Martin Schieder

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Martin Schieder (* 1965 in Heidelberg ) is a German art historian . He researches and teaches as a professor for modern and contemporary art history at the University of Leipzig .

Life

After studying classical archeology , history and art history in Heidelberg and Berlin, he received his doctorate in 1994 at the Institute of Art History at the Free University of Berlin on “Beyond the Enlightenment. Religious Painting in the Ending Ancien Régime ” ; his book was awarded the Prix ​​Marianne Roland Michel by the Fondation Marianne & Roland Michel and the Institut de France in 2012. His habilitation “In the eyes of the other. The Franco-German Art Relations, 1945–1959 ” was awarded the German-French Parliament Prize 2005 of the German Bundestag and the Assemblée Nationale .

From 1994 to 1996 Schieder worked as a scientific volunteer at the Ludwig Museum and the Middle Rhine Museum in Koblenz. He declined the offer to take over the management of the Ludwig Museum and instead worked as a research assistant (1996–2004), then as a visiting professor at the Free University of Berlin (2004–2007) and as deputy director at the German Forum for Art History in Paris (1997-2001) active.

He was a scholarship holder of the Maison des Sciences de l'Homme in Paris (1991), scholarship holder of the State of Berlin according to the Young Talent Promotion Act (NaFöG) (1991–1993), Paul Mellon Visiting Senior Fellow at the Center for advanced Study in the visual Art in Washington, DC (2001), Guest Researcher at the Getty Research Institute in Los Angeles (2010, 2016 and 2018), Scholar at the Getty Research Institute (2013-2014), Visiting Professor at the Labex ENHE (Ecrire une nouvelle histoire de l'Europe) at the Université de Sorbonne in Paris (2015) as well as visiting professor at the Institute for Art History at Charles University in Prague (2019).

Schieder has published numerous publications on art from the 18th century to the present day, on surrealism, on Franco-German cultural transfer , on the history of art criticism , on exile as well as on exhibition studies and studio studies .

Fonts

  • Beyond the Enlightenment. Religious painting in the outgoing Ancien Régime , Berlin 1997 (Berliner Schriften zur Kunst, Vol. IX).
  • with Thomas W. Gaehtgens (ed.): Patronage . Studies on the culture of citizenship in society , Berlin 1998 (Bürgerlichkeit - Wertewandel - Patronage, edited by Thomas W. Gaehtgens, Jürgen Kocka and Reinhard Rürup , Vol. I).
  • with Uwe Fleckner and Michael F. Zimmermann (eds.): Beyond the borders. French and German art from the Ancien Régime to the present. Thomas W. Gaehtgens on his 60th birthday , 3 volumes (Staging of the Dynasties - Art of Nations - Dialogue of the Avant-gardes), Cologne 2000.
  • with Thomas W. Gaehtgens, Christian Michel, Daniel Rabreau (eds.): L'art et les normes sociales au XVIIIe siècle , Paris 2001 (Passages / Passagen, Vol. 2).
  • Expansion / integration. The art exhibitions of the French occupation in post-war Germany , Munich and Berlin 2003 (Passerelles 3).
  • In the eyes of the other. The Franco-German art relations 1945–1959 (with a foreword by Werner Spies and a poem by KO Götz), Berlin 2005 (Passagen / Passages, vol. 12).
  • with Isabelle Ewig (Ed.): Thrown into freedom. Positions on Franco-German art history after 1945 (with a foreword by Thomas W. Gaehtgens), Berlin 2006 (Passagen / Passages, vol. 13).
  • with Friederike Kitschen (ed.): Art vivant. Sources and comments on Franco-German art relations 1945–1960 , Berlin 2011 (Passagen / Passages, vol. 14).
  • with Guido Reuter (Ed.): Inside / Outside. The studio in contemporary art , Petersberg 2012.
  • with Sigrid Hofer (ed.): Photographing in the GDR , Dresden 2014 (series of publications by the Working Group on Art in the GDR, Vol. 2).
  • Eugène Delacroix & Paul Delaroche. History as a sensation (exhibition catalog, Museum der Bildenden Künste Leipzig), ed. by Hans-Werner Schmidt and Jan Nicolaisen in collaboration with Martin Schieder, Petersberg 2015.
  • Au-delà des Lumières. La peinture religieuse à la fin de l'Ancien Régime (with a foreword by Christophe Leribault), Paris 2015 (Passages / Passagen, vol. 53).
  • with Julia Drost, Fabrice Flahutez and Anne Helmreich (eds.): Networking Surrealism in the USA. Agents, Artists, and the Market , Paris and Heidelberg: arthistoricum.net, 2019 (Passages online, Volume 3), URL: https://doi.org/10.11588/arthistoricum.485 ).
  • with Thomas Kirchner and Antje Kramer-Mallordy (eds.): Hans Hartung et l'abstraction. “Réalité autre, mais réalité quand même” , Dijon 2020.

Awards

Web links

personal data
SURNAME Schieder, Martin
BRIEF DESCRIPTION German art historian
DATE OF BIRTH 1965
PLACE OF BIRTH Heidelberg