Georgia Krawiec

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Georgia Krawiec in front of a pinhole mirror camera (2013 Photo: Jakub Kaszuba)

Georgia Krawiec (* 1972 ) is a German-Polish photo artist.

Life

Since completing art studies with a focus on photography at the University of Siegen in Jürgen king in 2000 Georgia Krawiec has worked as a photo artist. So far she has taught at various facilities and institutions, including a. at the Warsaw European Photo Academy (EAF) and at the Photography School of the Polish Photographers Association ZPAF in Warsaw , where she taught pinhole photography and experimental photography . She gives lectures and workshops etc. a. at the Warsaw National Museum , the Polish State Art Gallery Zachęta , the Goethe Institute , the New School for Photography, the Communal Gallery Berlin and the C / O Berlin . In addition to working with refugees, Krawiec is also involved in the German-Polish encounter context (including EJBW Weimar and the SilesiaTopia project ). The photographer has now published numerous articles in the photo press.

Georgia Krawiec has been involved in several artistic photography projects since 1993, such as KunstWechsel, Brauhaus-Fotografie and Pinholeday. She works together with Magda Hueckel , Jesseca Ferguson , Ute Lindner , Thomas Kellner , Matthias Hagemann and within the framework of PhotoWerkBerlin with Norbert Wiesneth. Krawiec is a board member of the Polish pinhole camera festival OFFO and a member of the Polish photographer association ZPAF. Since 2016 she has been running the ep.contemporary gallery in Berlin together with other artists. Georgia Krawiec lives and works in Warsaw and Berlin.

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Georgia Krawiec deals in her work with the topics of identity, surveillance of society, transience and deceleration. Her photographic way of working is particularly characterized by the manual intervention in the photographic processes. Krawiec deals with analog and here above all with archaic forms of photography (including pinhole camera photography , photo collages , photograms , fine printing processes such as cyanotype or salt printing .) In addition, Krawiec also builds photo objects (e.g. her work groups GOTTESAUGEN), accessible pinhole cameras (Kommunale Galerie in Berlin) or large-format pinhole cameras (for the opening of the Month of Photography in C / 0 Berlin).

Her main projects include:

• The Palace - A Declaration of Love (2004); 28 experimental pinhole camera works by the Warsaw Palace of Culture PKiN .
• Germans in Poland (2005); an extensive pinhole camera portrait series.
• disORIENTATION (2007); Salt prints, taken in Syria, Lebanon and Persia.
• EXodus (2009); experimental self-portraits inspired by an American nonsense play .
• EYES OF GOD (2012); pyramidal pinhole camera objects with the eye of providence as well as work accompanying the project.
• antyKONCEPCYJNE (since 2012); Open project of photograms that were exposed between several months and several years, partly as paper cuttings .
• Dychotomy of the Nests (2013); Stereoscopic installation with pinhole portraits of separated Silesian families.
• The Angel of Sławięcice (2014); Salt pressure - photo collages based on a template by photographer Jerzy Lewczyński.
• Difficult Matters Monitoring Committee (since 2015); a perfomatic-grotesque project that critically deals with surveillance and the refugee issue.

Solo exhibitions (selection)

• Mała Galeria ZPAF - Centrum Sztuki Współczesnej Zamek Ujazdowski (CSW), Warsaw, Poland
• Galeria Wozownia, Toruń, Poland
• FF Gallery, Łódź, Poland
• BWA, Zielona Góra, Poland
• ep.contemporary, Berlin
• Bałtycka Galeria Sztuki Współczesnej, Słupsk, Poland
• Galerie Pusta, Katowice, Poland
• Stara Galeria ZPAF, Warsaw, Poland
• Luksfera Gallery, Warsaw, Poland
• Gallery House Seel, Siegen
• Września City Museum, Poland
• Active Museum for South Westphalia, Siegen
• Villa Decius, Krakow, Poland
• Museum of the City of Bad Berleburg, Bad Berleburg
• Krakow House, Nuremberg
• Rathausgalerie, Siegen

Group exhibitions (selection)

