0.10
The last futuristic exhibition of painting 0.10 (zero – ten) ( Russian Последняя футуристическая выставка картин 0.10 (ноль – десять) Poslednjaja, which was a futurist exhibition of December 19 – nolian vystawka kartin 0.10 1915 to January 19, 1916 in the Chudoschestwennoje bjuro ( German art office ) of Nadeschda Dobytschina in Petrograd . The exhibition is considered to be one of the most important art exhibitions of modern times , especially because of the Suprematist works by Kazimir Malevich (including the Black Square ) and the counter and corner reliefs of Vladimir Tatlin . However, a total of fourteen artists were represented in the exhibition, including seven women, some of whom are among the most important artists of the Russian avant-garde and modernism. The exhibition presented a very heterogeneous image of the avant-garde in 1915, which later largely neglected its reception, which mainly focused on Malevich and Tatlin.
In the contemporary, predominantly bourgeois and conservative art criticism, the exhibition received predominantly negative reviews.
prehistory
In March 1915 the exhibition The first futuristic exhibition of painting Tramwaj W was opened in Petrograd. A total of ten artists showed their works in this exhibition. All artists, with the exception of Alexandra Exter and Alexei Morgunow , also exhibited at 0.10. It can be assumed that originally all ten artists were supposed to exhibit again, from which the exhibition name is supposed to be derived: Zero- Ten . In addition to the Tramwaj W artists ( Xenia Boguslawskaja , Iwan Kljun , Kasimir Malewitsch, Lyubow Popowa , Iwan Puni , Olga Rosanowa , Vladimir Tatlin and Nadezhda Udalzowa ), there were six more: Natan Altman , Vasili Kamenski , Anna Kirillowa , Michail Menkow, Vera Pestel and Marie Vassilieff .
Artist
The exhibition catalog lists 154 exhibits, but a little more were exhibited overall. On the one hand, Tatlin summarized several works under one number, on the other hand, at least two more works were exhibited, as recorded by hand in a copy of the exhibition catalog. The majority of the exhibited works had only been produced shortly before, but some older works (no older than one to two years) were also shown. In addition to the rivalry between Kazimir Malevich and his followers and Tatlin and his followers, there was also a certain, almost traditional, rivalry between the Petrograd and Moscow avant-garde. However, the character of the exhibitions was more determined by the Moscow avant-garde.
organization
The exhibition was financed by the couple Iwan Puni and Xenia Boguslawskaja, who already financed the Tramwaj W. The exhibition took place in the gallery of Nadezhda Dobytschina. This was on the first floor of a large building designed by Domenico Adamini and built in 1824 ( location of the building ). A total of six of the ten rooms were used for the gallery. However, the exhibition 0.10 was only located in at least three and a maximum of five rooms in the gallery.
Works
While the Tramwaj W exhibition in March 1915 showed in particular cubo-futuristic works, as well as reliefs by Tatlin and Kljun and alogical pictures by Malevich, a further step in art history took place in 0.10. Tatlin showed counter-reliefs here for the first time, i.e. those that extend over the corner of a room, and Malevich showed his Suprematist works here for the first time.
Below is a table of the works on display that can still be identified today. The titles follow the catalog, the year indicates the date of manufacture. These are not taken from the catalog, as it does not contain any information, but rather the current state of art history. The usual titles for the work are given in square brackets if they differ from the catalog title.
