Heinz Wanders

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Heinz Wanders (born October 4, 1901 , † after 1969 ) was a German graphic artist and advertising specialist .

Life

Heinz Wanders was the youngest of the 31 authors of the late Expressionist - Dadaist series "Die Silbergäule" published by Paul Steegemann . As an 18-year-old, his series of 7 lithographs , printed by Edler & Krische , appeared in issues 67/68 under the title Stone Drawings. Spooky .

Also at the time of the Weimar Republic , Wanders cultivated his friendship with the painter Friedrich Busack in Hanover . At around the same time, Wanders attended the Werkkunstschule Hannover in the early 1920s with other New Objectivity artists . He was one of the friends around the painter Gustav Schenk and "liked to pretend to be a snobbish English gentleman and bohemian ."

BW

In the early 1960s was Wanders, based in Hanover in particular as a commercial artist for advertisements in magazines about business. As a commercial artist firmierte Wanders, a member of the Federation of German commercial artist (BDG), 1967 in Isernhagen NB-Süd at the address Great Heath 16 and even 1969 in the house Great Heath 22 .

Well-known works (selection)

  • Erich Ebermayer , Heinz Wanders (lith.): The last one. Novelle , with 5 lithographic plates by Wanders, Leipzig, Ernst Oldenburg Verlag, 1925
  • Spooky Stone drawings (= The Silver Column , [Numbers 67/68]), Hanover: Steegemann, 1920
  • Fish and fruits , with drawings by Heinz Wanders, Bremerhaven: Werbedienst des Seefischmarktes Bremerhaven e. V., [1960]

literature

Individual evidence

  1. a b ABC der deutschen Wirtschaft , 1969, p. 563; limited preview in Google Book search
  2. a b Ulrich Krempel , Egidio Marzona , Jochen Meyer: Paul-Steegemann-Verlag 1919-1935, 1949-1955. Marzona collection , part of the library of the Börsenverein des Deutschen Buchhandels eV in Frankfurt am Main , accompanying document and catalog for the exhibition in the Sprengel- Museum Hannover from October 3, 1994 to January 15, 1995, Hannover: Sprengel-Museum, 1994, ISBN 978-3-89169-082-6 and ISBN 3-89169-082-7 , pp. 34, 116; limited preview in Google Book search
  3. a b Ines Katenhusen : Art and Politics. Hanover's confrontations with modernity in the Weimar Republic , at the same time a dissertation at the University of Hanover under the title Understanding a time is perhaps best gained from her art , in the series Hanoverian Studies, series of the City Archives Hanover , Volume 5, Hanover: Hahn , 1998, ISBN 3-7752-4955-9 , pp. 379, 391, 631; limited preview in Google Book search
  4. Christian Fuhrmeister (ed.): "The strongest expression of our days". New objectivity in Hanover. Catalog of the exhibition in the Sprengel Museum Hannover 2001/2002. Georg Olms Verlag, Hildesheim et al. 2001, ISBN 3-487-11440-2 , p. 239; limited preview in Google Book search
  5. ^ Die Deutsche Presse: Newspapers and Magazines , Duncker & Humblot 1961, p. 704; limited preview in Google Book search
  6. Charlotte Fergg-Frowein (ed.): Kürschner's graphic artist handbook: Germany, Austria, Switzerland; Illustrators, commercial artists, typographers , Berlin: Walter de Gruyter & Co., 1967, p. 316; limited preview in Google Book search