Liliana Vitale

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Liliana Vitale

Liliana Vitale (born March 3, 1959 in Buenos Aires ) is an Argentine composer, singer and pianist.

In 1975 Vitale and her brother Lito Vitale founded the Músicos Independientes Asociados (MIA), one of the few independent music groups during the Argentine military dictatorship. The group recorded four albums in the 1970s ( Transparencias , 1976; Mágicos juegos del tiempo , 1977; Cornostípicum , 1978; Conciertos , 1979) and accompanied Egberto Gismonti on his first tour of Argentina in 1980 .

At the beginning of the 1980s two duo albums with Verónica Condomi ( Danzas de Adelina , 1981 and Cama sunqui , 1984) came out, in 1985 her first solo album Mamá, deja que entren por la ventana los siete mares with compositions by Alberto Muñoz and Bernardo Baraj was released as a guest musician; In 1987 Canta Liliane Vitale followed . Except in the trio with Baraj and Roberto Fernández , she performed in the late 1980s a. a. with Leo Masliah , Jorge Cumbo , Jorge Fandermole , Adrián Abonizio and Juan Falú .

In 1995 she recorded the album Mujer y Argentina with her brother as a piano accompanist, with tangos, folk songs and classics of Argentinian rock music (including Carabelas nada by Fito Páez and Laura, especially by Luis Alberto Spinetta ), which was nominated for a Premio ACE as best tango album has been. The following year she recorded the album El beneficio de la duda with her own compositions.

Her album La vida en los pliegues (2002) with her own compositions based on texts by Henri Michaux was awarded the Premio Gardel as the best contemporary song album. In 2003 Vitale published Siete Cielos , a seven-part work for seven-part choir. The album with seven paintings by Alejandra Fenocchio was awarded the Premio Gardel as the best classical music album. Vitale released another album with mostly his own songs in 2005 under the title Al amparo del cielo .

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