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{{family name hatnote|[[Yan (surname)|Yan]]|lang=Chinese}}
{{family name hatnote|[[Yan (surname)|Yan]]|lang=Chinese}}


'''Yan Zhitui''' ({{zh |t = 顏之推 |p = Yán Zhītuī |w='''Yen<sup>2</sup> Chih<sup>1</sup>-t'ui<sup>1</sup>'''}}, 531–591) courtesy name '''Jie''' ({{zh |c =介 }}) was a Chinese [[Chinese calligraphy|calligrapher]], [[Chinese painting|painter]], musician, writer and politician who served four different Chinese states during the late [[Southern and Northern Dynasties]]: the [[Liang Dynasty]] in [[Northern and southern China|southern China]], the [[Northern Qi]] and [[Northern Zhou]] Dynasties of [[North China|northern China]], and their successor state that reunified China, the [[Sui Dynasty]]. Yan Zhitui was a supporter of [[Chinese Buddhism|Buddhism in China]] despite criticism by many of his [[Confucian]]-taught peers. Yan was also the first person in history to mention the use of [[toilet paper]].<ref name="needham123">Needham, ''Science and Civilization'', 123.</ref>{{Failed verification|date=October 2018|reason=Source only mentions Yan as an early reference to this practice. The source mentions nothing about the rest of the world}}
'''Yan Zhitui''' ({{zh |t = 顏之推 |p = Yán Zhītuī |w='''Yen<sup>2</sup> Chih<sup>1</sup>-t'ui<sup>1</sup>'''}}, 531–591) courtesy name '''Jie''' ({{zh |c =介 }}) was a [[Chinese people|Chinese]] [[Chinese calligraphy|calligrapher]], [[Chinese painting|painter]], [[musician]], [[writer]], [[philosopher]] and [[politician]] who served four different Chinese states during the late [[Southern and Northern Dynasties]]: the [[Liang Dynasty]] in [[Northern and southern China|southern China]], the [[Northern Qi]] and [[Northern Zhou]] Dynasties of [[North China|northern China]], and their successor state that reunified China, the [[Sui Dynasty]]. Yan Zhitui was a supporter of [[Chinese Buddhism|Buddhism in China]] despite criticism by many of his [[Confucian]]-taught peers. Yan was also the first person in history to mention the use of [[toilet paper]].<ref name="needham123">Needham, ''Science and Civilization'', 123.</ref>{{Failed verification|date=October 2018|reason=Source only mentions Yan as an early reference to this practice. The source mentions nothing about the rest of the world}}


==Family background==
==Family background==
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In his old age Yan also found time to work on a [[dictionary]] and related literary projects. In his 26 chapter book ''Yanshi jiaxun'' (《顏氏家訓》 "The Family Instructions of Master Yan") Yan Zhitui left an entire written compendium of his own philosophy and life-advice to his sons, advising them on which paths to take and which paths to avoid in order to gain success in life. In addition, he also made observations about the differences between [[Northern and Southern China]] of his time, especially in regards to [[varieties of Chinese|language]], customs, and [[Chinese culture|culture]]. He wrote that he formed many [[bad habit]]s in life that took years to overcome because his elder brother had not been strict enough with him in the absence of their father.<ref name="ebrey 82" /> He stressed the need to acquire a good education, since well-educated ministers were chosen for posts, while others who had prestigious family lines for centuries wound up working on farms or tending to horses in the stable if they were not properly educated.<ref name="ebrey 82"/> Although he stressed the need for mastering calligraphy, painting, and playing the musical instrument of the lute ([[guqin]]), he warned against them from practicing too much and gaining too much skill. This was because those of higher rank, in a degrading and humiliating fashion, could easily call upon them to constantly entertain and produce fanciful calligraphy, poetry, or a musical song on the spot.<ref name="ebrey 82"/> Yan Zhitui was an [[antiquarian]] when it came to the prized calligraphy in his family's collection, with written pieces in his possession that were originally penned by the masters of early calligraphy, [[Wang Xizhi]] and his son [[Wang Xianzhi (calligrapher)|Wang Xianzhi]].
In his old age Yan also found time to work on a [[dictionary]] and related literary projects. In his 26 chapter book ''Yanshi jiaxun'' (《顏氏家訓》 "The Family Instructions of Master Yan") Yan Zhitui left an entire written compendium of his own philosophy and life-advice to his sons, advising them on which paths to take and which paths to avoid in order to gain success in life. In addition, he also made observations about the differences between [[Northern and Southern China]] of his time, especially in regards to [[varieties of Chinese|language]], customs, and [[Chinese culture|culture]]. He wrote that he formed many [[bad habit]]s in life that took years to overcome because his elder brother had not been strict enough with him in the absence of their father.<ref name="ebrey 82" /> He stressed the need to acquire a good education, since well-educated ministers were chosen for posts, while others who had prestigious family lines for centuries wound up working on farms or tending to horses in the stable if they were not properly educated.<ref name="ebrey 82"/> Although he stressed the need for mastering calligraphy, painting, and playing the musical instrument of the lute ([[guqin]]), he warned against them from practicing too much and gaining too much skill. This was because those of higher rank, in a degrading and humiliating fashion, could easily call upon them to constantly entertain and produce fanciful calligraphy, poetry, or a musical song on the spot.<ref name="ebrey 82"/> Yan Zhitui was an [[antiquarian]] when it came to the prized calligraphy in his family's collection, with written pieces in his possession that were originally penned by the masters of early calligraphy, [[Wang Xizhi]] and his son [[Wang Xianzhi (calligrapher)|Wang Xianzhi]].