Catalog-
number |
Artist | title | year | material | Repository | Illustration |
---|---|---|---|---|---|---|
15th | Vasily Kamensky | [Portrait of Nikolai Jewreinow] | 1915 | unknown | lost | |
22nd | Ivan Kljun | head
[Head of a sawmaker] |
1915 | Oil on canvas | Kovalenko Regional Art Museum | |
23 | Ivan Kljun | Passing landscape | 1915 | Wood, metal, porcelain and oil | State Tretyakov Gallery | |
24 | Ivan Kljun | Cubist at the toilet | 1915 | unknown | lost | |
39 | Kazimir Malevich | square
[Black square] |
1915 | Oil on canvas | State Tretyakov Gallery | |
40 | Kazimir Malevich | Picturesque realism of a football player - colored masses in the 4th dimension | 1915 | Oil on canvas | Art Institute of Chicago | |
41 | Kazimir Malevich | Picturesque realism of a boy with a knapsack - colored masses in the 4th dimension | 1915 | Oil on canvas | Museum of Modern Art | |
43 | Kazimir Malevich | Picturesque realism of a peasant woman in two dimensions | 1915 | Oil on canvas | State Russian Museum | |
44 | Kazimir Malevich | Self-portrait in two dimensions | 1915 | Oil on canvas | Stedelijk Museum | |
45 | Kazimir Malevich | Automobiles and ladies - colored masses in the 4th dimension | 1915 | Oil on canvas | lost | |
46 | Kazimir Malevich | Lady - colored masses in the 4th and 2nd dimensions | 1915 | Oil on canvas | State Russian Museum | |
47 | Kazimir Malevich | Picturesque realism of colored masses in 2 dimensions | 1915 | Oil on canvas | lost | |
50 | Kazimir Malevich | Picturesque crowds in motion | 1915 | Oil on canvas | lost | |
52 | Kazimir Malevich | Picturesque crowds in motion | 1915 | Oil on canvas | lost | |
54 | Kazimir Malevich | Picturesque crowds in motion | 1915 | Oil on canvas | Stedelijk Museum | |
55 | Kazimir Malevich | Picturesque crowds in motion | 1915 | Oil on canvas | Stedelijk Museum | |
56 | Kazimir Malevich | Picturesque crowds in motion | 1915 | Oil on canvas | lost | |
65 | Kazimir Malevich | Picturesque masses in the 2nd dimension at rest | 1915 | Oil on canvas | lost | |
67 | Kazimir Malevich | Picturesque masses in the 2nd dimension at rest
[Black Cross] |
1915 | Oil on canvas | Musée National d'Art Moderne | |
82 | Vera Pestel | Lady with book | 1915 | Oil and newspaper on canvas | State Museum of Contemporary Art | |
85 | Vera Pestel | Tray and jug
[Still life with tray and jug] |
1915 | Oil on canvas | Nizhny Tagil Art Museum | |
86 | Lyubov Popova | portrait
[Portrait of a Philosopher] |
1915 | Oil on canvas | State Russian Museum | |
87 | Lyubov Popova | Drawing for a portrait | 1915 | Gouache on cardboard | State Tretyakov Gallery | |
89 | Lyubov Popova | Still life | 1915 | Oil on canvas | Nizhny Novgorod State Museum | |
93 | Lyubov Popova | Objects | 1915 | Oil on canvas | State Russian Museum | |
95 | Lyubov Popova | Portrait of a lady | 1915 | Oil on cardboard on wood | Museum Ludwig | |
96 | Lyubov Popova | Jug on a table | 1915 | Oil on cardboard on wood | State Tretyakov Gallery | |
98 | Ivan Puni | Hair salon | 1915 | Oil on canvas | Musée National d'Art Moderne | |
105 | Ivan Puni | Clean windows | 1915 | Oil on canvas | Ivan Puni Archives | |
111 | Ivan Puni | Picturesque sculpture
[White ball] |
1915 | painted plaster and wood | Musée National d'Art Moderne | |
112 | Ivan Puni | Picturesque sculpture
[Composition] |
1915 | Wood, cardboard, iron and oil on holu | Musée National d'Art Moderne | |
113 | Ivan Puni | Picturesque sculpture
[Composition] |
1915 | Wood, tin, cardboard and gouache on wood | Musée National d'Art Moderne | |
114 | Ivan Puni | Picturesque sculpture
[Composition] |
1915 | Aluminum, rhodoid and oil on wood | Musée National d'Art Moderne | |
117 | Ivan Puni | painting
[Suprematist Composition] |
1915 | Oil on canvas | Ivan Puni Archives | |
118 | Ivan Puni | painting
[Suprematist Composition] |
1915 | Oil on canvas | Stedelijk Museum | |
