Ebenezer Paul

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Ebenezer Paul (* around 1920; † after 1943) was an American jazz musician ( double bass , also drums ) who played with important musicians in the transition from swing to bebop .

Ebenezer Paul played in the New York jazz scene in the early 1940s - mostly in the sessions at Club Minton's Playhouse and Clark Monroe's Uptown House - with musicians such as Hot Lips Page and Joe Guy ( Trumpet Battle at Minton's ), Frankie Newton (“There 'll Be Some Changes Made ”), Charlie Christian (“ I Got Rhythm ”or“ Guys Got to Go ”), Harry“ Sweets ”Edison (heard as a soloist in“ Hold the Phone ”), Charlie Parker , Allan Tinney and Art Tatum ("Lady Be Good", 1941), also with Don Byas and Thelonious Monk . In mid-1943 he still belonged to the formation The Musical Madcaps ("Rhythm of the Rhythm Band" (1942), with Nick Aldrich, Johnny Cousin, Willie Jones, Al Cowans, Joe Carroll ); then his track is lost. In the field of jazz, he was involved in six recording sessions between 1941 and 1943, according to Tom Lord .

Discographic notes

  • Hot Lips Page & Joe Guy: Trumpet Battle at Minton's
  • Harry Edison, Hot Lips Page & Roy Eldridge: Sweets, Lips & Lots of Jazz

Web links

Individual evidence

  1. See Ira Gitler : From Swing to Bop: An Oral History of the Transition in Jazz in the 1940s. Oxford University Press 1985, p. 78
  2. ^ Bob Weir: Looking for Frankie: a bio-discography of the jazz trumpeter Frankie Newton . Cardiff 2003, p. 16.
  3. See Max Harrison , Eric Thacker, Stuart Nicholson : The Essential Jazz Records: Modernism to postmodernism . London 2000, # 251
  4. Lawrence O. Koch: Yardbird Suite: A Compendium of the Music and Life of Charlie Parker. Bowling Green 1988, p. 20
  5. See Stuart Nicholson: Essential Jazz Records: Volume 1: Ragtime to Swing. London 2000, p. 412
  6. See Robin Kelley: Thelonious Monk: The Life and Times of an American Original. New York: The Free Press 2009, p. 66
  7. Tom Lord The Jazz Discography (online, accessed February 21, 2020)