In his writing, Yan Zhitui also supported [[Buddhism]]. Yan defended it against many of his fellow peers who were staunch critics of the religion, despite Yan's own strong emphasis on [[Confucius|Confucian]] learning and education. Yan also required of his sons that his funeral should be accompanied by Buddhist services, and persuaded his sons not to offer meat in traditional ancestral offerings.<ref name="ebrey 82"/> Although he called upon his sons to observe and respect the teachings of Buddhism, he did not want them to lead a remote and isolated [[monastery|monastic]] life, as he still had expectations that his sons should marry and have families of their own. He did, however, encourage them to:
In his writing, Yan Zhitui also supported [[Buddhism]]. Yan defended it against many of his fellow peers who were staunch [[Criticism_of_Buddhism#Confucian_criticism|critics of the religion]], despite Yan's own strong emphasis on [[Confucius|Confucian]] learning and education. Yan also required of his sons that his funeral should be accompanied by Buddhist services, and persuaded his sons not to offer meat in traditional ancestral offerings.<ref name="ebrey 82"/> Although he called upon his sons to observe and respect the teachings of Buddhism, he did not want them to lead a remote and isolated [[monastery|monastic]] life, as he still had expectations that his sons should marry and have families of their own. He did, however, encourage them to:


{{Quotation|...attend to the chanting and reading of the sacred books and thereby provide for passage to your future state of existence. [[Incarnation]] as a human is difficult to attain. Do not pass through yours in vain!<ref name="ebrey 82"/>}}
{{Quotation|...attend to the chanting and reading of the sacred books and thereby provide for passage to your future state of existence. [[Incarnation]] as a human is difficult to attain. Do not pass through yours in vain!<ref name="ebrey 82"/>}}
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[[Category:531 births]]
[[Category:531 births]]
[[Category:591 deaths]]
[[Category:591 deaths]]
[[Category:6th-century Chinese calligraphers]]
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[[Category:6th-century Chinese painters]]
[[Category:6th-century Chinese philosophers]]
[[Category:6th-century Chinese politicians]]
[[Category:6th-century Chinese writers]]
[[Category:Buddhist artists]]
[[Category:Buddhist philosophers]]
[[Category:Chinese non-fiction writers]]
[[Category:Liang dynasty Buddhists]]
[[Category:Liang dynasty musicians]]
[[Category:Liang dynasty musicians]]
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[[Category:Liang dynasty painters]]
[[Category:Liang dynasty writers]]
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[[Category:Musicians from Hubei]]
[[Category:Northern Qi Buddhists]]
[[Category:Northern Qi musicians]]
[[Category:Northern Qi musicians]]
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[[Category:Northern Qi painters]]
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[[Category:Northern Wei musicians]]
[[Category:Northern Wei painters]]
[[Category:Northern Wei painters]]
[[Category:Northern Wei writers]]
[[Category:Northern Zhou Buddhists]]
[[Category:Northern Zhou musicians]]
[[Category:Northern Zhou musicians]]
[[Category:Northern Zhou painters]]
[[Category:Northern Zhou painters]]
[[Category:Northern Zhou writers]]
[[Category:Painters from Hubei]]
[[Category:Painters from Hubei]]
[[Category:People from Jingzhou]]
[[Category:People from Jingzhou]]
[[Category:Philosophers of art]]
[[Category:Philosophers of education]]
[[Category:Philosophers of literature]]
[[Category:Political philosophers]]
[[Category:Social philosophers]]
[[Category:Sui dynasty musicians]]
[[Category:Sui dynasty musicians]]
[[Category:Sui dynasty painters]]
[[Category:Sui dynasty painters]]
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[[Category:Sui dynasty politicians]]
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[[Category:Writers from Hubei]]
[[Category:Writers from Hubei]]
[[Category:Northern Zhou Buddhists]]
[[Category:Northern Qi Buddhists]]
[[Category:Liang dynasty Buddhists]]
[[Category:Buddhist artists]]
[[Category:6th-century Chinese calligraphers]]
[[Category:6th-century Chinese philosophers]]

