Viola Tree: Difference between revisions

From Wikipedia, the free encyclopedia
Content deleted Content added
→‎External links: add category
 
(29 intermediate revisions by 14 users not shown)
Line 1: Line 1:
{{Short description|British actor-singer (1884–1938)}}
{{EngvarB|date=August 2014}}
{{EngvarB|date=August 2014}}
{{Use dmy dates|date=August 2014}}
{{Use dmy dates|date=August 2014}}
[[File:Violatree1906.jpg|right|frame]]
[[File:Violatree1906.jpg|right|frame]]
'''Viola Tree''' (17 July 1884 – 15 November 1938) was an English actress, singer, playwright and author. Daughter of the actor [[Herbert Beerbohm Tree]], she made many of her early appearances with his company at [[Her Majesty's Theatre|His Majesty's Theatre]]. Later she appeared in opera, [[variety show|variety]], straight theatre and film.
'''Viola Tree''' (17 July 1884 – 15 November 1938) was an English actress, singer, playwright and author. Daughter of the actor [[Herbert Beerbohm Tree]], she made many of her early appearances with his company at [[Her Majesty's Theatre|His Majesty's Theatre]]. Later she appeared in opera, [[variety show|variety]], straight theatre and film.

Tree made her London debut in 1904 as Viola in ''[[Twelfth Night]]'', and for the next four years she appeared in her father's productions at His Majesty's Theatre, often in Shakespeare roles. She yearned to have an operatic career, and studied in Milan, but sang only two opera roles; she then resumed her career in plays and in variety. In 1919, she became manager of the [[Aldwych Theatre]], while continuing her acting career.

In 1930–31 she played on [[Broadway theatre|Broadway]] and on tour in drama and appeared in the [[Ziegfeld Follies]]. In London in the 1930s, she played in comedies and tried her hand at directing. Her last West End role was in ''The Melody that Got Lost'' in 1938. She also appeared in four films between 1920 and 1938, wrote two plays and several books, including a novel and a book of etiquette.


==Biography==
==Biography==
Tree was born in London, the eldest of three daughters of [[Herbert Beerbohm Tree]] and his wife, the actress [[Helen Maud Tree]], ''née'' Holt.<ref name=times>''[[The Times]]'', obituary, 16 November 1938, p. 9.</ref> Her aunt was author [[Constance Beerbohm]] and an uncle was [[Max Beerbohm]]. She was educated privately in London and in Europe. Her sisters were [[Felicity Tree]] and [[Iris Tree]]. She also had seven illegitimate half-siblings, the products of her father's many infidelities, among them the director [[Carol Reed]] and Peter Reed, whose son became the actor [[Oliver Reed]].<ref>[http://www.cyranos.ch/spbeet-e.htm Portrait of the Actor Herbert Beerbohm Tree], the Cyranos film website, accessed 23 September 2009</ref>
Tree was born in London, the eldest of three daughters of [[Herbert Beerbohm Tree]] and his wife, the actress [[Helen Maud Tree]], ''née'' Holt.<ref name=times>{{Cite news |url=https://link.gale.com/apps/doc/CS151991152/TTDA |title=Miss Viola Tree |newspaper=[[The Times]] |publication-place=London |issue=48153 |page=9 |date=16 November 1938 |access-date=2024-02-05 |via=The Times Digital Archive}}</ref> Her aunt was author [[Constance Beerbohm]] and an uncle was [[Max Beerbohm]]. She was educated privately in London and in Europe. Her sisters were [[Felicity Tree]] and [[Iris Tree]]. She also had seven illegitimate half-siblings, the products of her father's many infidelities, among them the director [[Carol Reed]] and Peter Reed, whose son became the actor [[Oliver Reed]].<ref>[http://www.cyranos.ch/spbeet-e.htm Portrait of the Actor Herbert Beerbohm Tree], the Cyranos film website, accessed 23 September 2009</ref>