• National Museum Poznan , Poland
• Galeria Starmach, Kraków, Poland
• Wroclaw National Museum , Poland
• Center for Contemporary Art (CSW), Warsaw, Poland
• Photography Museum in Bydgoszcz, Poland
• Kunsthaus Wiesbaden
• Museum of the History of Photography Krakow, Poland
• New Mexico History Museum, Santa Fe, USA
• National Media Museum, Bradford, UK
• PhotoWerkBerlin / Kommunale Galerie Berlin
• Sidney Larson Gallery, Columbia, USA
• Rondo Sztuki, Katowice, Poland
• Center Culturel André Malraux, Le Bourget, France
• Center Culturel de Rencontre Abbaye de Neumünster, Luxembourg
• The Art Institute of Boston, USA
• Atelier Thomas Kellner , Siegen
• Brant Gallery, Boston, USA
• Silesian Center for Photography / Domek Romański, Wroclaw, Poland

Festivals

• Photo Festival Wiesbaden Photo Days (2015, 2017)
• Month of Photography Krakow, Poland (2008, 2012, 2017)
• Festival of New Art lAbiRynt, SłubFurt (2016)
• PHOTO FESTIVAL ŁÓDŹ (2016)
• European Month of Photography Berlin (2016)
• analogueNOW! - Festival for Analog Photography, Berlin (2016)
• OFFO-Polish Festival of Pinhole Photography, Poland (2005, 2007, 2013, 2015)
• Warsaw Photo Days, Poland (2013, 2014)
• International Photography Festival, Rybnik, Poland (2012)
• Vivant! Rencontres Internationales de la Photographie au Sténopé, France (2011)
• Voies Off. Festival Rencontres Internationales de la Photographie Arles , France (1997)

