Cornelia Bartsch

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Cornelia Bartsch (* 1960 in Hamburg ) is a German musicologist .

Life

Bartsch studied musicology , German studies , political science and school music at the University of Osnabrück and in Berlin at the Free University and the University of the Arts , where she received her doctorate with a thesis on Fanny Hensel . From 1998 she was initially a research assistant and then assistant for musicology and gender studies at the Berlin University of the Arts. From 2007 to 2009 she was a research assistant at the musicological seminar in Detmold / Paderborn and also held teaching positions at universities and music colleges in Germany, Austria and Switzerland.

From 2009 to 2010 she taught as a substitute professor at the University of Music and Theater Hamburg and from 2011 to 2017 she was a research assistant at the musicology seminar at the University of Basel . Since 2017 she has been managing the chair for the cultural history of music at the University of Oldenburg and has been the deputy director of the Center for Interdisciplinary Women and Gender Studies since summer 2018.

Bartsch is the spokesperson for the women's and gender studies section of the Society for Music Research .

Books

  • (Ed. With Beatrix Borchard and Rainer Cadenbach ) The “male” and the “female” Beethoven. (= Writings on Beethoven Research, Vol. 18), Bonn 2003
  • Fanny Hensel, b. Mendelssohn Bartholdy. Music as Correspondence (= Diss. Universität der Künste Berlin 2006), Kassel 2007
  • (Ed. With Rebecca Grotjahn and Melanie Unseld ) Felsensprengerin, bridge builder, trailblazer: The composer Ethel Smyth | Rock Blaster, Bridge Builder, Road Paver: The Composer Ethel Smyth. (= Contributions to the Cultural History of Music, Vol. 2), Munich 2010
  • (Ed. With Britta Sweers) “‚ Grenzgang '- Gender, ethnicity and class as categories of knowledge in musicology (= Yearbook Music and Gender, Vol. 8), Hildesheim, 2016

Web links

Individual evidence

  1. Irina Hundt (ed.), From Salon to Barricade. Women from the Heine era, 2002
  2. Fanny Hensel, b. Mendelssohn Bartholdy. Music as correspondence . Verlag Furore 2006. 382 pp. ISBN 3-927327-60-3