Organs in the Basilica of Constantine

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Main organ from 2014

The Konstantinbasilika in Trier now has two organs: a choir organ with 30 registers on two manuals and pedal , and since 2014 a new main organ from the organ building company Eule on the back wall.

Ibach organ

As part of the first reconstruction of the basilica, it also received an organ . The instrument was built in 1856 by the Ibach brothers ("Uebach") from Barmen and had 40 registers , distributed over three manuals and a pedal. In the two pedal towers were visible the pipes of the pedal register principal bass 32 '. The organ case was approx. 15 m high, 10 m wide and 5 m deep. In 1913 the instrument was rebuilt by the organ builder Friedrich Weigle (Echterdingen) and expanded to 50 registers (on membrane drawers). The actions were pneumatic. This instrument was destroyed in a bomb attack in 1944.

Schuke organ

Schuke organ from 1962

After the reconstruction of the basilica, the organ building company Karl Schuke (Berlin) built a choir organ in 1962. The instrument is located in a (window) niche on the east wall of the basilica, approximately at the level of the altar and to the right of it. The prospectus fills the entire window opening; In the middle part, the main unit and the upper unit are arranged one above the other, to the left and right of it is the pedal unit. The play area is at the foot of the middle section; above the play area are the pipes of the Spanish trumpets , which protrude into the church. The slider chests -instrument has scheduled 30 stops on two manuals and pedal and is neobarock. The game actions are mechanical, the stop actions are electric.

I Hauptwerk C – g 3
1. Principal 8th'
2. Reed flute 8th'
3. octave 4 ′
4th Gemshorn 4 ′
5. Nasat 2 23
6th octave 2 ′
7th Mixture VI – VII
8th. Scharff IV – VI
9. Trumpet 16 ′
10. Chip. Trumpet 8th'
11. Chip. Trumpet 4 ′
II upper structure C – g 3
12. Dumped 8th'
13. Praestant 4 ′
14th Flute 4 ′
15th Field whistle 2 ′
16. Sesquialter II 2 23
17th Fifth 1 13
18th Mixture V – VII
19th Cymbel IV
20th bassoon 16 ′
21st oboe 8th'
Tremulant
Pedal C – f 1
22nd Principal 16 ′
23. octave 8th'
24. Hollow flute 4 ′
25th Night horn 2 ′
26th Bass Aliquot III
27. Backset V
28. trombone 16 ′
29 Trumpet 8th'
30th Clairon 4 ′
  • Coupling : II / I, I / P, II / P
  • Playing aids : two free combinations, fixed combinations (pleno, tutti)

Owl organ

Interior view (south side) before the installation of the new organ
During the installation of the new organ

As early as the 1950s, considerations began to build a new main organ to replace the Uebach organ that was destroyed in the war. In 2006 the Constantine Basilica celebrated a double anniversary: ​​150 years of the Evangelical Church of the Redeemer and 50 years of post-war reconstruction. In this context, the state of Rhineland-Palatinate, as patronage, announced the construction of a new main organ on the back wall of the church at a festive event.

Two selection procedures took place: On the one hand, the procedure for selecting the builder company, and an architectural competition, which dealt with the external design of the organ in space. Numerous committees were involved in these proceedings, both from the state government of Rhineland-Palatinate and the preservation of monuments, as well as (state and local) church committees. In addition, UNESCO was involved in the decision-making process, as it was about a construction project in a world cultural heritage site. The organ building company Eule (Bautzen) received the order to build the new instrument . She has already built the organ in the Evangelical Church of Saarburg in the church district of Trier . The exterior design was developed by the architects Auer & Weber (Munich / Stuttgart).

The new main organ was installed on the back wall of the basilica in 2014. It is symphonically arranged and is intended to enable the presentation of any organ music from the 19th century. The instrument has 82 registers (over 6,000 pipes) plus 5 extended or transmitted registers in the pedal, distributed over four manual works and pedal. This makes the organ the largest organ in Trier and one of the largest in Rhineland-Palatinate.

The instrument is distributed over three organ bodies that are suspended from the rear wall. They are located in front of or in the window niches, the width of which they roughly take up, and overall only protrude slightly into the church interior.

The main work (I. manual) is arranged in the style of German high and late baroque organs, the swell work (II. Manual) German-romantic and the swellable Récit (III. Manual) French-romantic. Two works can be played from Manual IV: the also swellable orchestral work with timbres of the English Romanticism (including a fully developed string choir) with a wind pressure of around 150 mm Ws, and the non-swellable solo work with high pressure registers (including a Tuba imperialis ) and a wind pressure of about 380 mm Ws. Both works can be coupled independently of each other to all other manual works and the pedal.

The main console is located in front of the central organ body and can be reached via a narrow spiral staircase. The stop action is electric; the action mechanism is mechanical and is partially supported by barker machines (swell, orchestral, pedal). The high pressure voices are played electrically. A second, mobile gaming table was also built.

While the organ was judged to be a thoroughly successful sound at its inauguration, critical voices were also expressed regarding its visual design: Compared to the computer simulation from 2012, the prospectus has been significantly changed. In contrast to the original idea of ​​accommodating the organ pipes in three lightly painted towers in order to lengthen the window surfaces downwards, the pipes were housed in black and - according to the critics - threatening-looking cuboids, which as a disturbing foreign body to nothing in the church to build a relationship.