===Stage and film career===
===Stage and film career===
Originally, Tree planned a career as a singer, but entered the family profession in 1904. She made a very successful London debut in March 1904 as Viola in ''[[Twelfth Night]]''.<ref>[https://timesmachine.nytimes.com/timesmachine/1904/06/26/102418214.pdf "Miss Viola Tree Makes Successful Debut",] ''The New York Times'', 26 June 1904, p. 4</ref> For the next four years she appeared in her father's productions at [[Her Majesty's Theatre|His Majesty's Theatre]]. Her other [[Shakespeare]] roles included Hero in ''[[Much Ado about Nothing]]'', the Queen in ''[[Richard II (play)|Richard II]]'', Ariel in ''[[The Tempest]]'', Anne Page in ''[[The Merry Wives of Windsor]]'', Ophelia in ''[[Hamlet]]'' and Perdita in ''[[The Winter's Tale]]'', in which [[Ellen Terry]] played Hermione.<ref name=times/><ref>''The Times'', 3 September 1906, p. 10</ref>
Originally, Tree planned a career as a singer, but entered the family profession in 1904. She made a very successful London debut in March 1904 as Viola in ''[[Twelfth Night]]''.<ref>[https://timesmachine.nytimes.com/timesmachine/1904/06/26/102418214.pdf "Miss Viola Tree Makes Successful Debut"], ''The New York Times'', 26 June 1904, p. 4</ref> For the next four years she appeared in her father's productions at [[Her Majesty's Theatre|His Majesty's Theatre]]. Her other [[Shakespeare]] roles included Hero in ''[[Much Ado about Nothing]]'', the Queen in ''[[Richard II (play)|Richard II]]'', Ariel in ''[[The Tempest]]'', Anne Page in ''[[The Merry Wives of Windsor]]'', Ophelia in ''[[Hamlet]]'' and Perdita in ''[[The Winter's Tale]]'', in which [[Ellen Terry]] played Hermione.<ref name=times/><ref>{{Cite news |url=https://www.newspapers.com/article/the-times-his-majestys-theatre/140318137/ |title=His Majesty's Theatre |newspaper=[[The Times]] |publication-place=London |issue=38115 |page=10 |date=3 September 1906 |access-date=2024-02-05 |via=Newspapers.com}}</ref>


[[File:Viola Tree 1907.jpg|left|thumb|1907 drawing by [[John Singer Sargent]]]]
[[File:Viola Tree 1907.jpg|left|thumb|1907 drawing by [[John Singer Sargent]]]]
Tree continued to plan an operatic career, and after making a success in the title role of ''[[Iphigénie en Tauride]]'' and as Euridice in ''[[Orfeo ed Euridice]]'' at the [[Savoy Theatre]] in 1910,<ref>''The Times'', 19 February 1910, p. 8; and 13 April 1910, p. 10</ref> she went to [[Milan]] to study. On her return, however, she did not pursue her operatic ambitions, except for playing Euridice again in 1912. Instead, she continued to build her stage career in plays and in [[variety show|variety]].<ref name=times/> In 1912, Tree married a drama critic, Alan Parsons, who died in 1933, aged 44. They had two sons, including [[David Tree]], and a daughter.<ref name=times/>
Tree continued to plan an operatic career, and after making a success in the title role of ''[[Iphigénie en Tauride]]'' and as Euridice in ''[[Orfeo ed Euridice]]'' at the [[Savoy Theatre]] in 1910,<ref>{{Cite news |url=https://www.newspapers.com/article/the-times-royal-college-of-music/140318310/ |title=Royal College of Music |newspaper=[[The Times]] |publication-place=London |issue=39200 |page=8 |date=1910-02-19 |access-date=2024-02-05 |via=Newspapers.com}}</ref><ref>{{Cite news |url=https://www.newspapers.com/article/the-times-music/140318464/ |title=Music |newspaper=[[The Times]] |publication-place=London |issue=39245 |page=10 |date=1910-04-13 |access-date=2024-02-05 |via=Newspapers.com}}</ref> she went to [[Milan]] to study. On her return, however, she did not pursue her operatic ambitions, except for playing Euridice again in 1912. Instead, she continued to build her stage career in plays and in [[variety show|variety]].<ref name=times/> In 1912, Tree married a drama critic, Alan Parsons, who died in 1933, aged 44. They had two sons, including [[David Tree]], and a daughter Virginia Penelope Parsons (1917–2003), wife of David Tennant and then the [[Henry Thynne, 6th Marquess of Bath|6th Marquess of Bath]].<ref name=times/><ref>[[Philip Hoare|Hoare, Philip]]. [https://www.independent.co.uk/news/obituaries/virginia-marchioness-of-bath-37175.html "Virginia, Marchioness of Bath"], ''The Independent'', 26 September 2003</ref>