Individual evidence

1. ↑ The Warsaw European Photo Academy (EAF) existed from 2000 to 2012 and offered a three-year photography course.
2. ↑ Norbert Artner, Corinna Koch, georgia Krawiec, Ute Lindner, Prof. Manfred Schmalriede, Prof. Dr. Viola Vahrson, Harry Walter / Karoline Walter: Symposium: BRUCHSTELLE FOTOGRAFIE, November 8th, 2014, New School for Photography, Berlin. (No longer available online.) In: Symposium: BRUCHSTELLE FOTOGRAFIE. New School for Photography, Berlin., November 8, 2014, archived from the original on April 1, 2017 ; accessed on January 30, 2016 . Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice.  
3. ↑ Georgia Krawiec: World history viewed through the hole. The history of the camera obscura. PhotoWerkBerlin / Kommunale Galerie Berlin, August 28, 2016, accessed on August 15, 2016 . 
4. ↑ Aleksandra Kujawska: Silesia Topia. Retrieved February 8, 2013 . 
5. ↑ A long-term project of the Department of Photography at the University of Siegen, as part of which annual photography portfolios for collectors were published. See: Brauhaus photography. ( Memento of the original from March 2, 2013 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. 
6. ↑ See the exhibition: Transgresja. Together with Magda Hucklel, Galeria FF, Lódź, Poland, 2011; Documentation of the exhibition.
7. ↑ Thomas Schubert: For the artist Norbert Wiesneth, Berlin is a place of the right moments. Berlin Week , October 11, 2015.
8. ↑ Jacek Szczepaniak: The Palace and Art - Art in the Palace and Palace in Art [PAŁAC i SZTUKA - Sztuka w Pałacu i Pałac w Sztuce.] Muzeum Zamojskich w Kozłówce, Zarząd PKiN, Ministerstwo Kultury, Warsaw, Poland 2005.
9. ↑ Dirk Brauns: Sitting still. The negative touch of German. Feuilieton, Berliner Zeitung , Berlin, August 9, 2005.
10. ↑ Zbigniew Tomaszczuk: Alone with the camera [Sam na sam z kamerą]. In: camer @ obscura - History, Theory and Esthaetics of Photography, 1/2007; Typoscript Publishing House, Wrocław, Poland 2007.
11. ↑ Basia Sokołowska: Georgia Krawiec - dezORIENTacja. Photo wallpaper 11/2007, Poland 2007.
12. ^ Adam Mazur: Stories of Polish Photography 1839–2009. “Historie Fotografii w Polsce 1839–2009.” In: Fundacja Sztuk Wizualnych publishing house, Krakow, Poland 2009. Also in: Adam Mazur: Phenomenon of “Warsaw Photography” yesterday and today. [Fenomen “fotografii warszawskiej” wczoraj i dziś.] In: Kultura artystyczna Warszawy. XVII-XXI f. IN .: Instytut Historii Sztuki, Neriton Verlag, Warsaw, Poland 2010.
13. ↑ Joanna Kinowska: Exodus. Interview with georgia Krawiec. Photomagazine PRISM 06/2012 , pp. 55–65, Dublin, Ireland 2012.
14. ^ Adam Mazur: The Decisive Moment. New Phenomena in Polish Photography Since 2000. Karakter Verlag, Krakow, Poland 2012.
15. ^ Marianna Michałowska: Memory mediating. Pinhole one more time [Mediowanie pamięci. O pinhole raz jeszcze. ] In: Kultura popularna, Poznań, Poland 2016/2 (48), p. 116 ff. KulturaPopularna Mediowanie 2016.
16. ↑ Marek Droste: The palace - a declaration of love. [Pałac - moja miłość.] Mała Galeria - Związek Polskich Artystów Fotografików - Centrum Sztuki Współczesnej, Warsaw, Poland 2004.
17. ^ Adam Mazur: A Multiple Self-Portrait by Georgia Krawiec. [Autoportret wielokrotny Georgii Krawiec.] In: Galeria Sztuki Wozownia, Toruń, Poland 2009.
18. ↑ Stanisław Jasiński: Appearance, Mask, Pose - in the photography of Georgia Krawiec [Powłoka i maska, poza - w fotografii georgii Krawiec]. In: Biuletyn Informacji Kulturalnej 09/2009, Toruń, Poland 2009.
19. ↑ Marijanna Erstić: The Survival of Futurism? Georgia Krawiec's Exodus photographic cycle and its avant-garde implications. In: Galeria Sztuki Wozownia, Toruń, Poland 2009.
20. ↑ Adam Sobota: Reisen im Licht Travels in Light. Catalog of the exhibition dezORIENTacja, Galeria FF, Łódź, Poland 2007.
21. ^ Bogdan Konopka: Transgression - Magda Hueckel and georgia Krawiec. In: Kwartalnik Fotografia No. 35/2010, Kropka Publishing House, Września, Poland 2010.
22. ^ Marianna Michałowska: Seduction punctum. Is the theory of photography conceivable without Barthes? [Uwiedzenie punctum. Czy teoria fotografii może obyć się bez Barthes'a?] In: Barthes Imperium , UAM Publishing House, Posen, Poland 2016, p. 251 ff.
23. ↑ gallery page: ep.contemporary. Retrieved June 16, 2017 . 
24. ↑ Jagna Olejnikowska: consistency and continuity - Interview with georgia Krawiec on the German contemporary photography. In: Kwartalnik Fotografia Nr 33/2010, Kropka Publishing House, Września, Poland 2010.
25. ↑ Thomas Urban ; Georgia Krawiec: Germans on the Vistula - yesterday and today [Niemcy nad Wisłą - wczoraj i dziś.] Catalog of the exhibition Niemcy w Polsce. Germans in Poland. Droste Publishing House, Warsaw, Poland 2005.
26. ↑ Ewa Hornowska: Captivating Parallax. Photography and its pictures. [Urzekająca paralaksa. Fotografia i jej obrazy.] Poznań National Museum, Poznań, 2015.
