Mosch (prose)
Mosch. A film is a book by Tankred Dorst that appeared in 1980 for the film of the same name by Suhrkamp (edition suhrkamp 1060).
There is a bitter generation conflict on the Wupper .
time and place
The time can be guessed from the context. The currency reform is history and the Marshall Plan is bearing fruit in Germany. So the action takes place around the early 1950s. The action takes place in a soap powder factory in Wuppertal .
action
The young Arno Frühwaldt was taken prisoner after the war . Now he's coming to Wuppertal from the eastern zone. At the side of his aunt, Frau Kapellmann, he is supposed to take over his grandfather's factory. Arno inherited a quarter of the factory. The rest belongs to the aunt. Nevertheless, the young man is addressed as boss by the employees.
But since the grandfather's death - through the war and the currency reform - old Mr. Mosch has been the commercial manager.
Arno has neither a high school diploma nor a real job, but he still wants to get the factory going again. Mr. Mosch is in his way. And Arno needs the money from his aunt. She holds back. In everyday office life there are differences between the two men. Mosch doesn't want to be forced out, because he's been working in the factory for fifty years. The widower stands alone. His son did not come back from the war. When Mosch dies by a stupid mistake, the aunt suddenly wants to hand out money for urgently needed investments. The young man renounces both his aunt's money and the dump, as the soap powder factory is scolded. It looks as if Arno is considering a career in the cabaret "Stichlinge".
Quote
- "Whoever lives disturbs."
shape
Dorst writes plainly: Mosch is Arno's enemy and Arno “hates the old man”.
The film gets color from the many side stories. Arno's motorcycle companion Gerhard emigrates to Australia. Or the big love story: The mercury girl Billy applies to the company. Arno keeps Billy against Herr Mosch's will and gets into bed with the young lady. Billy can't be told anything at all. At the cabaret "Stichlinge" she hires herself as a set shifter and is annoyed when Arno does not attend the evening performance. Adele and her brother Paul also appear. In an interview with Arno, Paul asserts that he was not a Nazi and tells of an encounter with the real artist Gerhart Hauptmann . The idler Paul works on a special theory of evolution . The appearances of the entrepreneur Kolb, who tells jokes at parties and may want to swallow the soap slime, are amusing.
interpretation
The film “Mosch” should actually be called “Arno”, because Mosch embodies the old, rigid and Arno the new, willing to change. One of Arno's guiding principles, with which he would like to force his adversary Mosch to his knees, is: “We will probably have to change a lot.” In addition, the side stories (see above under Form) revolve more about Arno than about Mosch.
filming
WDR production in 1980: In the above-mentioned film by Tankred Dorst, Marius Müller-Westernhagen played Arno, Valter Taub played Mosch, Sonja Karzau played aunt, Katharina Thalbach played Billy, Ulrich Wildgruber played Paul, Rosel Zech played his sister Adele and Rudolf Voss Mr. Kolb. The book contains several instructive photos from the film (photographer: Peter Pabst).
literature
Used edition
- Mosch. A film. Pp. 453-550 in Tankred Dorst. German pieces. Collaboration with Ursula Ehler (photo from 1985 at Bekes, p. 44). Work edition 1 (content: Dorothea Merz . Klara's mother . Heinrich or the pain of fantasy . The villa . Mosch. Auf dem Chimborazo ) Afterword: Günther Erken (pp. 601–612) Suhrkamp Verlag 1985 (1st edition), without ISBN , 614 pages.
Secondary literature
- Peter Bekes: Tankred Dorst. Pictures and documents. edition spangenberg, Munich 1991, ISBN 3-89409-059-6
- Heinz Ludwig Arnold (Ed.): Text + criticism Issue 145: Tankred Dorst . Richard Boorberg Verlag, Munich, January 2000, ISBN 3-88377-626-2
- Gero von Wilpert : Lexicon of world literature . German Authors A-Z . Stuttgart 2004, ISBN 3-520-83704-8 , p. 126, left column, 26th Zvu
annotation
Web links
- Volker Canaris in Spiegel on September 29, 1980 : "The days after the zero hour"