Anne-Marie Cotret

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Anne-Marie Cotret (* 1930 in France ) is a French film editor .

Life

Anne-Marie Cotret first worked as an editor for Jacques Demy's short film The Wooden Shoemaker from the Loire Valley ( Le Sabotier du Val de Loire , 1956). She then worked with director Éric Rohmer on the film drama In the Sign of the Lion ( Le Signe du lion , 1959). This was followed by other film editing work for Demy, such as Die blonde Sünderin ( La Baie des Anges , 1963) with Jeanne Moreau and Die Regenschirme von Cherbourg ( Les Parapluies de Cherbourg , 1964) with Catherine Deneuve . Under the direction of Jean Aurel , Cotret was subsequently on the Oscar-nominated documentary Night Over Europe: 14-18 ( 14-18 , 1965), Uninhibited Manon ( Manon 70 , 1968) and Oh, These Women ( Les Femmes , 1969) for responsible for the cut. In addition to Demy and Aurel, she also worked several times under the direction of Jean Yanne in the following years . She was last active as an editor in 1985.

Filmography (selection)

  • 1956: The clog maker of the Loire Valley ( Le Sabotier du Val de Loire ) (short film)
  • 1959: Under the sign of the lion ( Le Signe du lion )
  • 1961: Lola, the girl from the harbor ( Lola )
  • 1963: The blonde sinner ( La Baie des Anges )
  • 1964: The Cherbourg umbrellas ( Les Parapluies de Cherbourg )
  • 1965: Night Over Europe: 14-18 ( 14-18 ) (documentary)
  • 1968: Unrestrained Manon ( Manon 70 )
  • 1969: Oh, these women ( Les Femmes )
  • 1970: Donkey skin ( Peau d'âne )
  • 1971: What would you do if you were me? ( Êtes-vous fiancée à un marin grec ou à un pilote de ligne? )
  • 1972: The big mesh ( Tout le monde il est beau, tout le monde il est gentil )
  • 1973: Sorry, comrades! Let man be noble, helpless and rich ( Moi y'en a vouloir des sous )
  • 1973: The maternity trousers ( L'Événement le plus important depuis que l'homme a marché sur la lune )
  • 1979: Je te tiens, tu me tiens par la barbichette
  • 1985: Liberté, égalité, choucroute

Web links

Individual evidence

  1. cf. sfi.se (Swedish Film Institute)