119 | Ivan Puni | painting
[Baths] |
1915 | Oil on canvas | Ivan Puni Archives | |
120 | Ivan Puni | painting
[Relief] |
1915 | Wood and oil on canvas | Musée National d'Art Moderne | |
121 | Olga Rosanova | automobile | 1915 | unknown | lost | |
122 | Olga Rosanova | Cyclist (devil's sidewalk) | 1915 | unknown | lost | |
123 | Olga Rosanova | Street
[Kino "Moderne" (on the street)] |
1915 | Oil on canvas | Slobodskoi Museum and Exhibition Center | |
124 | Olga Rosanova | metronome | 1915 | Oil on canvas | State Tretyakov Gallery | |
125 | Olga Rosanova | Cupboard | 1915 | Oil on canvas | State Tretyakov Gallery | |
126 | Olga Rosanova | Sewing box | 1915 | Oil on canvas | State Tretyakov Gallery | |
128 | Olga Rosanova | *** [Writing desk] | 1915 | Oil on canvas | State Russian Museum | |
132 - a | Vladimir Tatlin | [Corner counter-relief] | 1915 | Sheet metal, copper, wood, rope and fasteners | State Russian Museum | |
133 - b | Vladimir Tatlin | [Corner counter-relief] | 1915 | Sheet metal, aluminum, oil, levkas, wire and fasteners | lost | |
145 | Nadezhda Udaltsova | music
[At the piano] |
1915 | Oil on canvas | Yale University Art Gallery | |
146 | Nadezhda Udaltsova | kitchen | 1915 | Oil on canvas | Yekaterinburg Art Museum | |
147 | Nadezhda Udaltsova | Complicated gambit
[Cubist composition] |
1915 | Oil on canvas | State Russian Museum | |
148 | Nadezhda Udaltsova | Hammer and mug | 1915 | Oil on canvas | Dagestan Art Museum | |
149 | Nadezhda Udaltsova | Bottle and wine glass | 1915 | Oil on canvas | State Tretyakov Gallery | |
150 | Nadezhda Udaltsova | My image
[Self-portrait with palette] |
1915 | Oil on canvas | State Tretyakov Gallery | |
151 | Nadezhda Udaltsova | Blue jug | 1915 | Oil on canvas | State Tretyakov Gallery | |
152 | Nadezhda Udaltsova | Yellow jug | 1914/15 | Sheet metal, copper, wood, rope and fasteners | State Museum of Contemporary Art |
Documents
A total of six installation photographs are known from the exhibition. Otherwise several posters have been made and received, as well as an exhibition catalog, two leaflets, a booklet by Malevich and one about Tatlin.
- Poslednjaja futuristitzeskaja bystawka kartin 0.10 (nol – desjat). Catalog. ( Russian Последняя футуристическая выставка картин 0.10 (ноль – десять). Каталог. ) Petrograd, 1915.
- [Manifesto signed by Ivan Puni and Xenia Boguslawskaja], [Petrograd December 1915].
- [Manifesto signed by Kazimir Malevich, Iwan Kljun and Michail Menkow], [Petrograd December 1915]
- Nadeschda Udalzowa: Vladimir Evgrafowitsch Tatlin. ( Russian Владимир Евграфович Татлин ) . Petrograd 1915.
- Kasimir Malewitsch: Ot kubisma k suprematismu. Nowyi schivopisnyi realism. ( Russian От кубизма к супрематизму. Новый живописный реализм ). Petrograd December 1915 (1st edition), January 1916 (2nd edition).
All published documents are in In Search of 0.10 - The Last Futuristic Exhibition of Painting . Hatje Cantz Verlag, Ostfildern 2015, ISBN 978-3-7757-4032-6 . reprinted.
literature
- In Search of 0.10 - The Last Futuristic Exhibition of Painting . Hatje Cantz Verlag, Ostfildern 2015, ISBN 978-3-7757-4032-6 .
- Linda S. Boersma: 0.10. The Last Futurist Exhibition of Painting . 010 Publishers, 1994, ISBN 90-6450-135-1 .
- Jane A. Sharp: Malewitsch, Benois and the critical reception of the exhibition 0.10 . In: The great utopia. The Russian avant-garde 1915–1932 . Schirn Kunsthalle, Frankfurt am Main 1992, p. 32-45 .
Individual evidence
- ↑ a b c d In search of 0.10. The last futuristic exhibition of painting . Hatje Cantz, Ostfildern 2015, ISBN 978-3-7757-4032-6 , p. 15 .
- ↑ a b c d In search of 0.10. The last futuristic exhibition of painting . Hatje Cantz, Ostfildern 2015, ISBN 978-3-7757-4032-6 , p. 43-45 .
- ↑ There was a printing error in the exhibition catalog, where the painting is incorrectly named as Metropolis .