Rosalyn Tureck

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Rosalyn Tureck (born December 14, 1914 , according to other information December 14, 1913 in Chicago , † July 17, 2003 in New York City ) was an American concert pianist and music researcher and was considered the "high priestess of Bach".

Life

Although Tureck made her debut with Johannes Brahms ' 2nd Piano Concerto op.83 and played music by the romantic composers Chopin , Liszt and Busoni's Bach arrangements in her early days , she began to dedicate herself increasingly and soon even exclusively to the piano works of the Thomaskantor from the age of 22 . Her actual career began with the legendary six New York piano recitals, in which she performed all 48 preludes and fugues from the Well-Tempered Clavier and the complete Goldberg Variations - on the modern concert grand . With this, Tureck opposed the prevailing opinion at the time, which was particularly influenced by Wanda Landowska , that Bach could only be represented on the harpsichord .

In Germany it became known only late, mainly through publications by Deutsche Grammophon : a digital recording of the Goldberg Variations and a mono recording of the 48 Preludes and 48 Fugues of the Well-Tempered Clavier .

Tureck published an introduction to Bach's performance practice in three volumes at Oxford University Press .

Glenn Gould described her style of interpretation as partially exemplary for his own.

literature

  • Cord Garben: Past luck ... the art and fate of legendary pianists. 2nd Edition. Noetzel, Wilhelmshaven 2018, ISBN 978-3-7959-1013-6 , pp. 279–288.

Web links

  • Tureck Bach Research Institute This website contains many video and audio recordings of Rosalyn Tureck's Bach interpretations on the piano as well as some of her writings on Bach.
  • Rosalyn Tureck at Bach Cantatas (English)

Individual evidence

  1. ^ Howard Schott:  Tureck, Rosalyn. In: Grove Music Online (English; subscription required).
  2. About Rosalyn Tureck , The Tureck Bach Research Institute, Curtis Institute of Music, accessed February 28, 2019
  3. Michael Stegemann: Glenn Gould. Life and work ; Munich 1992. According to the issue at Zweiausendeins: Page 140f.