In 1919, Tree took over the management of the [[Aldwych Theatre]], scoring particular success with the works of [[Sacha Guitry]].<ref name=times/> Her last Shakespeare role was Helena in ''[[A Midsummer Night's Dream]]'' in 1923.<ref name=shak>[http://shakespeare.emory.edu/actordisplay.cfm?actorid=115 Shakespeare and the Players] {{Webarchive|url=https://web.archive.org/web/20060910170643/http://shakespeare.emory.edu/actordisplay.cfm?actorid=115 |date=10 September 2006 }}, accessed 23 September 2009</ref> In 1930–31 she was in the US, appearing on Broadway and on tour in drama and also appeared in the [[Ziegfeld Follies]].<ref name=times/> Through the 1930s, Tree continually played in light comedies in the West End, varied with occasional unorthodox undertakings. In 1930 she directed an Italian play, ''La Piccola'' by [[Massimo Bontempelli]], in the original Italian,<ref>''The Times'', 27 February 1930, p. 12</ref> and in 1934 she directed [[Jean-Philippe Rameau]]'s opera ''[[Castor et Pollux]]'' for the Oxford University Opera Club.<ref>''The Times'', 19 November 1934, p. 10</ref> Her last West End appearance was in ''The Melody that Got Lost'', "a comedy with music", in January 1938.<ref>''The Times'', 20 January 1938, p. 10</ref> She was an early and strong supporter of the foundation of a [[Royal National Theatre|National Theatre]].<ref>''The Times'', 23 April 1938 and 12 October 1938</ref>
In 1919, Tree took over the management of the [[Aldwych Theatre]], scoring particular success with the works of [[Sacha Guitry]].<ref name=times/> Her last Shakespeare role was Helena in ''[[A Midsummer Night's Dream]]'' in 1923.<ref name=shak>[http://shakespeare.emory.edu/actordisplay.cfm?actorid=115 Shakespeare and the Players] {{Webarchive|url=https://web.archive.org/web/20060910170643/http://shakespeare.emory.edu/actordisplay.cfm?actorid=115 |date=10 September 2006 }}, accessed 23 September 2009</ref> In 1930–31 she was in the US, appearing on Broadway and on tour in drama and also appeared in the [[Ziegfeld Follies]].<ref name=times/> Through the 1930s, Tree continually played in light comedies in the West End, varied with occasional unorthodox undertakings. In 1930 she directed an Italian play, ''La Piccola'' by [[Massimo Bontempelli]], in the original Italian,<ref>{{Cite news |url=https://link.gale.com/apps/doc/CS201925211/TTDA |title=The Theatres |newspaper=[[The Times]] |publication-place=London |issue=45448 |page=12 |date=1930-02-27 |access-date=2024-02-05 |via=The Times Digital Archive}}</ref> and in 1934 she directed [[Jean-Philippe Rameau]]'s opera ''[[Castor et Pollux]]'' for the Oxford University Opera Club.<ref>{{Cite news |url=https://link.gale.com/apps/doc/CS168242035/TTDA |title='Castor And Pollux' At Oxford |newspaper=[[The Times]] |publication-place=London |issue=46915 |page=10 |date=1934-11-19 |access-date=2024-02-05 |via=The Times Digital Archive}}</ref> Her last West End appearance was in ''The Melody that Got Lost'', "a comedy with music", in January 1938.<ref>{{Cite news |url=https://link.gale.com/apps/doc/CS169685556/TTDA |title=The Melody that Got Lost |newspaper=[[The Times]] |publication-place=London |issue=47897 |page=10 |date=1938-01-20 |access-date=2024-02-05 |via=The Times Digital Archive}}</ref> She was an early and strong supporter of the foundation of a [[Royal National Theatre|National Theatre]].<ref>{{Cite news |url=https://link.gale.com/apps/doc/CS151204503/TTDA |title=The National Theatre |newspaper=[[The Times]] |publication-place=London |issue=47976 |page=9 |date=1938-04-23 |access-date=2024-02-05 |via=The Times Digital Archive}}</ref><ref>{{Cite news |url=https://link.gale.com/apps/doc/CS168899404/TTDA |title=The National Theatre |newspaper=[[The Times]] |publication-place=London |issue=48123 |page=10 |date=1938-10-12 |access-date=2024-02-05 |via=The Times Digital Archive}}</ref>


