Stephen Mosko

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Stephen "Lucky" Mosko (born December 7, 1947 in Denver ; † December 5, 2005 ) was an American composer, conductor and music teacher.

In his youth, Mosko played the drums in a city orchestra led by Antonia Brico . This gave him his first piano and conducting lessons. At Yale University he studied composition with Donald Martino and conducting with Gustav Meier and received his bachelor's degree magna cum lauda in 1969 . He continued his education with Mel Powell , Morton Subotnick and Leonard Stein at the California Institute of the Arts , where he taught for thirty years after obtaining his master's degree in 1972.

He was musical director of the San Francisco Contemporary Music Players for ten years and served as chief conductor of the Griffin Ensemble of Boston and musical director of the Chicago Contemporary Players . He has appeared as a guest conductor with the San Francisco Symphony Orchestra and the Los Angeles Philharmonic Orchestra . He has also conducted at the Holland Festival , the Ojai Festival , the Foro International de Musica Nueva in Mexico City, the Monday Evening Concerts and at the Minnesota Opera, and conducted the Boston's Collage and Dinosaur Annex Ensemble , the Merkin Hall Music Today Ensemble , the Dutch Schoenberg Ensemble and the Netherlands Wind Ensemble . In 1984 he was musical director of the Olympic Arts Contemporary Music Festival , in 1987 the Los Angeles Festival (John Cage Celebration) and in 1990 the Ojai Music Festival .

In his compositions Mosko combined new music with world music and took on influences from ceremonial Sufi music , Chinese opera, Romanian gypsy tunes and Icelandic epic singing. His works have been performed by the San Francisco Symphony Orchestra, the Los Angeles Philharmonic Orchestra, the Sacramento Symphony Orchestra , the California EAR Unit , the Group for New Music of New York , the Aspen Festival Orchestra , the New York New Music Ensemble and La Camerata of Mexico , and performed at the Ojai, Tanglewood and June festivals in Buffalo . He has received two composition grants from the National Endowment for the Arts , two awards from the BMI Foundation and one award from the Fromm Foundation . As a scholarship holder of the Senior Fulbright / Hayes Foundation, he undertook two study trips to Iceland and in 1989 was a guest composer at the Sacramento New American Music Festival . As a board member, he has served on the National Endowment for the Arts, Chamber Music America , MacDowell Colony , California Arts Council, and the American Music Center .

Works

  • Loveley Mansions for conductor, flute, singer, narrator and chamber ensemble, 1971
  • Karinhall for piano, 1972
  • Night of the Long Knifes for dramatic soprano and chamber ensemble, 1974
  • Three Clerks in Niches for chamber ensemble, 1976
  • Darling for double bass, 1976
  • The Cosmology of Easy Listening for percussion trio, 1978
  • Rais Murad for cello and piano, 1978
  • Indigenous Music for mixed choir and soloists, 1980
  • Indigenous Mussic II for chamber ensemble, 1984
  • Indigenous Music II: Flute , 1984
  • Indigenous Music II: Piano , 1984
  • Superluminal Connections I: The Atu of Tahuti for orchestra, 1985
  • The Road to Tiphareth for chamber ensemble, 1986
  • For Morton Feldman for flute, cello and piano, 1987
  • Schweres Loos for speaking voice, piccolo, bass clarinet and cello, 1988
  • A Garden of Time for orchestra, 1989
  • Transliminal Music for orchestra, 1992
  • Movable Doe for chamber ensemble, 1990
  • Psychotropes for chamber ensemble, 1993
  • Psychotropics for chamber ensemble, 1994
  • Rendering for piano, 1995
  • Rupuze for flute and guitar, 1997
  • String Quartet , 1998
  • Variations on a Theme of Sol Bright for chamber ensemble, 1999
  • Bow-Vine Song for Violin, undated
  • God Metot Enob (s) for piano, undated

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