Wolfgang Martin Stroh

Wolfgang Martin straw (* 1. July 1941 ) is a German musicologist and emeritus professor at the University of Oldenburg .

Life

Stroh studied mathematics , physics , musicology and modern German literature at the Universities of Erlangen , Munich , Freiburg and the Eastman School of Music (Rochester). In 1973 he received his doctorate under Hans Heinrich Eggebrecht (Freiburg). In 2006 he obtained the HAF diploma for multimedia design. He was a teacher at several grammar schools , from 1973 to 1978 he was a research assistant at the Bielefeld school projects , especially at the Oberstufenkolleg Bielefeld , since 1978 professor for systematic musicology at the University of Oldenburg . He became known in intercultural music education for his "extended interface approach". Since his retirement in 2006 he has been heading the "iii-twiskenstudio oldenburg" for the production of multimedia learning environments for music lessons.

Research priorities

Musicology

• Cultural music analysis of new music (Webern, Berg, Stockhausen, Penderecki, Nono)
• Sociology of Electronic Music
• Human-machine interaction (artistic-scientific research projects: “Brain and Body”, “MIDI Planetarium”, “Fractal Music”, “TechnoMuseum”, “BrainLab”).
• Music of the New Social Movements and the "New Age"

Music education

• New technologies in music teaching
• Group improvisation ("First improvising string orchestra")
• Scenic interpretation of music and theater
• Intercultural music education
• Klezmer music as de-ritualized Holocaust education

Publications

Books / Multimedia (selection)

• Anton Webern. Historical legitimation as a compositional problem (= Göppingen Academic Contributions 63). Kümmerle Publishing House, Göppingen 1973.
• On the sociology of electronic music . Amadeus-Verlag, Zurich 1975.
• Life yes. On the psychology of musical activity. Music in cellars, in squares and in front of NATO wire. Marohl-Verlag, Stuttgart 1984. ISBN 3-89006-021-8 .
• with Ralf Nebhuth: Carmen. Justifications and teaching materials (= scenic interpretation of operas, volume 1). Lugert-Verlag, Oldershausen 1990. ISBN 3-930915-16-2 .
• New Age Music Manual. Looking for new musical experiences (= ConBrio book volume 1). Verlag ConBrio, Regensburg 1994. ISBN 3-930079-40-2 .
• Scenic interpretation of music. A guide to developing game concepts using selected examples. (= Norbert Schläbitz (Ed.): EinFach Musik , Vol. 3). Schöningh-Verlag, Paderborn 2007. ISBN 978-3-14-018077-1 .
• with Margherita D'Amelio: Tarantella at school. A multimedia learning environment. starfsih music Production, Bremen 2012 / Lugert-Verlag, Oldershausen 2012. DVD 027191-670245.

Web links

• Website by Wolfgang Martin Stroh

Individual evidence

1. ↑ The extended interface approach. In: Andreas Eichhorn, Reinhard Schneider (ed.): Music - Pedagogy - Dialogues. Festschrift for Thomas Ott. Allitera Verlag, Munich 2011, pp. 307-317.
2. ^ "Brain and Body". A music performance. In: Hajo Cornel and Volker Knigge (eds.): The new interest in culture. Verlag Kulturpolitische Gesellschaft, Hagen 1990, pp. 357–365.
3. ↑ Musical rebellion against music computers? To justify the music project "Brain & Body". In: Neue Zeitschrift für Musik , 5/1990, pp. 3–9.
4. ↑ The MIDI Planetarium. For the revision of harmonic ideas of music of the spheres. In: Bernd Enders (Ed.): Neue Musiktechnologie II. Schott-Verlag, Mainz 1997, pp. 74–85.
5. ↑ Sound system as a sound supply. To cancel a difference in the MIDI planetarium. In: positions. Contributions to New Music , 48, 8/2001, pp. 38–41.