Eduardo Kusnir

Eduardo Kusnir (* 1939 in Buenos Aires ) is an Argentine composer .

Kusnir studied orchestral conducting at the Sofia Conservatory and contemporary composition technology and electroacoustics at the Di-Tella-Institute in Buenos Aires with Gerardo Gandini , Francisco Kröpfl and Fernando von Reichenbach . He obtained a doctorate in aesthetics from l'Université de Paris VIII under Daniel Charles .

Kusnir has lived in Venezuela since 1978 . There he teaches at the Conservatory of Caracas and the Universidad Central de Venezuela , where he was one of the founders of the Centro de Documentación e Investigaciónes Acústico Musicales (CEDIAM).

Works

• La Panadería for tape, 1970
• Ofrenda for tape, 1972
• Orquideas Primaverales for tape, 1975
• Como un suspiro caído del cielo for tape, 1975
• El Encanto del Cisne for tape and slides, 1978
• Blancanieves , electroacoustic theater, 1980–96
• Abajo el terror for tape, 1984
• Tres piezes para piano , 1984
• Cómo es Lily for tape, 1985
• Lily en el fuego for tape, 1986
• Todavía sin nombre for mezzo-soprano and tape, 1987
• El arpa y su hechizo for harp and synthesizer, 1987
• Miranda en Francia for tape, 1989
• Simple for double bass, narrator and tape, 1990
• El retorno for tape, 1992
• Melodía for double bass and tape, 1993
• Tap-Tap-Tap for tape, 1995
• Trencito al Caribe [homenaje a Pierre Schaeffer ] for tape, 1996
• Juegos I for piano and tape, 1996
• Juegos II for keyboard and tape, 1998
• Soplos I , music theater for the internet, 1998