Tim Albery: Difference between revisions
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==Life and career== |
==Life and career== |
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Albery was born in [[Harpenden]], the son of the impresario [[Donald Albery]] and grandson of the producer [[Bronson Albery|Sir Bronson Albery]].<ref name=grove/> After directing drama in the British provinces, he directed his first operatic production, [[Benjamin Britten|Britten]]'s ''[[The Turn of the Screw]]'' for a music festival at [[Batignano]], Italy in 1983. For [[Opera North]], Albery directed operas by [[Michael Tippett|Tippett]], [[Wolfgang Amadeus Mozart|Mozart]] and most notably [[Hector Berlioz|Berlioz]]: his production of ''[[Les Troyens]]'' is described by ''[[Grove Dictionary of Music and Musicians|The New Grove Dictionary of Opera]]'' as "triumphant".<ref name=grove/> |
Albery was born in [[Harpenden]], the son of the impresario [[Donald Albery]] and grandson of the producer [[Bronson Albery|Sir Bronson Albery]].<ref name=grove/> After directing drama in the British provinces, he directed his first operatic production, [[Benjamin Britten|Britten]]'s ''[[The Turn of the Screw]]'' for a music festival at [[Batignano]], Italy in 1983. For [[Opera North]], Albery directed operas by [[Michael Tippett|Tippett]], [[Wolfgang Amadeus Mozart|Mozart]] and most notably [[Hector Berlioz|Berlioz]]: his production of ''[[Les Troyens]]'' is described by ''[[Grove Dictionary of Music and Musicians|The New Grove Dictionary of Opera]]'' as "triumphant".<ref name=grove/>'The Fortunes of Croesus', 'Guilio Cesare', 'Otello" |
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For the [[English National Opera]] (ENO), Albery directed Berlioz’s ''[[Béatrice et Bénédict|Beatrice and Benedict]]'' (1990) and Britten’s ''[[Billy Budd (opera)|Billy Budd]]'' (1988) and ''[[Peter Grimes]]'' (1991).<ref name=grove/> Together with his fellow directors, [[Richard Jones (director)|Richard Jones]], [[Jude Kelly]], [[Phyllida Lloyd]], [[Deborah Warner]] and [[Francesca Zambello]], Albery publicly supported ENO's general director Nicholas Payne in his dispute with the ENO's chairman Martin Smith over avant garde productions. They wrote, "The aim must be to create a new audience that does not see opera as a middle class trophy art form: an audience that Payne was beginning to attract to the Coliseum."<ref>Letter to the Editor, ''The Times'', 18 July 2002, p. 23</ref> |
For the [[English National Opera]] (ENO), Albery directed Berlioz’s ''[[Béatrice et Bénédict|Beatrice and Benedict]]'' (1990) and Britten’s ''[[Billy Budd (opera)|Billy Budd]]'' (1988) and ''[[Peter Grimes]]'' (1991).<ref name=grove/> Together with his fellow directors, [[Richard Jones (director)|Richard Jones]], [[Jude Kelly]], [[Phyllida Lloyd]], [[Deborah Warner]] and [[Francesca Zambello]], Albery publicly supported ENO's general director Nicholas Payne in his dispute with the ENO's chairman Martin Smith over avant garde productions. They wrote, "The aim must be to create a new audience that does not see opera as a middle class trophy art form: an audience that Payne was beginning to attract to the Coliseum."<ref>Letter to the Editor, ''The Times'', 18 July 2002, p. 23</ref> |
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Revision as of 19:45, 7 May 2012
Tim Bronson Reginald Albery (born 4 June 1952) is an English stage director, best known for his productions of opera.
Life and career
Albery was born in Harpenden, the son of the impresario Donald Albery and grandson of the producer Sir Bronson Albery.[1] After directing drama in the British provinces, he directed his first operatic production, Britten's The Turn of the Screw for a music festival at Batignano, Italy in 1983. For Opera North, Albery directed operas by Tippett, Mozart and most notably Berlioz: his production of Les Troyens is described by The New Grove Dictionary of Opera as "triumphant".[1]'The Fortunes of Croesus', 'Guilio Cesare', 'Otello"
For the English National Opera (ENO), Albery directed Berlioz’s Beatrice and Benedict (1990) and Britten’s Billy Budd (1988) and Peter Grimes (1991).[1] Together with his fellow directors, Richard Jones, Jude Kelly, Phyllida Lloyd, Deborah Warner and Francesca Zambello, Albery publicly supported ENO's general director Nicholas Payne in his dispute with the ENO's chairman Martin Smith over avant garde productions. They wrote, "The aim must be to create a new audience that does not see opera as a middle class trophy art form: an audience that Payne was beginning to attract to the Coliseum."[2]
For Scottish Opera, Albery directed Wagner's Ring cycle between 1999 and 2003,[3] and Mozart's Don Giovanni in 2006.[4]
Grove's Dictionary describes Albery's style as "a modern visual and dramatic language that combined stillness, taut economy, intense feeling for states of psychological and poetic complexity, and deep musical responsiveness" creating "a powerful impression of musico-dramatic revelation."[1]
Notes
- ^ a b c d Loppert Max. "Albery, Tim", The New Grove Dictionary of Opera, edited by Stanley Sadie, Grove Music Online, Oxford Music Online, accessed 12 June 2011 (subscription required)
- ^ Letter to the Editor, The Times, 18 July 2002, p. 23
- ^ Clark, Andrew, "Tim Albery - Fanfare for the common man", The Financial Times, 9 August 2003, p. 28
- ^ Ross, Peter. "The Fall and Rise", The Sunday Herald, 7 May 2006, p. 13