Kyōko Aizome

Kyōko Aizome ( Japanese 愛 染 恭子 Aizome Kyōko , born February 9, 1958 in Noda (Chiba) ) is a Japanese actress and director . After roles in some soft porn , she played the first real sex scene in a Japanese movie as an actress in the erotic film Daydream ( Japanese 白日 夢 hakujitsumu ) from 1981. From the same time she also took part in hardcore sex films and became one of the first AV idols . In the years after 2000 she also appeared as a director of erotic films. In 2010 she retired from the porn industry.

Life

After graduating from school, she was discovered as a model for adult magazines. Under the pseudonym "Kyōko Aoyama" she was soon to be seen in erotic softcore film productions. Among other things, she had the lead role in Pink Salon: Five Lewd Women ( Japanese ピ ン ク サ ロ ン 五 五 人 女 pinku saron kōshoku gonin onna ) from 1978 from the "Roman Porno" series by the director Noboru Tanaka and played in Akira Katōs Kōichirō Uno's Moist And Steamy ( Japanese 宇 能 鴻一郎 の あ つ く 湿 っ て Unō Kōichirō no atsuku shimette ) from 1979 based on a book by Kōichirō Unō . In 1980 she played again for Tanaka in the third part of his film series Angel Guts ( Japanese 天使 の は ら わ た tenshi no harawata ).

Tetsuji Takechi (1912–1988) became aware of her not because of her films, but because of a series of photos in a magazine, and she starred in the remake of his 1964 film Daydream ( Japanese 白日 夢 hakujitsumu ). Daydream was the first commercial softcore porn ( Pink Film , Japanese ピ ン ク 映 画 pinku eiga ) in Japanese cinemas in 1964 . With a dramatic plot, the film offers more than just pure pornography. With the remake from 1981, which contains a more than ten-minute sex scene, director Takechi had his first box office success with real sex in Japan. As usual with Japanese productions, the genitals and pubic hair were pixelated, but uncensored versions were also circulating.

In the same year, Aizome made her debut in a sex- only film in Tadashi Yoyogi's April of Lust ( Japanese 淫欲 の う 'き in'yoku no uzuki ). Due to the completely different morality in Japan compared to Europe or America, independent pornography developed in Japan from the early 1980s . While porn films and their actors have long had a dingy image in the western world, in Japan they were stylized into idols ( Japanese ア イ ド ル aidoru ) and marketed as part of mainstream pop culture. Porn films - called "AV" ( Adult Video , Japanese ア ダ ル ト ビ デ オ adaruto bideo ) - were often tailor -made for the actresses and understood as part of their personal and sexual development, in which viewers were to participate from episode to episode. Aizome became one of the country's first AV idols through her involvement in early Japanese AV . Her name became the driving force behind the success of the 1983 erotic films Kyōko Aizome's Somber Reminiscence and Kyōko Aizome's Widow's Boarding House from 1984.

In 1986 she had her hymen surgically restored so that she could be deflowered again for a porn production. Also in 1986 she appeared in a scene from Steven Cartier and Tadashi Yoyogis scandal porn Traci Takes Tokyo (Japanese title: Japanese THE ·エロス THE · erosu ) with the then underage Traci Lords with. Again with Aizome in the lead role, director Takechi shot a third and even more explicit version of Daydream in 1987, a year before his death .

Her fame from serving in Daydream wore on for over a decade. Until 1994 she was regularly active as a porn actress and stripper, but then withdrew to occasional engagements.

In the years around 2000, she offered advice on sex and health issues. She was given credit for speaking openly about the pressure that she was still exposed to as one of the first AV idols, and for being one of the actresses who could turn the stigma of a porn career into a respectable profession.

After 2000 she also appeared as a director. In 2001 she teamed up with the no less successful, but also slowly aging actress Hitomi Kobayashi . Under the direction of Aizome, two films were made with the two divas in the lead roles: Kyōko Aizome vs. Hitomi Kobayashi: Sexual Excitement Competition ( Japanese 愛 染 恭子 ＶＳ 小林 ひ と み 発 情 く ら べ Aizome Kyōko VS Kobayashi Hitomi hatsujō kurabe ) with a dramatic plot and Lesbian Wives ( Japanese 極 妻 レ ズ gokutsuma rezu ) as AV. In 2003 she made two more films with the successful actresses Ai Kurosowa and Eri Kikuchi .

In 2005 and 2006 she was seen in a hardcore film by Madonna Studios, which specialize in mature actresses ( MILF , called 熟女 jukujo in Japan ) : 2005 in Widow's Obscene Desire ( Japanese愛欲 の 未亡人aiyoku no mibōjin ), 2006 in Mother and Son Incest ( Japanese近親 相 姦 母 と 息 子kinshin sōkan haha ​​to musuko ).

In 2009 she co-directed and performed the fourth version of Daydream , now 45 years after the first version, 28 years after her first appearance and 21 years after the death of director Takechi. In 2010 she played the role of an older masochistic woman in The Slave Ship , a film adaptation of Oniroku Dan's novella Dorei-bune ( Japanese 奴隷 船 ).

Following the understanding of Japanese AV idols, whose roles seem to reflect the development of the actresses, she shot with retirement in 2010 at the age of 52 . The Last Production ( Japanese 引退 、 最後 の 本 番… 愛 染 恭子 intai, saigo no honban… Aizome Kyōko ) a hardcore film unmistakably called the final production before it withdrew from the porn industry. Since then she has appeared in various smaller roles in non-pornographic productions, including as Auntie in the first season of the Japanese sci-fi comedy Minna! Esupā dayo! from 2013.

Individual evidence

1. ↑ http://www.midnighteye.com/reviews/daydream/
2. ↑ https://web.archive.org/web/20080101105056/http://mdn.mainichi.jp/culture/waiwai/archive/news/2006/12/20061204p2g00m0dm003000c.html
3. ↑ https://web.archive.org/web/20011203120520/http://www.asahi.com/english/weekend/K2001120100409.html

Web links

• Kyôko Aizome at imdb.com
• 愛 染 恭子 at jmdb.ne.jp