Maxim Ziese

from Wikipedia, the free encyclopedia
Maxim Ziese (1921)

Maximilian "Maxim" Ziese (born June 26, 1901 in Griesheim , † July 16, 1955 in Cologne ) was a German playwright and writer .

Life

On his father's side, Ziese came from a Pomeranian family. He took part in the First World War as an infantryman . From 1920 Ziese studied law at the Goethe University in Frankfurt am Main and was active there in Corps Austria . After receiving his doctorate in 1924, he worked in the mine, went to sea and together with his brother Hermann Ziese-Beringer edited several books on war history in Berlin. In 1930 he received the Dramatist Prize of the Bühnenvolksbund and in 1934 the first story prize of the magazine die neue linie . His play "The slain shadow" was staged in the 1935/1936 season at the Berlin State Theater in a production by Gustaf Gründgens. In 1943/44 he worked as a dramaturge with Gustaf Gründgens at the Prussian State Theater in Berlin. After the Second World War he lived as an editor in Friedrichsdorf and Düsseldorf .

Works

  • General arbitration mandate and the concept of total dispute , dissertation, University of Giessen, 1924
  • The invisible memorial ten years later on the western front , Frundsberg, Berlin 1928
  • Generals, traders and soldiers - a dance of death of facts around those from across the street , Frundsberg, Berlin 1930
  • The soldier from across the street , Frundsberg, Berlin 1930
  • The day J , Frundsberg, Berlin 1930
  • Dr. Siebenstein , Frundsberg, Berlin 1932
  • The slain shadow , Frundsberg, Berlin 1935
  • Please, please marry me , Carl Schüneman, Bremen 1937
  • The film of Dr. Wharton , Buchwarte, Berlin 1938
  • The granddaughter of the affectionate Jacqueline , Carl Schünemann, Bremen 1938
  • Paula Rondt , 1945
  • The sheep that ate the lily , 1947

literature

  • Karl August Kutzbach: Author's Lexicon of the Present ; 1950, pp. 444f
  • Kürschner German Literature Calendar

Individual evidence

  1. ^ Deutsche Corpszeitung 52 (1935/1936), Issue 5 (September 1935), p. 173
  2. Peter Jammerthal, Ein zuchtvolles Theater, Berlin (dissertation FU) 2005, p. 192