Sebastián Zubieta

Sebastián Zubieta (* in Buenos Aires ) is an Argentine composer and music teacher.

Zubieta studied music at the Universidad Católica Argentina and took private composition lessons with Gerardo Gandini and Mariano Etkin . At Yale University he studied composition with Ezra Laderman , Alvin Singleton and Joseph Schwantner and conducting with Marguerite Brooks . He also attended courses in composition, early music and music technology, etc. a. with Martin Bresnick , Pedro Memelsdorff and Néstor Zadoff . He taught music history at the Universidad de Buenos Aires , composition at the Universidad Nacional de La Plata , Music Appreciation at the Centro de Arte y Tecnología in Argentina and Yale University, and music analysis at the Yale School of Music .

From 1991 to 1993 he was the singer and arranger of craso error , a group that combined Argentine folk music with the rhythms and harmonics of rock music. Together with the composer Suzanne Farrin and the percussionists Jason Treuting and Lawson White, he founded the group for new music neithermusic , which performs American compositions from the period after the Second World War in addition to its own works.

Works

• al fondo de esta tumba se ve el mar for bass clarinet, guitar and double bass (2007)
• ospedali di suoni anemici II for clarinet and bassoon (2007)
• ospedali di suoni anemici I for clarinet and tape (2007)
• Kniha Davidova for violin, two violas and cello (2005–2006)
• Dos canciones for voice, viola and piano (2005–2006)
• Cor di smalto for piano (2005)
• Caravana Rolidey for saxophone and piano (2004)
• some were from sooner than that for viola (with Suzanne Farrin ) (2004)
• Île amère for soprano and ensemble (2004)
• Quanto piace al mondo é breve sogno for viola (2003)
• Four for ensemble (2003)
• A very very tropical equator for percussion quartet (2002)
• S'il'dissi mai for violin (2002)
• CCXCIV for soprano and double bass (2002)
• Nether for chamber ensemble (2002)
• El ladrón de caballos for flute and guitar (2002)
• L for two percussionists (2001–2002)
• el abigeo for flute (2001)
• His invisible fiancée for two percussionists (2000–2001)
• Si la cintura es un junco for organ (2000–2001)
• Allegorical devices for viola, violin and cello (2000–2001)
• Guadalquivir, como un alfanje for orchestra (2000)
• Pau que nasce torto for flute, oboe, two clarinets, horn, trumpet, trombone, piano and percussion (1996-2000)
• Luna altera for harp, percussion, cello and bass (1999–2000)
• Sol blanco for piano and orchestra (1993–1999)
• El invisible for five flutes (1998)
• Yo soy el chasirete for two trumpets and double bass (1997)
• ¿Yo soy el ruletero? for piccolo, clarinet, saxophone, trumpet, horn, trombone and tuba (1997)
• Yo soy el mascalacachimba for viola, cello, double bass and percussion (1996)
• Yo soy el ruletero for mixed chamber choir a cappella (1995)
• Santa María for flute, clarinet, trombone, viola and vibraphone (1993)
• Dead es niens for a woman's voice (1992)
• No lo soñé for male voice, saxophone, horn, trombone, percussion and piano (1991)
• Cuarteto , string quartet (1991)
• Eliot Ness for violin, viola, cello and double bass (1990)
• Il refuchio impenetrábile chicuro for two percussionists (1990)

Web links

• Homepage of Sabastián Zubieta

source

• American Society - Sebastián Zubieta ( Memento from July 9, 2011 in the Internet Archive )