Anna Bohn

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Anna Bohn (* 1968 ) is a German philologist and film scholar . Since 2019 she has been a research assistant for strategic film development at the Central and State Library Berlin (ZLB).

Life

Bohn studied Hispanic Studies, Slavic Philology and Literary Studies in Madrid, Moscow and Munich and received his doctorate in 2000 with a thesis on the art theory of the Soviet film director Sergei Michailowitsch Eisenstein.

After working as a research assistant at the University of Munich, as a curator of the International Documentary Film Festival in Munich, as a freelancer for the Bavarian Broadcasting Corporation and as a lecturer in literary and cultural studies at the Institute for Slavonic Studies at the Paris Lodron University in Salzburg, she moved to the Film Institute in 2003 as a research assistant University of Art in Berlin. There she coordinated the project “DVD as a medium of critical film editions ” (directed by Enno Patalas ), which was funded by the German Federal Cultural Foundation , from which the digital edition of the DVD study version of Metropolis and the digital reconstruction of the needle-tone version of the Battleship Potemkin (1930) emerged. At the Deutsche Kinemathek Foundation , she also coordinated the “Bronenosec Potemkin / Battleship Potemkin” project, funded by the German Federal Cultural Foundation, for the reconstruction of the Russian premiere version and the German distribution version from 1926, which was shown at the 2005 Berlin International Film Festival .

From 2006 to 2010, Bohn was the head of the DFG- funded project “Basics of a Theory of Film Restoration and Critical Film Editing from an Interdisciplinary Comparative Perspective” at the Berlin University of the Arts and from 2011 to 2014 lecturer for “Film Edition” in the interdisciplinary master’s course in Editing Studies at the FU Berlin . Her monograph “Monument Film. Vol. 1: The film as cultural heritage; Vol. 2: Kulturlexikon Filmerbe ”offers the first comprehensive overview of the problem of the transmission, conservation and reconstruction of the film heritage in German.

From 2012 to 2014 Bohn was a research assistant at the Friedrich Meinecke Institute of the Free University of Berlin ( Oliver Janz chair ) for the EU project CENDARI (Collaborative European Digital Archival Infrastructure). Since moving to the Central and State Library in Berlin , Bohn's academic work has concentrated on problems relating to the information science indexing, indexing and communication of audiovisual documents in digital formats on physical carriers and on the Internet.

From 2014 to 2019 she headed the film library of the Central and State Library Berlin (ZLB).

Awards

Anna Bohn: Monument Film, Volume I: The film as cultural heritage. Volume II: Cultural lexicon film heritage. Cologne, Weimar, Vienna: Böhlau 2013 was awarded the Willy Haas Prize 2013 as part of the Cinefest - International Festival of German Film Heritage, November 2013, as well as the film book of the year 2013 by Hans Helmut Prinzler, January 2014.