I main work C – c 4
1. Praestant 16 ′
2. Dumped 16 ′
3. Principal major 8th'
4th Principal minor 8th'
5. Viol 8th'
6th Flûte harmonique 8th'
7th Reed flute 8th'
8th. teller 8th'
9. Octave 4 ′
10. Gemshorn 4 ′
11. Fifth 2 23
12. Octave 2 ′
13. Mixture major V 2 ′
14th Mixture minor III 1 13
15th Cornet II-V 2 23
16. Trombones 16 ′
17th Trumpet 8th'
18th Clairon 4 ′
II threshold positive C-c 4
19th Lovely covered 16 ′
20th Violin principal 8th'
21st Concert flute 8th'
22nd Delicately packed 8th'
23. Quintatön 8th'
24. Salicional 8th'
25th Aeoline 8th'
26th Vox coelestis 8th'
27. Violin octave 4 ′
28. Fugara 4 ′
29 Flauto traverso 4 ′
30th Forest flute 2 ′
31. Progressio III-V 2 ′
32. Harmonia aetherea III – IV 2 ′
33. Aeoline 16 ′
34. Clarinet 8th'
35. oboe 8th'
36. Celesta 8th'
Tremulant
III Récit expressif C – c 4
37. Quintaton 16 ′
38. diapason 8th'
39. Flûte traversière 8th'
40. Cor de nuit 8th'
41. Viole de Gambe 8th'
42. Voix célêste 8th'
43. Octave 4 ′
44. Flûte octaviante 4 ′
45. Nasard 2 23
46. Octavine 2 ′
47. Tierce 1 35
48. Piccolo 1'
49. Plein jeu V 2 23
50. Bombard 16 ′
51. Trompette harmonique 8th'
52. Basson-Hautbois 8th'
53. Voix humaine 8th'
54. Clairon harmonique 4 ′
Tremulant
IV Orchestral
(swellable)
C – c 4
55. Contra gamba 16 ′
56. Orchestral viola 8th'
57. Viola célêste 8th'
58. Clarabella 8th'
59. violin 4 ′
60. Harmonic flute 4 ′
61. Flautino 2 ′
62. Cornett d 'violes III 3 15
63. Cor anglais 16 ′
64. Clarinet 8th'
65. French horn 8th'


IV Solo
(not swellable)
C – c 4
66. Principalis romanus 8th'
67. Constantine flute 8th'
68. Tuba imperialis 8th'
69. Chimes
Pedals C – g 1
70. Major Principal (Ext.No.72) 32 ′
71. Stand (Ext. No. 74) 32 ′
72. Principal bass 16 ′
73. Violon bass 16 ′
74. Sub bass 16 ′
75. Gedackt bass (= No. 37) 16 ′
76. Salicetbass (= No. 55) 16 ′
77. Open wood 16 ′
78. Octavbass 8th'
79. violoncello 8th'
80. Bass flute 8th'
81. Octave 4 ′
82. Grand Cornet IV 5 13
83. Back set IV 2 23
84. Contra trombone (Ext. No.85) 32 ′
85. trombone 16 ′
86. Trumpet bass 8th'
87. Clarine 4 ′
  • Pairing :
    • Normal coupling: II / I, III / I, IV / I, III / II, IV / II, IV / III; I / P, II / P, III / P, IV / P
    • Super octave coupling: II / I, II / II, III / I, III / III, IV / I, IV / III, IV / IV, II / P, III / P, IV / P
    • Sub-octave coupling: II / I, II / II, III / I, III / III, IV / I, IV / IV
    • Orchestral / Solo: each free on I, II, III, IV, P
  • Playing aids : Register crescendo (5-fold programmable); electronic setting system; MIDI interface and replay system

Individual evidence

  1. ^ Basilica organ , accessed on December 21, 2014.
  2. ^ Trier Orgelpunkt: Historical organs in the Constantine Basilica , accessed on August 21, 2015.
  3. Information on the basilica organ from 1856/1913
  4. Entry on Schuke organ in the database of cultural assets in the Trier region ; accessed on March 4, 2016.
  5. Information on the Schuke organ
  6. Further information on the new main organ
  7. See the information on building history
  8. See the computer graphics of the new main organ
  9. More information on the disposition ( memento of the original from September 15, 2017 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. (PDF file) @1@ 2Template: Webachiv / IABot / www.hermann-schroeder.de
  10. http://ekkt.ekir.de/trier/uploads/pics/Zw.jpg , accessed on December 21, 2014
  11. http://www.walcker-stiftung.de/Downloads/Blog/Orgel_Basilika_Trier-2.pdf Roland Eberlein ; The new main organ of the basilica in Trier has been completed

literature

  • Boris Peter, Klaus Pfaff: The new organ of the Constantine Basilica in Trier. Minimized construction in the UNESCO World Heritage Site . In: Structural Engineering . January 2017, ISSN  0932-8351 , p. 62-68 .

Web links

Commons : Organs in the Basilica of Constantine  - Collection of pictures, videos and audio files

Sound samples of the Schuke organ

Sound samples owl organ

Coordinates: 49 ° 45 ′ 12 ″  N , 6 ° 38 ′ 36 ″  E