th century. Although very little is known about Van der Voort’s early life, he probably came from a family of painters as there was a Cornelis van der Voort in the guild of Utrecht in 1569 and another in the guild of Delft in 1648. It is thought he studied with [[Cornelis Ketel]]. Around 1613 he was a member of the [[schutterij]] and painted himself on a [[schutterstuk]]. He inherited a double wide house in the [[Sint Antoniesbreestraat]] from his brother Hans, now the [[Rembrandt House Museum]]. He had good connections with [[Pieter Lastman]], who lived nearby. He probably had six children and married twice. In 1625 his inventory was sold. In 1626 his art business was taken over by [[Hendrick van Uylenburgh]].


Van der Voort worked in Amsterdam painting portraits of [[Geelvinck|Jan Cornelisz. Geelvinck]] as one of the [[regents]], [[Joan Huydecoper I|Joan Huydecoper]] and his late wife and [[Nicolaes Tulp]]. As a young man he was praised by [[Karel van Mander]]. His work was in great demand and held in high esteem. He was the head of the [[Guild of St. Luke]] and had a strong influence on the early portraits of [[Rembrandt]], as well as the work of [[Nicolaes Eliasz. Pickenoy]] and [[Thomas de Keyser]]. His own students included [[David Bailly]], [[Pieter Luyx]] and [[Dirk Harmensz.]]
Although very little is known about Van der Voort’s early life, he probably came from a family of painters as there was a Cornelis van der Voort in the guild of Utrecht in 1569 and another in the guild of Delft in 1648. It is thought he studied with [[Cornelis Ketel]]. As a young man he was praised by [[Karel van Mander]]. Around 1613 he was a member of the [[schutterij]] and painted himself on a [[schutterstuk]]. At some time he inherited a double wide house in the [[Sint Antoniesbreestraat]] from his brother Hans, now the [[Rembrandt House Museum]]. Van der Voort had good connections with [[Pieter Lastman]], who lived nearby. He probably had six children and married twice. In 1625 his inventory was sold. In 1626 his art business was taken over by [[Hendrick van Uylenburgh]].

Van der Voort worked in Amsterdam painting full length portraits in contemporary interiors of [[Geelvinck|Jan Cornelisz. Geelvinck]] as one of the''[[regenten]]'', [[Joan Huydecoper I|Joan Huydecoper]] and his late wife and [[Nicolaes Tulp]]. His work was in great demand and held in high esteem. He was the head of the [[Guild of St. Luke]] and had a strong influence on the early portraits of [[Rembrandt]], as well as the work of [[Nicolaes Eliasz. Pickenoy]] and [[Thomas de Keyser]]. His own students included [[David Bailly]], who copied his collection of paintings, [[Pieter Luyx]], [[Dirk Harmensz.]] and probably [[Pieter Codde]].


==Sources==
==Sources==

Revision as of 13:14, 27 May 2008

Cornelis van der Voort (Antwerp circa 1576 – Amsterdam 1624) was a Dutch portraitpainter from the 17th century before Rembrandt appeared on stage.

Although very little is known about Van der Voort’s early life, he probably came from a family of painters as there was a Cornelis van der Voort in the guild of Utrecht in 1569 and another in the guild of Delft in 1648. It is thought he studied with Cornelis Ketel. As a young man he was praised by Karel van Mander. Around 1613 he was a member of the schutterij and painted himself on a schutterstuk. At some time he inherited a double wide house in the Sint Antoniesbreestraat from his brother Hans, now the Rembrandt House Museum. Van der Voort had good connections with Pieter Lastman, who lived nearby. He probably had six children and married twice. In 1625 his inventory was sold. In 1626 his art business was taken over by Hendrick van Uylenburgh.

Van der Voort worked in Amsterdam painting full length portraits in contemporary interiors of Jan Cornelisz. Geelvinck as one of theregenten, Joan Huydecoper and his late wife and Nicolaes Tulp. His work was in great demand and held in high esteem. He was the head of the Guild of St. Luke and had a strong influence on the early portraits of Rembrandt, as well as the work of Nicolaes Eliasz. Pickenoy and Thomas de Keyser. His own students included David Bailly, who copied his collection of paintings, Pieter Luyx, Dirk Harmensz. and probably Pieter Codde.

Sources

  • Peter C. Sutton, “Frans Hals”, exhibition catalogue Museum of Fine Arts, Boston, Prized Possessions, European Paintings from Private Collections of Friends of the Museum of Fine Arts, Boston July 17 – August 16, 1992, p. 167.
  • Judikje Kiers and Fieke Tissink, “Companion Pieces” exhibition catalogue Rijksmuseum, Amsterdam, The Glory of the Golden Age, April 15 – September 17, 2000, p. 31.
  • Gary Schwartz (1987) Rembrandt. Zijn leven, zijn schilderijen, p. 26, 30, 138, 139, 141, 174, 210, 213.

External links