Tree also played in four films between 1920 and 1938,<ref name=shak/> the last of which, ''[[Pygmalion (1938 film)|Pygmalion]]'', by [[George Bernard Shaw]] (1938), completed three generations of the Tree family's connection with premieres of versions of the play: Tree's father created the role of Henry Higgins in the London stage première [[Pygmalion (play)|in 1914]];<ref>"Mr. Shaw's New Play. ''[[Pygmalion (play)|Pygmalion]]'' at His Majesty's... Sir Herbert Tree's Part", ''The Times'', 13 April 1914, p. 9</ref> Viola Tree revived the play in 1920;<ref>"''Pygmalion'' Revived – Mrs. Patrick Campbell's Return," ''The Times'', 22 January 1920, p. 8</ref> and she played a cameo role in the film, in which her son David Tree played Freddy.<ref>"New Films in London", ''The Times'', 3 October 1938, p. 10</ref><ref>[https://books.google.com/books?id=Rf5CCA7_Lv4C&pg=PA34&lpg=PA34&dq=%22David+Tree%22+AND+Pygmalion&source=bl&ots=UZt5Vo74gI&sig=hiqT1njPUEwXZaDe1p76RgNmYgQ&hl=en&ei=q4K6SrHiNcfRjAeFtcX7BQ&sa=X&oi=book_result&ct=result&resnum=7#v=onepage&q=%22David%20Tree%22%20AND%20Pygmalion&f=false Slide, Anthony, ''Fifty classic British films, 1932–1982: a pictorial record''], Dover Publications,1985, {{ISBN|0-486-24860-7}}</ref>
Tree also played in four films between 1920 and 1938,<ref name=shak/> the last of which, ''[[Pygmalion (1938 film)|Pygmalion]]'', by [[George Bernard Shaw]] (1938), completed three generations of the Tree family's connection with premieres of versions of the play: Tree's father created the role of Henry Higgins in the London stage première [[Pygmalion (play)|in 1914]];<ref>{{Cite news |url=https://www.newspapers.com/article/the-times-mr-shaws-new-play-part-1/140320749/ |title=Mr. Shaw's New Play. 'Pygmalion' at His Majesty's... Sir Herbert Tree's Part |newspaper=[[The Times]] |publication-place=London |issue=40496 |pages=9, [https://www.newspapers.com/article/the-times-mr-shaws-new-play-part-2/140320802/ 10] |date=1914-04-13 |access-date=2024-02-05 |via=Newspapers.com}}</ref> Viola Tree revived the play in 1920;<ref>{{Cite news |url=https://www.newspapers.com/article/the-times-pygmalion-revived-mrs-patri/140321134/ |title='Pygmalion' Revived – Mrs. Patrick Campbell's Return |newspaper=[[The Times]] |publication-place=London |issue=42314 |page=8 |date=1920-01-22 |access-date=2024-02-05 |via=Newspapers.com}}</ref> and she played a cameo role in the film, in which her son David Tree played Freddy.<ref>{{Cite news |url=https://link.gale.com/apps/doc/CS168506179/TTDA |title=New Films in London |newspaper=[[The Times]] |publication-place=London |issue=48115 |page=10 |date=1938-10-03 |access-date=2024-02-05 |via=The Times Digital Archive}}</ref><ref>[https://books.google.com/books?id=Rf5CCA7_Lv4C&dq=%22David+Tree%22+AND+Pygmalion&pg=PA34 Slide, Anthony, ''Fifty classic British films, 1932–1982: a pictorial record''], Dover Publications,1985, {{ISBN|0-486-24860-7}}</ref>


