Tomi Scheiderbauer

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tOmi Scheiderbauer, September 2019, self-portrait "Spiegelbild tOmi Beiderschauer"

Thomas "tOmi" Scheiderbauer (born 1961 in Hard , Vorarlberg ) is an Austrian interdisciplinary photo, graphic and context artist, curator and producer. He lives in Bregenz and Lecce .

His projects mainly revolve around the question of the origin of ideas or the nature of spontaneity and intuition. A relational, participatory and empathic concept of art appears central. “ A real artist is partist ”.

Life & work

Scheiderbauer attended the Federal High School in Bregenz from 1970 to 1976 and was there on the editorial board of the school newspapers "Rübe" and "Zwiebel". The editorial team included Hans Peter Martin , Markus Barney and Frank Mätzler. In 1976 the management advised the editorial team / Scheiderbauer to leave the school. Scheiderbauer was the only one on the editorial team to prefer vocational training and completed a three-year photo apprenticeship. He then attended the Höhere Graphische Bundes-Lehr- und Versuchsanstalt (master class for photography) in Vienna from 1980 to 1981 , then moved to Spain before, after extensive travels in the USA and Africa, from 1985 to 1989 he studied video art (class for audiovisual design at the School of Design in Basel ). He was the initiator and co-founder of the studio community VIA, AudioVideoKunst in Basel. From 1989–1991 Scheiderbauer spent 14 months with Teresa Alonso Novo in Egypt, where they worked as a carpenter and project planner in the Shabramant studio house (by Adel al Hozayin) in Cairo and Basata (by Sherif al Ghamrawy) in northern Sinai. In Basata on the Red Sea, the first sketches for an infra sculpture were made . When the second Gulf War broke out in January 1991 , Scheiderbauer and Alonso Novo left Egypt and temporarily moved to Switzerland, where they founded the c a l c project together with the artist Lukas Brunner and the programmer Marcus Spiegel.

Projects (selection)

  • c a l c - Casqueiro Atlantico Laboratorio Cultural, 1991–2003, in Navia , or the small suburb of Las Aceñas on the north-west Spanish Atlantic coast, was the work and living center of all c a l c projects for 12 years. The infra sculpture or “interactive studio sculpture ” was a conglomerate of different buildings with different uses: the old mill house or mother ship or the telematic laboratory, the second studio house for the pre-digital media and the NAVE or sleeping house. The declared aim was to develop special telematic art projects in cooperation between Navia and the rest of the world and to intervene creatively as actively as possible in the local circumstances retrospectively. These projects were created parallel to the construction of the infra sculpture .
  • NAVE sleeping house - this mobile architecture was created in 1997 as the first telematic c a l c project between Navia and the Swiss architects Koeppel & Martinez in Widnau, who were still working as a duo at the time. Based on the structure of the Horreo , an ellipsoidal, mobile building with two bedrooms and a bathroom was created.
  • a park for LA - since 1999, is about the purchase, the transformation into a park and the donation of an abandoned piece of land in the center of Las Aceñas - in collaboration with the curator Paolo Bianchi and the OK in Linz.
  • communimage - since 1999: the endlessly growing image - the (almost) uncensored, unmoderated attempt at a collaborative image according to simple rules. In collaboration with Johannes Gees .
  • cittadellarte / UNIDEE - 2000–2005, intensive collaboration between Scheiderbauer, Teresa Alonso Novo and Michelangelo Pistoletto - joint development of the concept for the cittadellarte and for the UNIDEE . During this time Scheiderbauer and Alonso Novo also work annually as tutors at UNIDEE .
  • casa mas o menos - Elaboration and realization of the first casa mas o menos - project, in collaboration with the architects Eva Morales Soller, David Cañavate Cazorla and Ruben Alonso Mallén from La panaderia , Seville.
  • In 2003–2004 the interactive studio sculpture was sold in two parts, only the NAVE was dismantled and temporarily stored for later use. c a l c moved its activities to Seville in 2003 and developed its projects until 2009 in collaboration with La panaderia , an architects' collective.
  • Even before c a l c was dissolved in 2009, Scheiderbauer began working with Pamela Campagna, and together they founded L-ABLE, a studio for social design. Relocation from Seville to Polignano a Mare in southern Italy and development of projects in L-ABLE until 2012.
  • Scheiderbauer has been working alone since 2012. Since 2013 he has maintained a visual blog - il daily now - which is entirely devoted to the question of how to find images. In addition, as a KOG - Artists Without Borders - he develops projects with and for refugees and fellow African citizens in Lecce . Leccebilità is currently being created, an alternative city map as an exclusive product for street sales by the same.

