Ao Vivo Jazz na Fábrica

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Ao Vivo Jazz na Fábrica
Live album by Matthew Shipp

Publication
(s)

2018

Label (s) Selo SESC SP

Format (s)

CD

Genre (s)

jazz

Title (number)

11

running time

1:06:24

occupation

production

Frederico Finelli

chronology
Zero
(2018) 		Ao Vivo Jazz na Fábrica Conference of the Mat / ts
(2019)

Ao Vivo Jazz na Fábrica is a jazz album by Matthew Shipp . The recordings, made in 2016 at the Jazz na Fábrica festival in the SESC Pompéia in São Paulo, were released on the Brazilian label Selo SESC SP in 2018.

background

Ao Vivo Jazz na Fábrica is an album by the pianist with original compositions and standards such as “ Angel Eyes ”, “ On Green Dolphin Street ”, “ Summertime ” and “ Yesterdays ”, which he performed as a soloist during the Jazz na Fábrica 2016 jazz festival in Sesc Pompeia had recorded. In the series of events Ao Vivo Jazz in Fábrica do Selo Sesc , the Brazilian group Grupo Um also recorded concert recordings by Anthony Braxton , William Parker and Roscoe Mitchell .

Track list

The Sesc Pompéia in São Paulo (exterior view)
  • Matthew Shipp: Ao Vivo Jazz na Fábrica (Selo SESC SP CDSS 0111/18)
  1. Symbol Systems (Matthew Shipp) 9:39
  2. Angel Eyes (Earl Brent, Matt Dennis ) 5:55
  3. Whole Movement (Matthew Shipp) 7:40
  4. On Green Dolphin Street ( Bronislaw Kaper , Ned Washington ) 6:34
  5. Invisible Light (Matthew Shipp) 7:02
  6. There Will Never Be Another You ( Harry Warren , Mack Gordon ) 6:32
  7. Blue in Orion (Matthew Shipp) 12:36
  8. Yesterdays ( Jerome David Kern , Otto Harbach ) 3:30
  9. Patmos (Matthew Shipp) 2:13
  10. Gamma Ray (Matthew Shipp) 2:13
  11. Summertime ( Dorothy Heyward , DuBose Heyward , George & Ira Gershwin ) 2:27

reception

Bernardo Oliveira wrote, “During the hour-long performance, in which he mixed classics such as“ On Green Dolphin Street ”and“ Summertime ”with his compositional work, Shipp demonstrated the piano as a painter surrenders himself to the canvas: With technical precision, He evokes virtuosity and haunting imagination, tonalities, rhythms and abrupt shifts, sometimes revealing ethereal arabesques, sometimes hammering the piano intensely and dramatically. In the end, the method of beauty remains: Shipp uses the piano to explore time in space. The audience, immersed and concentrated, enters. They seem to be aware that if it were possible to pinpoint a style that characterizes their work, it would be defined by, say, a conceptual stance: viewing jazz not just as a fixed genre or repertoire, but as one indefinite field of sound exploration. "

Individual evidence

  1. ^ A b Bernardo Oliveira: Ao Vivo Jazz na Fábrica - Matthew Shipp. sescsp.org, August 6, 2020, accessed October 22, 2018 (Portuguese).
  2. ↑ Matthew Shipp: Ao Vivo Jazz Na Fábrica at Discogs
  3. ↑ https://www.duden.de/suchen/dudenonline/konzeptionell