===Writing===
===Writing===
In 1923 ''The Dancers'', a play written by Tree in collaboration with the actor-manager [[Gerald du Maurier]] under the joint pen name of Hubert Parsons, opened at [[Wyndham's Theatre]], starring [[Tallulah Bankhead]] in her London début.<ref>''The Times'', 16 February 1923, p. 8</ref> She wrote a second play, ''The Swallow,'' about decent people coping with the rise of Italian Fascism, produced in London in 1925.<ref>''[[The Manchester Guardian]]'', 7 May 1925, p 12</ref> Tree published several books: her memoirs, ''Castles in the Air'' (1926); a book of etiquette advice, ''Can I Help You?'' (1937); a novel; a biography of her husband; and an anthology, ''Alan Parsons' Book'' (1937).<ref>[http://orlando.cambridge.org/public/svPeople?person_id=treevi "Viola Tree"], The Orlando Project, 2008</ref>
In 1923 ''[[The Dancers (play)|The Dancers]]'', a play written by Tree in collaboration with the actor-manager [[Gerald du Maurier]] under the joint pen name of Hubert Parsons, opened at [[Wyndham's Theatre]], starring [[Tallulah Bankhead]] in her London début.<ref>{{Cite news |url=https://link.gale.com/apps/doc/CS134812752/TTDA |title=Wyndham's Theatre |newspaper=[[The Times]] |publication-place=London |issue=43267 |page=8 |date=1923-02-16 |access-date=2024-02-05 |via=The Times Digital Archive}}</ref> It ran for 349 performances and subsequently transferred to the [[Broadhurst Theatre]] on [[Broadway theatre|Broadway]], where it lasted for 133 performances.<ref>Wearing p. 213</ref> She wrote a second play, ''The Swallow,'' about decent people coping with the rise of Italian Fascism, produced in London in 1925.<ref>{{Cite news |url=https://www.newspapers.com/article/the-guardian-a-bird-of-passage/140321833/ |title=A Bird of Passage |newspaper=[[The Manchester Guardian]] |page=12 |date=7 May 1925 |access-date=2024-02-05 |via=Newspapers.com}}</ref> Tree published several books: her memoirs, ''Castles in the Air'' (1926); a book of etiquette advice, ''Can I Help You?'' (1937); a novel; a biography of her husband; and an anthology, ''Alan Parsons' Book'' (1937).<ref>[http://orlando.cambridge.org/public/svPeople?person_id=treevi "Viola Tree"], The Orlando Project, 2008</ref>


Tree died of [[pleurisy]] in London, aged 54.<ref name=times/>
Tree died of [[pleurisy]] in London, aged 54.<ref name=times/>

