Ulrich Kuder

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Ulrich Kuder (born April 5, 1943 in Tuttlingen ) is a German art historian .

Life

After graduating from high school in the Evangelical Theological Seminars Schöntal / Jagst and Urach, Ulrich Kuder studied Protestant theology in Tübingen, Vienna, Mainz and Edinburgh from 1962 to 1968. After the 1st Evangelical Theological Service Examination in Tübingen, he worked as a research assistant at the Ecumenical Institute of the Evangelical Theological Faculty of the Ludwig Maximilians University and as a religion teacher in Munich. After a year of study at the Catholic University in Leuven / Belgium made possible by a DAAD scholarship , he began studying art history , philosophy and Old Testament science in Munich in 1972 and was awarded a doctorate there in 1977 with a thesis on a Carolingian psaltery. phil. doctorate: The initials of the Amienspsalter (Amiens, Bibliothèque municipale, ms. 18) .

From 1977 to 1984 assistant at the Institute for Art History at the University of Munich , he then worked at various universities, including Eichstätt , Braunschweig , Osnabrück and Greifswald , as a research assistant, lecturer and university lecturer and cataloged from 1988 to 1990 as part of a DFG Project illuminated manuscripts of the 13th century in the Württemberg State Library in Stuttgart . He completed his habilitation at the University of Munich in 1989 with studies in Ottonian book illumination .

From 1994 to 1996 he held the professorship for art history at the Brandenburg Technical University in Cottbus and was director of the Center for Technology and Society there. Appointed as successor to Frank Büttner to the chair for Middle and Modern Art History at the Christian-Albrechts-Universität zu Kiel in 1996 , he was one of the directors of the Art History Institute until his retirement in 2008.

Since 2016 he has been chairman of the Arthur-Haseloff- Gesellschaft eV, society for the promotion of research and studies at the Art History Institute of the Christian Albrechts University in Kiel.

Publications (selection)

  • Explosives. The parables of Jesus - not pious stories . Freiburg / Br. 1988, ISBN 3-419-51332-1 .
  • The Bayeux Tapestry or: Who Took the Strings? Fischer pocket books, Frankfurt / M. 1994, ISBN 3-596-11485-3 .
  • The Constance Christ Disc . In: Writings of the association for the history of Lake Constance and its surroundings (Schrr VG Bodensee) 115, 1997, pp. 1-88. ISSN  0342-2070
  • The Ottonians in Ottonian book illumination. Identification and iconography . In: Gerd Althoff, Ernst Schubert (ed.): Representation of the rulers in Ottonian Saxony (lectures and research, XLVI) . Sigmaringen 1998, ISBN 3-7995-6645-7 , pp. 137-234.
  • (Co-editor and co-author :) Ulrich Kuder, Dirk Luckow (ed.): The human mind is changeable. Prints from the Dürer period. On the occasion of the exhibition of the same name in the Kunsthalle zu Kiel, 2.5.-27.6.2004 . Kiel 2004, ISBN 3-937208-06-2 .
  • The return of the emblem in modern times . In: Anthony J. Harper, Ingrid Höpel (eds.): Emblematic Tendencies in the Art and Literature of the Twentieth Century (Glasgow Emblem Studies, 10). Glasgow 2005, ISBN 0-85261-821-2 , pp. 1-24.
  • (Co-editor and co-author :) Herwig Guratzsch, Ulrich Kuder (ed.): K (l) an experiment. Art and design of the 50s in Germany. On the occasion of the exhibition of the same name in Schloss Gottorf 13.4.-27.7.2008 . Schleswig-Holstein State Museums Foundation, Gottorf Castle 2008, ISBN 978-3-937719-76-4 .
  • A van Gogh after Jacob van Ruisdael in private ownership in Schleswig-Holstein . In: Nordelbingen. Contributions to the art and cultural history of Schleswig-Holstein , 78, 2009, ISSN  0078-1037 , pp. 55–77.
  • Jacob worship in the north. A preliminary overview . In: Javier Gómez-Montero (ed.): The Way of St. James and Santiago de Compostela in the Hanseatic cities and in the Baltic region. Files from the symposium at the University of Kiel April 23-25, 2007 (Topographica. Studies and texts on cultural spaces in Europe, 1). Kiel 2011, ISBN 3-937719-82-2 , pp. 193-300.
  • The Herz-Jesu-Kirche in Munich-Neuhausen as a new staging of an antiquated patronage . In: Regine Heß, Martin Papenbrock, Norbert Schneider (eds.): Art and Politics. Yearbook of the Guernica Society , 14.2012. Focus: Church and Art. Art funding by the churches after 1945. Göttingen 2012, ISBN 3-89971-991-3 , pp. 113–131.
  • with Walter Berschin: Reichenauer wall painting 840-1120. Goldbach - Reichenau-Oberzell St. Georg - Reichnau-Niederzell St. Peter and Paul . Heidelberg 2012, ISBN 978-3-86809-052-9 .
  • Dürer's 'Hieronymus in the Case'. The saint in the light . Hamburg 2013, ISBN 978-3-8300-3091-1 .
  • with Walter Berschin: Reichenauer Buchmalerei 850-1070 . Wiesbaden 2015, ISBN 978-3-95490-129-6 .
  • The Eucharist in sculptures from the early 3rd to the 7th centuries. Examples and problems. In: David Hellholm, Dieter Sänger (Ed.): The Eucharist - Its Origins and Contexts. Three volumes. (Scientific Studies on the New Testament, 376). Tübingen 2017, Vol. II, pp. 1297-1374, Vol. III, pp. 1911-1997. ISBN 978-3-16-153918-3 .
  • Studies of Ottonian book illumination . Edited by Klaus Gereon Beuckers (Kieler Kunsthistorische Studien NF 17), 2 vols., Kiel 2018, ISBN 978-3-86935-296-1 .

literature

  • Hans-Walter Stork , Babette Tewes, Christian Waszak (eds.): Book art in the Middle Ages and contemporary art - Scrinium Kilonense. Festschrift for Ulrich Kuder. Bautz, Nordhausen 2008, ISBN 978-3-88309-460-1 .

Web links

personal data
SURNAME Kuder, Ulrich
BRIEF DESCRIPTION German art historian
DATE OF BIRTH April 5, 1943
PLACE OF BIRTH Tuttlingen