Amanzia Guérillot

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Angelo Inganni : Portrait of Amanzia Guérillot in the studio (1847/1848). Works by her can be seen in the background, e.g. B. left Piazza del Duomo e l'isolato del Rebecchino .
Angelo Inganni: Portrait of Amanzia Guérillot in front of the mirror (1856)

Amanzia Ammirata Guérillot , married Amanzia Inganni and Amanzia Antoniani (born December 2, 1828 in Milan , † December 1, 1905 ), was an Italian painter . She mainly painted romantic vedutas and still lifes . Much of her work has been mistakenly ascribed to her first husband, the painter Angelo Inganni .

Life

Amanzia Guérillot was born in Milan in 1828 to a family that originally came from France. She received her first drawing lessons from her father Nicola Guérillot. In 1845 the painter Angelo Inganni became her guardian and teacher, and she also frequently served as his model. In 1847 Guérillot made his debut with an exhibition at the Accademia di Belle Arti di Brera . There she showed the two veduta del palazzo di Giustizia di Milano and Veduta di localita nelle vicinanze di Brescia chiamata il Taglietto as well as the seascape Il battelo a vapore Lariano sul lago di Como . In the following years she also exhibited specimens, portraits, still lifes , and animal and flower pieces. Many of her works have been exhibited in Milan, including in the Galleria d'arte moderna. From 1853 to 1855 she designed 14 stations of the cross for the parish church of Ronco di Gussago . In 1856 (or 1859) she married Inganni, whose first wife had died three years earlier. After the wedding, the couple moved to the vicinity of Brescia . Guérillot worked with him frequently until Inganni's death in 1881. For example, together they painted wooden soldiers for door panels, wooden figurines for a tailor's workshop, bouquets of flowers on mirrors, boxes and screens . In 1887 Guérillot married the judicial officer Lodovico Antoniani, with whom she moved to Padova . Her further work is not known.

Exhibitions (selection)

  • 1847: Accademia di Belle Arti di Brera ( Veduta del palazzo di Giustizia di Milano , Veduta di località nelle vicinanze di Brescia chiamata il Taglietto , Il battelo a vapore Lariano sul lago di Como )
  • 1851: Brera ( Veduta della piazza San Sepolcro a Milano )
  • 1851: Exhibition of the "Austrian Art Association" in Vienna ( The Palace of Justice in Milan )
  • 1852: Milan ( snowy landscape in sunshine , sunrise )
  • 1854: Group exhibition at the Società Promotrice delle Belle Arti in Turin

Works (selection)

  • Veduta della piazza del Duomo di Milano. 1850, Museo di Milano
  • Piazza del Duomo e l'isolato del Rebecchino. 1850, oil on canvas, 76 cm × 60 cm, Museo di Milano
  • Un cavallo afferrato da un lupo. 1853
  • L'Ambrosiana verso Piazza San Sepolcro a Milano 1853, oil on canvas, 41 cm × 49.5 cm, Museo di Milano
  • Pesci d 'acqua dolce. 1860
  • Pesci, frutta e altro. 1863
  • Volatili morti , Verdure e pesce , Conigli , Volatili vivi con fiori 1864
  • Natura morta con selvaggina. after 1850, oil on canvas, 58 cm × 43 cm, Musei Civici di Arte e Storia in Brescia
  • Natura morta con pesci e rane. after 1850, oil on canvas, 59.5 cm × 44.5 cm, Musei Civici di Arte e Storia in Brescia
  • Natura morta con pesci. after 1850, oil on canvas, 60 cm × 54 cm, Musei Civici di Arte e Storia in Brescia
  • Moro con cavallo. after 1875, oil on canvas, 750 cm × 59.5 cm, Musei Civici di Arte e Storia in Brescia
  • Carrozza con cocchiere , oil on canvas, 87 cm × 57 cm, Musei Civici di Arte e Storia in Brescia

literature

Individual evidence

  1. ↑ a b c d Rachele Farina: Guérillot, Amanzia Ammirata In: Dizionario biografico delle donne lombarde 568–1968. Baldini & Gastoldi, Milano 1995, p. 577
  2. ↑ Monica Vinardi: INGANNI, Angelo In: Dizionario Biografico degli Italiani Volume 62, 2004, accessed on May 29, 2013.
  3. ↑ a b c Günter Meißner (Ed.): Guérillot, Amanzia Ammirata In: Allgemeines Künstlerlexikon . The visual artists of all times and peoples. Vol. 64, KG Saur, Munich 2009, p. 444.
  4. ↑ a b Constantin von Wurzbach : Guerillot, Amanzia . In: Biographisches Lexikon des Kaiserthums Oesterreich . 6th part. Imperial and Royal Court and State Printing Office, Vienna 1860, p. 18 ( digitized version ).
  5. ↑ Piazza del Duomo e l'isolato del Rebecchino, Inganni Amanzia Guerillot lombardiabeniculturali.it, accessed on May 29, 2013.
  6. ↑ L'Ambrosiana verso Piazza San Sepolcro, Inganni Amanzia Guerillot lombardiabeniculturali.it, May 29, 2013.
  7. ↑ Natura morta con selvaggina, Inganni Amanzia Guerillot lombardiabeniculturali.it, accessed May 29, 2013.
  8. ↑ Natura morta con pesci e rane, Inganni Amanzia Guerillot lombardiabeniculturali.it, accessed May 29, 2013.
  9. ↑ Natura morta con pesci, Inganni Amanzia Guerillot lombardiabeniculturali.it, accessed on May 29, 2013.
  10. ^ Moro con cavallo, Inganni Amanzia Guerillot lombardiabeniculturali.it, accessed May 29, 2013.
  11. ↑ Carrozza con cocchiere, Inganni Amanzia Guerillot lombardiabeniculturali.it, accessed May 29, 2013.
personal data
SURNAME Guerillot, Amanzia
ALTERNATIVE NAMES Guérillot, Amanzia Ammirata (full name); Inganni, Amanzia; Antoniani, Amanzia
BRIEF DESCRIPTION Italian painter
DATE OF BIRTH December 2, 1828
PLACE OF BIRTH Milan
DATE OF DEATH December 1, 1905