==Filmography==
{| class="wikitable"
|-
! Year
! Title
! Role
! Notes
|-
|1917|| ''[[Masks and Faces]]'' || Member of Rich's Company #4 ||
|-
|1920|| ''[[Unmarried (1920 film)|Unmarried]]'' || ||
|-
|1932|| ''[[For the Love of Mike (1932 film)|For the Love of Mike]]'' || Emma Miller ||
|-
|1933||''[[The Private Life of Henry VIII]]'' || Nurse ||
|-
|1935|| ''[[Heart's Desire (1935 film)|Heart's Desire]]'' || Lady Bennington ||
|-
|1938|| ''[[Pygmalion (1938 film)|Pygmalion]]'' || Perfide Social Reporter || (final film role)
|}


==See also==
==See also==
Line 26: Line 52:


==Notes==
==Notes==
{{reflist|2}}
{{reflist}}

==Sources==
* Wearing, J. P. ''The London Stage 1920–1929: A Calendar of Productions, Performers, and Personnel''. Rowman & Littlefield (2014).


==External links==
==External links==
{{Commons cat|Viola Tree}}
{{Commons category|Viola Tree}}
*{{IMDb name|0871689}}
*{{IMDb name|0871689}}
*{{IBDB name|62618}}
*{{IBDB name|62618}}
*[http://www.thepeerage.com/p4707.htm#i47062 Genealogical information on Tree] at ThePeerage.com
*[http://digitalgallery.nypl.org/nypldigital/dgkeysearchdetail.cfm?trg=1&strucID=1766338&imageID=1628891&word=Tree%2C%20Viola%2C%201884%2D1938&s=3&notword=&d=&c=&f=2&k=0&lWord=&lField=&sScope=&sLevel=&sLabel=&total=1&num=0&imgs=20&pNum=&pos=1 Caricature of Viola Tree]
*[http://digitalgallery.nypl.org/nypldigital/dgkeysearchdetail.cfm?trg=1&strucID=1766338&imageID=1628891&word=Tree%2C%20Viola%2C%201884%2D1938&s=3&notword=&d=&c=&f=2&k=0&lWord=&lField=&sScope=&sLevel=&sLabel=&total=1&num=0&imgs=20&pNum=&pos=1 Caricature of Viola Tree]


Line 42: Line 70:
[[Category:Beerbohm family]]
[[Category:Beerbohm family]]
[[Category:English stage actresses]]
[[Category:English stage actresses]]
[[Category:English female singers]]
[[Category:Actresses from London]]
[[Category:Actresses from London]]
[[Category:English people of Jewish descent]]
[[Category:English people of German descent]]
[[Category:English people of German descent]]
[[Category:English people of Lithuanian descent]]
[[Category:English people of Lithuanian descent]]
[[Category:English people of Lithuanian-Jewish descent]]
[[Category:English women dramatists and playwrights]]
[[Category:English women dramatists and playwrights]]
[[Category:English dramatists and playwrights]]
[[Category:Writers from London]]
[[Category:Writers from London]]
[[Category:English film actresses]]
[[Category:English film actresses]]
[[Category:20th-century English actresses]]
[[Category:20th-century English actresses]]
[[Category:20th-century British dramatists and playwrights]]
[[Category:20th-century English dramatists and playwrights]]
[[Category:20th-century British women writers]]
[[Category:20th-century English women writers]]
[[Category:20th-century English singers]]
[[Category:20th-century English singers]]
[[Category:20th-century women singers]]
[[Category:20th-century English women singers]]

Latest revision as of 16:38, 11 April 2024

Viola Tree (17 July 1884 – 15 November 1938) was an English actress, singer, playwright and author. Daughter of the actor Herbert Beerbohm Tree, she made many of her early appearances with his company at His Majesty's Theatre. Later she appeared in opera, variety, straight theatre and film.

Tree made her London debut in 1904 as Viola in Twelfth Night, and for the next four years she appeared in her father's productions at His Majesty's Theatre, often in Shakespeare roles. She yearned to have an operatic career, and studied in Milan, but sang only two opera roles; she then resumed her career in plays and in variety. In 1919, she became manager of the Aldwych Theatre, while continuing her acting career.

