Antonia Baehr

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Antonia Baehr (born 1970 in Berlin ) is a German choreographer , performance and media artist and filmmaker . She lives in Berlin.

Artistic career

Antonia Baehr studied film and media art at the Hochschule der Künste, today's Universität der Künste Berlin , until 1996 with Valie Export and received a DAAD scholarship and a merit scholarship for the School of The Art Institute of Chicago . There she completed her Masters in Performance with Lin Hixson. Since 2006 she has been teaching as a visiting professor at several European universities, such as 2015-2016 at the University of Hamburg . She has participated in various group exhibitions (re.act.feminism, Center for Contemporary Art Estonia Tallinn , Museo de Arte do Rio, MACBA Barcelona Museum of Contemporary Art, etc.); In 2012 the Neue Kunstverein Gießen showed her work in a solo exhibition.

From 2006 to 2008 Antonia Baehr was Associate Artist at the Laboratoires d'Aubervilliers. From March to May 2013 the Beursschouwburg, Brussels, presented a program with performances, films and the exhibition Make-up: by Antonia Baehr and Werner Hirsch . Works by artists who have worked in various roles with Hirsch and Baehr over many years, as well as numerous works by Hirsch and Baehr, were shown. Her book Rire / Laugh / Lachen was published in 2008 and Abecedarium Bestiarium - Portraits of affinities in animal metaphors was published in 2014 .

plant

Her works deal, among other things, with the fiction of everyday life and theater. She works with different partners, often in the form of role changes: From project to project, each artist takes on the role of guest or host in turn. One of her alter egos is the horse whisperer and dancer Werner Hirsch, who appears as an independent persona, but also together with Antonia Baehr, for example in Make up. At Antonia Baehr's and Werner Hirsch's table (2013). Other personas are Henri Fleur (a French landowner), the filmmaker Reiner Werner, the drag queen Frau Böse and Ida Wilde's husband Henry Wilde.

Longstanding artistic cooperation projects exist with, among others, William Wheeler, Valérie Castan, Sabine Ercklentz and Lindy Annis, and more recently with Neo Hülcker and Latifa Laâbissi.

Works

Stage (selection)

  • 2001 Holding Hands
  • 2003 Un après-midi
  • 2004 Cat Calendar with Antonija Livingstone
  • 2005 Larry Peacock , coproduction with Andrea Neumann and Sabine Ercklentz
  • 2006 Merci
  • 2008 Rire / Laugh / Laugh
  • 2009 Over the shoulder
  • 2010 For faces
  • 2012 My dog ​​is my piano
  • 2013 Abecedarium Bestiary
  • 2014 The Wildes , coproduction by Keren Ida Nathan (Ida Wilde) and Henry Wilde (Antonia Baehr);
  • 2015 Misses and Mysteries with Valérie Castan
  • 2016 Normal Dance
  • 2016 tubule
  • 2018 exit
  • 2018 Consul and Meshie , with Latifa Laâbissi in a visual installation by Nadia Lauro

Radio

  • 2015 Abecedarium Bestiary. Affinities in animal metaphors , in cooperation with Sabine Ercklentz, feature for WDR 3
  • 2015 Misses and Mysteries , radio play for WDR 3

Publications

further reading

  • Verena Eitel: The Empress of Sound - 5 solos for / by Alvin Lucier. In: perfomap.de , April 2012.

Web links

Individual evidence

  1. Helmut Ploebst: "Consul und Meshie": A homage to quite famous monkeys The Vienna Dance Quarter shows a performance by Antonia Baehr in the Kunsthalle. In: Der Standard - derstandard.de. October 2, 2018, accessed July 16, 2019 .
  2. Antonia Baehr: Abecedarium Bestiarium. In: lachapelle.org. Retrieved July 15, 2019 .
  3. Bettina Knaup and Beatrice Ellen Stammer (eds.): Re.Act.Feminism - A Performing Archive . tape # 2 . Verlag für Moderne Kunst and Live Art Development Agency, Nuremberg and London 2013, ISBN 978-3-86984-460-2 , p. 257 .
  4. Artistic visiting professors. In: www.performance.uni-hamburg.de. Retrieved September 28, 2019 .
  5. ^ Antonia Baehr. Laugh. In: kunstverein-giessen.de. 2012, accessed September 28, 2019 .
  6. ^ Antonia Baehr | Les Laboratoires d'Aubervilliers. Retrieved September 28, 2019 .
  7. Interview Antonia Baehr - Xavier Le Roy. Excerpt from Rire / Laugh / Lachen. In: sarma. Laboratory for discursive practices and expanded publication. 2008, pp. 80–96 , accessed on September 29, 2019 (English).
  8. Gerd Brendel: space-time sculptures and handicrafts performance festival "Body affects" in the Berlin Sophiensaele. In: deutschlandfunkkultur.de. July 7, 2012, accessed September 29, 2019 .
  9. a b Frida Kammerer: "I am many". Interview with Antonia Baehr. In: freitag.de. June 17, 2013, accessed September 29, 2019 .
  10. ^ Antonia Baehr. In: schauspiel-leipzig.de. Retrieved September 29, 2019 .
  11. ^ Henri Fleur. In: make-up-productions.net. Retrieved September 28, 2019 .
  12. ^ Myriam Van Imschoot and Ludovic Burel: Antonia Baehr on Scores. In: oralsite.be. Active Archives, 2005, accessed September 29, 2019 .
  13. Anneliese Ostertag and Antonia Baehr: Traces of Places: My Dog is My Piano. In: http://warehouse.industries . super_filme eV, accessed on September 29, 2019 (English).
  14. Sasha Amaya: Interview: Antonia Baehr on "Röhrentier". In: tanzschreiber.de. Tanzbüro Berlin, August 26, 2018, accessed on September 29, 2019 .
  15. Exit. Antonia Baehr. In: tqw.at. Tanzquartier Wien, accessed on September 29, 2019 .