Dieter Hacker

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Dieter Hacker (born August 4, 1942 in Augsburg ) is a German painter.

life and work

Dieter Hacker studied at the Academy of Fine Arts in Munich in Ernst Geitlinger's class , a. a. with Gerhard von Graevenitz and Klaus Staudt . His work can be divided into 3 phases:

  • In the 1960s he began with analytical and kinetic work, which was shaped by the artist movement new tendencies .
  • In the 1970s he increasingly produced political and socially critical installations.
  • In the 1980s Hacker became famous as a painter in the context of the Junge Wilde .

With his political work and especially since 1971 with his concept of the artist-run producer gallery, Hacker made a radical departure from the art market. His self-designed exhibitions addressed, for example, the social relevance of art, the role of the photo in everyday life, the art market or the utopias of constructivism.

For more than four decades, Hacker has repeatedly dealt with the utopias, claims and successes of constructivism in very different artistic forms of expression, but also with its limits and the dangers that lie in formalizing its design means.

From 1990 to October 2007, Hacker was professor of painting at the Berlin University of the Arts .

In 2008 Dieter Hacker was accepted into the Ingolstadt Foundation for Concrete Art and Design .

Public collections

literature

  • Kürschner's Handbook of Fine Artists 2.2007, p. 403
  • Berlin artist program of the DAAD (ed.): The political work of the artist begins with his work. 7. Dieter Hacker Producer Gallery. Interim report 1971-1981. 1st edition. daadgalerie Berlin, Berlin 1981.
  • Dieter Hacker the right angle in me. Ed .: Tobias Hofmann. Kerber Verlag, 2007.
  • The Idea Concrete - Concrete Art as a development in the history of ideas. Ed .: Tobias Hoffmann. Wien Verlag, Cologne 2012

Solo exhibitions (selection)

  • 1965 German Institute for Film and Television, Munich (with EFFEKT)
  • 1965 Galerie pro, Bad Godesberg (with EFFEKT)
  • 1967 Modern Art Agency, Lucio Amelio, Naples
  • 1967 Gallery Schütze, Bad Godesberg
  • 1968 Gallery Schütze, Bad Godesberg
  • 1969 Galerie van de Loo - Froum, Munich
  • 1970 Modern Art Agency, Lucio Amelio, Naples
  • 1970 La Bertesca Gallery, Genoa
  • 1977 Biennale de Paris, Museum of Modern Art (MAM), Paris
  • 1978 René Block Gallery, Berlin
  • 1978 Modern Art Agency, Lucio Amelio, Naples
  • 1980 Bochum Museum
  • 1980 Augenladen Mannheim
  • 1980 Maier-Hahn Gallery, Düsseldorf
  • 1981 Internationaal Cultureel Centrum, Antwerp
  • 1981 Municipal Gallery in the Lenbachhaus, Munich
  • 1981 DAAD Gallery, Berlin
  • 1982 Museum am Ostwall, Dortmund
  • 1982 Augenladen Mannheim
  • 1984 Marlborough Gallery, New York
  • 1984 Maier-Hahn Gallery, Düsseldorf
  • 1984 Zellermayer Gallery, Berlin
  • 1985 Art Association in Hamburg
  • 1985 Jane Turner Gallery, Los Angeles
  • 1985 Marlborough Fine Art, Ltd., London
  • 1986 Marlborough Fine Art, Ltd., Tokyo
  • 1986 Zellermayer Gallery, Berlin
  • 1986 Maier-Hahn Gallery, Düsseldorf
  • 1986 Marlborough Gallery, New York
  • 1987 Galerie Thomas, Munich
  • 1988 Galerie Heinz Holtmann, Cologne
  • 1988 Marlborough Gallery, New York
  • 1988 Zellermayer Gallery, Berlin
  • 1989 Marlborough Fine Art, Ltd., London
  • 1989 Center Pompidou, Paris (in: L'invention d'un art)
  • 1990 Brusberg Gallery, Berlin
  • 1990 Paul Vallotton Gallery, Lausanne
  • 1990 Museo Rufino Tamayo, Mexico
  • 1992 Brusberg Gallery, Berlin
  • 1993 Bochum Museum
  • 1994 Marlborough Fine Art, Ltd., London
  • 1995 Art Association in Hamburg
  • 1995 Richard Haizmann Museum, Niebüll
  • 1997 Zellermayer Gallery, Berlin
  • 1998 Gallery Brusberg, Berlin
  • 1999 The gallery, Frankfurt
  • 1999 Zellermayer Gallery, Berlin
  • 2002 Zellermayer Gallery, Berlin
  • 2003 Raab Gallery, Berlin (with Alke Brinkmann)
  • 2003 Maier-Hahn Gallery, Düsseldorf
  • 2003 The gallery, Frankfurt
  • 2005 Galerie Tendances, Paris
  • 2007 Zellermayer Gallery, Berlin
  • 2007 Museum for Concrete Art, Ingolstadt
  • 2015 Museo Reina Sofia, Madrid (in: Not Yet. On the Reinvention of Documentary and the Critique of Modernism)
  • 2016 Galerie Alain Gutharc, Paris (in: After Photography-part I, curator Pascale Krief)
  • 2016 Paris Photo, Grand Palais. Booth Alain Gutharc

Web links

Individual evidence

  1. Press newsletter October 2007  ( page no longer available , search in web archivesInfo: The link was automatically marked as defective. Please check the link according to the instructions and then remove this notice. , accessed January 2, 2015.@1@ 2Template: Toter Link / www.udk_presse_newsletterokt.pdf  
  2. Dieter Hacker. In: skkd-ingolstadt.de. Retrieved January 18, 2017 .