In 1930–31 she played on Broadway and on tour in drama and appeared in the Ziegfeld Follies. In London in the 1930s, she played in comedies and tried her hand at directing. Her last West End role was in The Melody that Got Lost in 1938. She also appeared in four films between 1920 and 1938, wrote two plays and several books, including a novel and a book of etiquette.

Biography[edit]

Tree was born in London, the eldest of three daughters of Herbert Beerbohm Tree and his wife, the actress Helen Maud Tree, née Holt.[1] Her aunt was author Constance Beerbohm and an uncle was Max Beerbohm. She was educated privately in London and in Europe. Her sisters were Felicity Tree and Iris Tree. She also had seven illegitimate half-siblings, the products of her father's many infidelities, among them the director Carol Reed and Peter Reed, whose son became the actor Oliver Reed.[2]

Stage and film career[edit]

Originally, Tree planned a career as a singer, but entered the family profession in 1904. She made a very successful London debut in March 1904 as Viola in Twelfth Night.[3] For the next four years she appeared in her father's productions at His Majesty's Theatre. Her other Shakespeare roles included Hero in Much Ado about Nothing, the Queen in Richard II, Ariel in The Tempest, Anne Page in The Merry Wives of Windsor, Ophelia in Hamlet and Perdita in The Winter's Tale, in which Ellen Terry played Hermione.[1][4]

1907 drawing by John Singer Sargent

Tree continued to plan an operatic career, and after making a success in the title role of Iphigénie en Tauride and as Euridice in Orfeo ed Euridice at the Savoy Theatre in 1910,[5][6] she went to Milan to study. On her return, however, she did not pursue her operatic ambitions, except for playing Euridice again in 1912. Instead, she continued to build her stage career in plays and in variety.[1] In 1912, Tree married a drama critic, Alan Parsons, who died in 1933, aged 44. They had two sons, including David Tree, and a daughter Virginia Penelope Parsons (1917–2003), wife of David Tennant and then the 6th Marquess of Bath.[1][7]

In 1919, Tree took over the management of the Aldwych Theatre, scoring particular success with the works of Sacha Guitry.[1] Her last Shakespeare role was Helena in A Midsummer Night's Dream in 1923.[8] In 1930–31 she was in the US, appearing on Broadway and on tour in drama and also appeared in the Ziegfeld Follies.[1] Through the 1930s, Tree continually played in light comedies in the West End, varied with occasional unorthodox undertakings. In 1930 she directed an Italian play, La Piccola by Massimo Bontempelli, in the original Italian,[9] and in 1934 she directed Jean-Philippe Rameau's opera Castor et Pollux for the Oxford University Opera Club.[10] Her last West End appearance was in The Melody that Got Lost, "a comedy with music", in January 1938.[11] She was an early and strong supporter of the foundation of a National Theatre.[12][13]

Tree also played in four films between 1920 and 1938,[8] the last of which, Pygmalion, by George Bernard Shaw (1938), completed three generations of the Tree family's connection with premieres of versions of the play: Tree's father created the role of Henry Higgins in the London stage première in 1914;[14] Viola Tree revived the play in 1920;[15] and she played a cameo role in the film, in which her son David Tree played Freddy.[16][17]

Writing[edit]

In 1923 The Dancers, a play written by Tree in collaboration with the actor-manager Gerald du Maurier under the joint pen name of Hubert Parsons, opened at Wyndham's Theatre, starring Tallulah Bankhead in her London début.[18] It ran for 349 performances and subsequently transferred to the Broadhurst Theatre on Broadway, where it lasted for 133 performances.[19] She wrote a second play, The Swallow, about decent people coping with the rise of Italian Fascism, produced in London in 1925.[20] Tree published several books: her memoirs, Castles in the Air (1926); a book of etiquette advice, Can I Help You? (1937); a novel; a biography of her husband; and an anthology, Alan Parsons' Book (1937).[21]

