Viktor Bodó

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Viktor Bodó

Viktor Juan Sebastian Bodó (* 1978 in Budapest ) is a Hungarian director and set designer .

Life

Bodó studied acting and directing and then worked as an actor at the Krétakör Theater in Budapest. His breakthrough came as a director at the József Katona Theater. He then went to the Schauspielhaus Graz , where he has been active for five seasons (including Kafka's Das Schloss , Alice after Lewis Carroll ). Alice has been invited to festivals several times, including the 2009 Salzburg Festival .

In 2008 Viktor Bodó founded his own theater company in Budapest called the Szputnyik Shipping Company, a modern theater and behavioral research institute and laboratory .

Since 1999 he has also worked as an actor, director and screenwriter for film and television. In 2010, the Schauspielhaus Graz was invited to the Berlin Theatertreffen with Bodó's production of The Hour because We Didn't Know About Each Other . This was followed by guest performances at the National Theater (Budapest) and in Moscow.

In September 2011 Bodó's play Tot premiered on the Orient Express at the Theater Winterthur . The co-production of the Budapest SzputnyikShipping Company and the Theater Winterthur was also performed in the Great House of the State Theater Mainz from October 2011 .

Viktor Bodó's production The Auditor by Nikolai Gogol at the Vig Theater Budapest was one of the few performances in the 2013/14 season that dealt with the political reality of Hungary in a barely veiled manner. Bodó brought the play into the present and relocated the plot to an empty swimming pool, in which incriminating material from the past is shredded. Bodó worked with grotesque overdrawing and staged Gogol's play as an absurd nightmare.

Viktor Bodó was nominated for the German Theater Prize DER FAUST 2014 for his production of König Ubu at the Heidelberg Theater .

Awards

  • 2008: Nestroy Theater Prize award for the best set by Alice at the Schauspielhaus Graz
  • 2009: Nomination for the Nestroy Prize for the best director of Die Hour because we knew nothing about each other at the Schauspielhaus Graz
  • 2010: Invitation to the Berlin Theatertreffen for Die Hour, because we didn't know about each other
  • 2010: The hour when we didn't know about each other is awarded the Russian theater prize, the "golden mask", as the best foreign production in 2010
  • 2011: Nomination for the Nestroy Prize in the category Best Federal State Performance for Der Meister and Margarita (based on Michail Bulgakow ) at the Graz Theater
  • 2019: Dorothea Neff Prize in the Best Director's category for Biedermann and the arsonists

literature

  • Teresa Grenzmann: The only question is who I really am. Viktor Bodó's dramatic identity bureau. In: Kilian Engels & C. Bernd Sucher (eds.): Political and possible worlds. tomorrow's directors. Henschel, Berlin 2008, ISBN 978-3-89487-613-5 , pp. 92-100.

Web links

Individual evidence

  1. Andrea Tompa: In Orbán-Hungary, political theater comes to life again . In: Theater heute issue 6/2014, Berlin 2014, pp. 33–34
  2. http://www.buehnenverein.de/de/netzwerke-und-projekte/der-faust/der-faust-2014.html
  3. ^ Volkstheater Vienna: Dorothea Neff Prize . Retrieved June 6, 2019.
  4. ^ Orf.at: Dorothea Neff Awards to Krautz, Biedermann and Bodo . Article dated June 5, 2019, accessed June 6, 2019.