Exhibitions (selection)

  • 1997: NAVE Net Access Virtual Embarking, in the context of the KUB opening - Kunsthaus Bregenz
  • 1998: TIMEcloud, cittadellarte, Fondazione Pistoletto during Arte al Centro , and KUB during LIFESTYLE
  • 1999–2000: DROPone, oneDROP , cittadellarte, Fondazione Pistoletto during Arte al Centro , Kunsthalle Wien during ART AS TEAMWORK , in collaboration with Michelangelo Pistoletto
  • 2000: spacePLACE, a hypersculpture, KUB - Kunsthaus Bregenz during LKW II - things between life, art and work and the Lisi Hämmerle gallery
  • 2001, 2004: SANDPIT / AGORA_03, Galleria Ar / ge, Free University Bolzano , in collaboration with Michelangelo Pistoletto
  • 2002: Big Social Game, Bienale Torino 2002, artistic director Michelangelo Pistoletto - Scheiderbauer, Teresa Alonso Novo and Judith Wielander take over the overall coordination, exhibition architecture and curate the host country (Internet) and a large part of the almost 200 projects developed in the city context.
  • 2002: a park for LA is part of the Park Fiction project archive during Documenta11
  • 2003: Michelangelo Pistoletto + cittadellarte +. . ., Scheiderbauer, Teresa Alonso Novo and Judith Wielander are curating a Pistoletto retrospective in Antwerp in collaboration with Ronald van de Sompel.
  • 2005: Uffizi Porte II, Vlesshal, Holland - Scheiderbauer curates and presents the Uffizi Porte II , which he developed together with Alonso Novo and Pistoletto for the retrospective in Antwerp, and presents cittadellarte and c a l c in a lecture .
  • 2005: Social Constuctions - A Moment in Time V - communimage at Gallery SOEX, San Francisco, curated by Abner Nolan and Scott Snibbe
  • 2009: The Art of Participation - 1950 to Now , communimage - re: Vision, MOMA - San Francisco, curated by Rudolf Frieling
  • 2013: Democratic Rain - Protoproject Tel Aviv, in collaboration with Francesca Eugeni and the Artists in Residence of the Arison Family Foundation, ARTPORT
  • 2019: Mother sample , Feldkirch State Hospital
  • 2016–2020: KOG - Artists Without Borders, projects in the context of the refugee problem

Awards

Publications

Web links

Individual evidence

  1. VIA Video Audio Photo Art. Retrieved February 5, 2020 .
  2. basata. Retrieved February 5, 2020 .
  3. calc. Retrieved February 5, 2020 .
  4. casqueiro: omiotu. Retrieved February 5, 2020 .
  5. NAVE: omiotu. Retrieved February 5, 2020 .
  6. ^ 4 - 8 October 2000, Cittadellarte, Biella - "Habitus-Abito-Abitare" 1 ° manifestazione relativa alle tematiche di UNIDEE. In: Cittadellarte - Fondazione Pistoletto. January 1, 2000, accessed March 20, 2020 (it-IT).
  7. ^ Social Constructions. April 13, 2016, accessed February 5, 2020 .
  8. Minimum Prize. In: Cittadellarte - Fondazione Pistoletto. Retrieved February 5, 2020 (it-IT).
  9. International Art Prize of the State of Vorarlberg. Retrieved March 20, 2020 (Austrian German).
  10. Ebrahim Pourtaheri says: Greetings From Outside The Inside | A poster card book. Retrieved April 18, 2012, March 20, 2020 (UK English).