Tree died of pleurisy in London, aged 54.[1]

Filmography[edit]

Year Title Role Notes
1917 Masks and Faces Member of Rich's Company #4
1920 Unmarried
1932 For the Love of Mike Emma Miller
1933 The Private Life of Henry VIII Nurse
1935 Heart's Desire Lady Bennington
1938 Pygmalion Perfide Social Reporter (final film role)

See also[edit]

Notes[edit]

  1. ^ a b c d e f g "Miss Viola Tree". The Times. No. 48153. London. 16 November 1938. p. 9. Retrieved 5 February 2024 – via The Times Digital Archive.
  2. ^ Portrait of the Actor Herbert Beerbohm Tree, the Cyranos film website, accessed 23 September 2009
  3. ^ "Miss Viola Tree Makes Successful Debut", The New York Times, 26 June 1904, p. 4
  4. ^ "His Majesty's Theatre". The Times. No. 38115. London. 3 September 1906. p. 10. Retrieved 5 February 2024 – via Newspapers.com.
  5. ^ "Royal College of Music". The Times. No. 39200. London. 19 February 1910. p. 8. Retrieved 5 February 2024 – via Newspapers.com.
  6. ^ "Music". The Times. No. 39245. London. 13 April 1910. p. 10. Retrieved 5 February 2024 – via Newspapers.com.
  7. ^ Hoare, Philip. "Virginia, Marchioness of Bath", The Independent, 26 September 2003
  8. ^ a b Shakespeare and the Players Archived 10 September 2006 at the Wayback Machine, accessed 23 September 2009
  9. ^ "The Theatres". The Times. No. 45448. London. 27 February 1930. p. 12. Retrieved 5 February 2024 – via The Times Digital Archive.
  10. ^ "'Castor And Pollux' At Oxford". The Times. No. 46915. London. 19 November 1934. p. 10. Retrieved 5 February 2024 – via The Times Digital Archive.
  11. ^ "The Melody that Got Lost". The Times. No. 47897. London. 20 January 1938. p. 10. Retrieved 5 February 2024 – via The Times Digital Archive.
  12. ^ "The National Theatre". The Times. No. 47976. London. 23 April 1938. p. 9. Retrieved 5 February 2024 – via The Times Digital Archive.
  13. ^ "The National Theatre". The Times. No. 48123. London. 12 October 1938. p. 10. Retrieved 5 February 2024 – via The Times Digital Archive.
  14. ^ "Mr. Shaw's New Play. 'Pygmalion' at His Majesty's... Sir Herbert Tree's Part". The Times. No. 40496. London. 13 April 1914. pp. 9, 10. Retrieved 5 February 2024 – via Newspapers.com.
  15. ^ "'Pygmalion' Revived – Mrs. Patrick Campbell's Return". The Times. No. 42314. London. 22 January 1920. p. 8. Retrieved 5 February 2024 – via Newspapers.com.
  16. ^ "New Films in London". The Times. No. 48115. London. 3 October 1938. p. 10. Retrieved 5 February 2024 – via The Times Digital Archive.
  17. ^ Slide, Anthony, Fifty classic British films, 1932–1982: a pictorial record, Dover Publications,1985, ISBN 0-486-24860-7
  18. ^ "Wyndham's Theatre". The Times. No. 43267. London. 16 February 1923. p. 8. Retrieved 5 February 2024 – via The Times Digital Archive.
  19. ^ Wearing p. 213
  20. ^ "A Bird of Passage". The Manchester Guardian. 7 May 1925. p. 12. Retrieved 5 February 2024 – via Newspapers.com.
  21. ^ "Viola Tree", The Orlando Project, 2008

Sources[edit]

  • Wearing, J. P. The London Stage 1920–1929: A Calendar of Productions, Performers, and Personnel. Rowman & Littlefield (2014).

External links[edit]