Annette Deeken

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Annette Deeken (born November 23, 1954 in Burgsteinfurt ) is a German cultural journalist and media scientist.

Career

Annette Deeken studied history , German and philosophy . In 1978 she passed her state examination for teaching with "distinction". In 1983, she was with a work about Karl May's adventure tourism at the University of Marburg Dr. phil. PhD . As a cultural journalist, she published a. a. in the "Oberhessische Presse", the "Neue Ärztliche" (published by FAZ GmbH), in the "Hessischer Rundfunk" HR 2, in the "Norddeutscher Rundfunk". From 1984 to 1993 she was a permanent editor of the Frankfurter Allgemeine Zeitung (FAZ). There she initially worked in the “FAZ-Fernsehnachrichten” editorial team, where she was also the first news anchor for private television in 1984. For the first special broadcast about the International Book Fair in Frankfurt, which was broadcast by the “Programmgesellschaft für Kabel- und Satelliterundfunk” (PKS Ludwigshafen), she interviewed a. a. Ernst Jandl and Hans Magnus Enzensberger. In 1985 she moved to the magazine editorial team, which broadcast the one-hour FAZ television magazine “Fazit” on SAT.1 every Sunday. From 1986 the weekly, now half-hour magazine was called “FAZetten”. In 1987, together with Wenzel Jacob, she made a film about "documenta 8" in Kassel on behalf of the FAZ, which came on the market as a VHS and was also shown by Bazon Brock as part of the documenta visitor school.

She taught media and literary studies at the universities of Marburg, Frankfurt / M., Darmstadt, Mainz and Trier. She has been the author of this magazine since the first issue of "Medienwissenschaft. Reviews" in 1984.

Annette Deeken has been teaching media studies with a focus on media history at the University of Trier since 1994 . There habilitated it in 2000 with a work about travel films. Since 2003 she has been a member of the commission of the Filmbewertungsstelle Wiesbaden (FBW). Since 2007 she has been an adjunct professor at the University of Trier .

Works

In 1996, she published her cultural-historical study on German women’s journeys to the Orient. “The book is a very pleasant read,” said the orientalist Annemarie Schimmel, “knowledgeable and exciting, very well researched and presented.” And “Die Zeit” wrote: “Deeken and Bösel belong to a generation of women who differ from uncritical admiration Farewell to these travel pioneers. Your book is a nineteenth century image of morals, enriched with background information on prevailing morality, on German policy on the Orient and peppered with biographical notes. "

In the series “film.kunst” of the “Deutsche Kinemathek - Museum für Film und Fernsehenfilm”, her essay “Like the color of the sky after the rain” appeared on the occasion of the exhibition on Ulrike Ottinger. The poetic visual worlds of Ulrike Ottinger ”. The article has been translated into Polish and English.

Publications

  • His Majesty the I. On Karl May's adventure tourism (= treatises on art, music and literary studies. Volume 339). Bouvier, Bonn 1983, ISBN 3-416-01757-9 . (also: Dissertation, University of Marburg, 1983)
  • Annette DeekenMay, Karl. In: New German Biography (NDB). Volume 16, Duncker & Humblot, Berlin 1990, ISBN 3-428-00197-4 , pp. 519-522 ( digitized version ).
  • with Monika Bösel: On the sweet waters of Asia. Women's travel to the Orient. Campus-Verlag, Frankfurt am Main / New York 1996, ISBN 3-593-35563-9 .
  • Television classics (= essays on film and television. Volume 59). Coppi-Verlag, Alfeld 1998, ISBN 3-930258-58-7 .
  • Travel films. Aesthetics and History. With a foreword by Wim Wenders (= Film Studies Series. Volume 38). Gardez! -Verlag, Remscheid 2004, ISBN 3-89796-130-X . (also: habilitation thesis, University of Trier, 2000)
  • "History and Aesthetics of Travel Films". In: Jung, Uli / Loiperdinger, Martin (ed.): History of documentary film in Germany. Vol. 1: Empire (1895–1918). Stuttgart: Reclam, 2005, pp. 299-323
  • Voyage op Trier. Amateur films from Luxembourg. University of Trier, Trier 2006, ISBN 3-00-017018-9 .
  • www.deutsche-kinemathek.de/sites/default/files/public/node-attachments/deeken_ottinger.pdf
  • The invention of the DEFA Indian. A German-German media history. S. 158–180 In: Thomas Koebner (Ed.): Indian in front of the camera. Munich: edition text + kritik, 2011
  • The white hell of Piz Palü / The White Hell of Pitz Palu . In: Joseph Garncarz / Annemone Ligensa (ed.): The Cinema of Germany. New York: Columbia University Press, 2012
  • PREMIER PRIX DE VIOLONCELLE, 1907. The first and very “baroque” cello film - and the beginnings of the sound record. In: Baroque. Violoncello. Festschrift for Gerhart Darmstadt on his 60th birthday. Trier 2012, pp. 83-95

literature

Web links

Individual evidence

  1. biography. Retrieved April 2, 2019 .
  2. Dissertation: “His Majesty the Self”: on Karl Mais's adventure tourism. Bouvier-Verlag Bonn, 1983
  3. Ingeborg Lukas (arrangement), FAZ (ed.): You redigieren und Schreib, Frankfurt am Main 1988
  4. On the sweet waters of Asia. Women's travel to the Orient. Frankfurt, New York: Campus, 1996
  5. Frankfurter Allgemeine Zeitung, January 8, 1997, No. 6, p. 31
  6. Christel Burghoff: The strange world of the harem . In: The time . March 21, 1997, ISSN  0044-2070 ( zeit.de [accessed May 2, 2017]).
  7. "Like the color of the sky after the rain" ( Memento from May 27, 2014 in the Internet Archive )