Publications

Monographs
  • Film and power. On Sergej Eisenstein's art theory 1930–1948. diskurs film LIBRARY, Munich 2003, ISBN 3-926372-66-4 , plus diss., Univ. Munich, Munich 2000.
  • Memorial film . Volume I: The Film as Cultural Heritage . Böhlau, Cologne / Weimar / Vienna 2013, ISBN 978-3-412-20990-2 .
  • Memorial film . Volume II: Cultural lexicon film heritage . Böhlau, Cologne / Weimar / Vienna 2013, ISBN 978-3-412-20990-2 .
  • Film metadata: standards for the indexing of films with RDA and FRBR in an international comparison and perspectives for data exchange . (= Berlin handouts for library and information science 431). Institute for Library and Information Science at the Humboldt University of Berlin, Berlin 2018, doi: 10.18452 / 19220 .
items
  • From mass film to monodrama. Nikolaj Evreinov's theater concepts and Sergej Ėjzenštejn's film art . In: Anzeiger für Slavische Philologie , Volume XXVIII / XXIX, special issue for the 3rd conference of the Young Forum Slavic Literary Studies in Salzburg, September 1999, edited by Peter Deutschmann, Eva Hausbacher and Wolfgang Weitlaner. Graz 2001, 251-263.
  • Sobre la restauración de "El acorazado Potemkin" In: AGR. Coleccionistas de cine. Revista mensual editada por la Federación de Amigos del Cine . Vol. IX, No. 35, 2007, Madrid, pp. 80-99.
  • Aesthetic experience in (up) breaking: perspectives of critical film editions using the example of “Metropolis” and “Battleship Potemkin” . In: Rainer Falk, Gert Mattenklott: Aesthetic Experience and Edition . (= Supplements to editio.) Niemeyer, Tübingen 2007, pp. 115–127.
  • Aesthetic Experience in Upheaval. Perspectives on Critical Film Editions Based on the Example of "Metropolis" and "Battleship Potemkin" . In: Giulio Bursi, Simone Venturini: Critical Editions of Film. Film Tradition, Film Transcription in the Digital Era . Campanotto, Pasian di Prato 2008, pp. 24-39.
  • "The Negative of Time". Basic questions of audiovisual transmission and critical edition using the example of the Dziga Vertov collection and the Digital Formalism project . In: Digital Formalism. The calculated images of the Dziga Vertov. Mask and Kothurn . International contributions to theater, film and media studies, 55th year 2009, issue 3, pp. 149–167.
  • Old pictures, new ways of seeing: can color be a sin? By Anna Bohn and Oliver Janz. In: Tagesspiegel , September 20, 2012, online .
  • Demoralizing - brutalizing - offensive. On the trail of German film censorship documents in Russian archives. In: Johannes Roschlau (Red.): Art under control. Film censorship in Europe . Edition Text + Critique, München 2014, pp. 53–64.
  • with Jean-Claude Fombaron: From Enemy to Brother. On the media staging of fraternization on the Eastern Front in the First World War . In: Tanja Zimmermann (Ed.): Fraternity and brotherly strife. Media presentations of the development and decline of political communities in Eastern and Southeastern Europe. V&R Press, Göttingen, 2014, pp. 193–212.
  • Archival Research Guide: The Fall of the House of Romanov . CENDARI project online publication, November 2015, online .
  • About submarines, war reporters and the fall of the House of Romanov. Multimedia Edition: Perspectives on the contextualization of digitized film documents from the First World War. In: Editio . Volume 29, Issue 1, Pages 11-28, ISSN  0931-3079 , December 2015, doi: 10.1515 / editio-2015-003 .
  • From DVD to video-on-demand: moving images in libraries and new ways of accessing audiovisual cultural heritage. In: Library Service . Volume 50, Issue 1, pages 79-96, ISSN  0006-1972 , December 2015, doi: 10.1515 / bd-2016-0008 .
  • with Martin Koerber: Archiving Audiovisual Media in Germany . In: manual archive. History, tasks, perspectives . (Eds. :) Marcel Lepper , Ulrich Raulff. Stuttgart: JB Metzler, 2016., ISBN 978-3-476-02099-4 , pp. 168-178.
  • Agent 007 targeted by FRBR and RDA. In: Strategies for the Library as a Place. Festschrift for Petra Hauke ​​on her 70th birthday . Edited by Konrad Umlauf, Klaus Ulrich Werner, Andrea Kaufmann. De Gruyter, Berlin 2016, ISBN 978-3-11-048103-7 , pp. 317-340.
  • Sharing Moving Image Metadata and Streaming Video on Demand Content - The Project AVA as a Use Case for Cross Domain Cooperation between Film Festivals and Public Libraries . Presented at IFLA WLIC 2017, Wrocław, Online
  • with Thomas Lindenberger: “The October Revolution and its Images in the Mind.” In: Yearbook for Historical Communism Research 2017 . Berlin: Metropol, 2017. pp. 149–168. ISBN 978-3-86331-330-2 . ( Online )
Film editions
  • DVD study version Metropolis . Film Institute of the University of the Arts, Berlin 2006 (with Enno Patalas, Gunter Krüger, Björn Speidel, Antje Michna, Franziska Latell)
  • Bronenosec Potemkin / Battleship Potemkin . Reconstruction of the Russian premiere version. Reconstruction in 2005 under the direction of Enno Patalas in collaboration with Anna Bohn. An initiative project of the Federal Cultural Foundation. On behalf of the Deutsche Kinemathek Berlin Foundation. First performance of the reconstructed version on February 12, 2005 in the Volksbühne Berlin as a special event of the Berlin International Film Festival. Live music accompaniment: German Film Orchestra Babelsberg. Conductor: Helmut Imig.
  • Armored cruiser Potemkin . Reconstruction of the German rental version from 1926 with original music by Edmund Meisel. Reconstruction in 2005 under the direction of Enno Patalas in collaboration with Anna Bohn. An initiative project of the Federal Cultural Foundation on behalf of the Deutsche Kinemathek Berlin Foundation. Musical accompaniment: German Film Orchestra Babelsberg. Conductor: Helmut Imig. DVD Edition Filmmuseum 82, 2014.
  • Armored cruiser Potemkin . Experimental reconstruction of the German pin-tone version in 1930 as part of the research project DVD as a medium for critical film media at the Film Institute of the Berlin University of the Arts (with Enno Patalas, Björn Speidel). DVD Edition Filmmuseum 82, 2014.

Web links

Individual evidence

  1. ↑ ZLB organization chart. In: www.zlb.de. Central and State Library Berlin, May 19, 2020, accessed on June 8, 2020 .
  2. ↑ Anna Bohn: Film and Power. On Sergej Eisenstein's art theory 1930–1948. Munich: discurs film LIBRARY 2003.
  3. ^ Anna Bohn: Monument film. Volume I: The Film as Cultural Heritage. Volume II: Cultural lexicon film heritage. Cologne, Weimar, Vienna: Böhlau 2013. ISBN 978-3-412-20990-2
  4. ↑ Agent 007 in the sights of FRBR and RDA Perspectives of international standardization of the cataloging of films , in: Umlauf, 2016
  5. ↑ Reszension to "Monument film" at hhprinzler.de, accessed on January 26 of 2019.
  6. ↑ Film data sheet on berlinale.de, accessed on January 26, 2019
personal data
SURNAME Bohn, Anna
BRIEF DESCRIPTION German Slavic scholar and film scholar
DATE OF BIRTH 1968