27. ↑ Katarzyna Sagatowska: Things. Subject and object in Polish photography. 18th edition of the Fotografia Kolekcjonerska project. [Rzeczy. Przedmiot i obiekt w polskiej fotografii. 18. edycja projektu Fotografia Kolekcjonerska.] Month of Photography in Krakow. Galeria Starmach, Krakow 2017.
28. ^ Adam Sobota: The blue bottle - the pictorial attribute of photography 1914/2014 [ Niebieska Flasza - piktorialny walor fotografii 1914/2014]. Exhibition catalog, Wroclaw National Museum, Wroclaw, Poland 2015.
29. ↑ Katarzyna Sagatowska: Photography for Collectors, II Edition. Art Inwestycje & Centrum Sztuki Współczesnej Zamek Ujazdowski, Warsaw, Poland 2013.
30. ↑ Website of the museum. Retrieved February 7, 2017 . 
31. ^ Marianna Michałowska: Forgotten in order to regain the past [Zapomnieć, by odzyskać przeszłość]. In: Magazyn Sztuki 04/2015, Stettin, Poland 2015.
32. ^ Marek Łomnicki: A pinhole camera photography exhibition: Walter Crump, Jesseca Ferguson, georgia Krawiec, Dominik Pabis. [Wystawa fotografii otworkowej. Crump, Ferguson, Krawiec, Pabis]. In: Photo No. 56 1/2005, Krakow, Poland 2005.
33. ↑ Wojciech Wilczyk: Wystawa fotografii (p) otworkowej. Recenzja. In: Centrum Sztuki Współczesnej - Zamek Ujazdowski (Ed.): Obieg . No. 1/2005 . Warsaw January 20, 2005.
34. ^ Exhibition "Poetics of Light: Pinhole Photography" April 27, 2014 - January 10, 2016. Accessed January 10, 2016 . 
35. ^ National Media Museum, Bradford, UK. Retrieved March 30, 2011 . 
36. ↑ Together with Thomas Bachler, Oliver Möst, Karen Stuke, Michael Wesely. PhotoWerkBerlin / Kommunale Galerie Berlin
37. ^ Scott McMahon: Alchemical Ensemble. New Visions in Historic Photographic Process. Exhibition catalog, Sidney Larson Gallery, Columbia, USA 2015.
38. ↑ Małgorzata Szandała, Sergey Lagodinsky: SilesiaTopia . Heinrich Böll Foundation & SilesiaTopia, Berlin 2014.
39. ↑ Vivant! - Alive! exposure international de photography au sténopé. Retrieved December 3, 2011 . 
40. ↑ LuxSfera. Our place. Exhibition catalog. In: Center Culturel de Rencontre Abbaye de Neumünster, Luxembourg 2008.
41. ↑ Together with Dana Gibka, Edyta Wypierowska, Tomasz Dobiszewski, Jarosław Klubś, Marek Noniewicz and Andrzej Bogacz. See also: The Art Institute of Boston .
42. ↑ Jesseca Ferguson, Walter Crump: Made in Poland - Contemporary Pinhole Photography. In: The Art Institut of Boston, exhibition catalog, Boston, USA 2007.
43. ↑ photographers: network selection 2007. (No longer available online.) Formerly in the original ; Retrieved June 27, 2008 .  ( Page no longer available , search in web archives )  Info: The link was automatically marked as defective. Please check the link according to the instructions and then remove this notice.    
44. ↑ Zbigniew Tomaszczuk: Made in Poland - contemporary pinhole camera photography [Made in Poland - Współczesna fotografia otworkowa]. In: Kwartalnik Fotografia No. 23/2007, Kropka Publishing House, Września, Poland 2007.
45. ↑ Jagna Olejnikowska: Time will tell - Polish pinhole camera photography in the USA. [Czas pokaże - Polska Fotografia Otworkowa w Stanach.] I nterview with Dana Gibka and georgia Krawiec. In: Fotografapeta 5/2007 , Poland 2007.
46. ↑ Silesian Center for Photography / Galeria Domek Romański will be called Galeria FOTO-GEN from 2017
47. ↑ Rose-Lore Scholz, Alexander Glück, Boris Rhein: Heimat X. Wiesbaden Photo Days. Festival catalog, Wiesbaden, 2015.
48. ^ Exhibition: Things: The Object in Polish Photography, Starmach Gallery, 2017. (No longer available online.) Archived from the original on May 23, 2017 ; accessed on May 21, 2017 . Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice.  
49. ↑ Anna Panek-Kusz, Jerzy Olek, Michael Kurzwelly: LABIRYNT. Festival of New Art. Festival catalog, Frankfurt / Oder & Słubice, Germany / Poland 2016
50. ↑ Wojciech Sternak: MODIFICATIONS AND REINTERPRETATIONS [MODYFIKACJE I REINTERPRETACJE], ODRA Publishing House, Wrocław, No. 4/2017, pp. 98 ff.
51. ↑ Photo Festival Łódź 2016. Accessed June 6, 2016 . 
52. ↑ Georgia Krawiec: An eye for an eye, a hole for a hole. A pinhole camera performance at C / O Berlin. EMOP Berlin 2016., October 1, 2016, accessed on October 1, 2016 . 
53. ↑ analogueNOW! Retrieved August 9, 2016 . 
54. ↑ Polish Festival of Pinhole Photography. Retrieved November 23, 2005 . 
55. ↑ Bogdan Konopka: Observations with the "God Eye". About Georgia Krawiec's project. [Obserwacje “okiem Boga” - o projekcie Georgii Krawiec.] Catalog of the photo festival Warsaw Photo Days , Warsaw, Poland 2013.
56. ↑ Joanna Kinowska, Paweł Szypulski: Rozpoznanie. Recognition. Catalog of the photo festival Warsaw Photo Days , Okręg Warszawski ZPAF, Warsaw, Poland 2014.
57. ^ Rybnicki Festiwal Fotografii. Retrieved March 13, 2016 . 

Web links

• Author page