Revision as of 14:09, 8 June 2021

Yan Zhitui (Chinese: 顏之推; pinyin: Yán Zhītuī; Wade–Giles: Yen2 Chih1-t'ui1, 531–591) courtesy name Jie (Chinese: ) was a Chinese calligrapher, painter, musician, writer, philosopher and politician who served four different Chinese states during the late Southern and Northern Dynasties: the Liang Dynasty in southern China, the Northern Qi and Northern Zhou Dynasties of northern China, and their successor state that reunified China, the Sui Dynasty. Yan Zhitui was a supporter of Buddhism in China despite criticism by many of his Confucian-taught peers. Yan was also the first person in history to mention the use of toilet paper.[1][failed verification]

Family background

Yan Zhitui's ancestors were originally from Linyi in modern-day Shandong Province. His family belonged to the aristocratic Yan clan of Langya 琅邪顏氏. After the fall of the Jin Dynasty's capital city of Chang'an during the Uprising of the Five Barbarians, the Yan family migrated south below the Yangtze River in the year 317. At the Eastern Jin's new capital of Jiankang (modern-day Nanjing) the Yan family became prominent amongst the elite families. The Yan family provided many officials that served the governments of the Eastern Jin Dynasty and the succeeding Liang Dynasty in southern China. There was one dissident of the Yan family, though; upon the transition of the Southern Qi to Liang regimes in the year 502, Yan Zhitui's grandfather refused to serve the Liang court out of continuing loyalty to the Southern Qi. When Emperor Wu of Liang assumed the throne and control over southern China, Zhitui's grandfather starved himself to death in an act of piety towards the dynasty he once served.[2] Despite this act of devotion from his grandfather, Zhitui's father decided to serve Emperor Wu and the new Liang Dynasty.

Life

Yan Zhitui's father died when he was only nine years old. Without a father figure to guide or support him, Zhitui was raised largely by the efforts of his elder brother.[2] In his teenage years, Zhitui served as a lowly court attendant in the southern capital at Jiankang. Yet when he was eighteen years old the infamous military general Hou Jing came to power in southern China in a rebellion against the Liang Dynasty. Zhitui and a royal prince narrowly escaped execution once they were made prisoners of Hou Jing.[2]

In the year 552 Yan Zhitui fled to Jiangling in what is today modern Hubei, accompanying the Liang prince who he served prior to Hou Jing's revolt. This Liang prince established a rival court, yet it was destroyed when Western Wei invaded from the north and captured Jiangling in the year 554. At age twenty-four, Yan Zhitui now had become an enslaved prisoner of war, carted off with 100,000 others to the Western Wei capital of Chang'an.

In 556 his family managed to escape Chang'an, and prepared to move east in hopes of returning to the Liang Dynasty over southern China. However, the Chen Dynasty had since overthrown the Liang Dynasty in the south with the ascension of Emperor Wu of Chen. Much like his grandfather who had refused to serve Liang once it usurped control from the Southern Qi state, Yan Zhitui decided not to serve the new Chen regime. Instead, Yan Zhitui was accepted in several court positions serving the Northern Qi Dynasty in northeastern China. Yet fate would have it that Yan would be forced to move again, this time after the Northern Zhou defeated the Northern Qi in the year 577, supplanting it as the ruling dynasty over northern China. At age forty-six, Yan Zhitui moved back to Chang'an where he had once spent time in captivity. For the next several years he was not appointed to any governmental posts, and suffered for a brief time in a state of poverty. When the Sui Dynasty headed by Emperor Wen of Sui usurped control in the north from the Northern Zhou Dynasty, Yan Zhitui was once again given recognition and appointed to several scholarly and ministerial posts.

Written works

In his old age Yan also found time to work on a dictionary and related literary projects. In his 26 chapter book Yanshi jiaxun (《顏氏家訓》 "The Family Instructions of Master Yan") Yan Zhitui left an entire written compendium of his own philosophy and life-advice to his sons, advising them on which paths to take and which paths to avoid in order to gain success in life. In addition, he also made observations about the differences between Northern and Southern China of his time, especially in regards to language, customs, and culture. He wrote that he formed many bad habits in life that took years to overcome because his elder brother had not been strict enough with him in the absence of their father.[2] He stressed the need to acquire a good education, since well-educated ministers were chosen for posts, while others who had prestigious family lines for centuries wound up working on farms or tending to horses in the stable if they were not properly educated.[2] Although he stressed the need for mastering calligraphy, painting, and playing the musical instrument of the lute (guqin), he warned against them from practicing too much and gaining too much skill. This was because those of higher rank, in a degrading and humiliating fashion, could easily call upon them to constantly entertain and produce fanciful calligraphy, poetry, or a musical song on the spot.[2] Yan Zhitui was an antiquarian when it came to the prized calligraphy in his family's collection, with written pieces in his possession that were originally penned by the masters of early calligraphy, Wang Xizhi and his son Wang Xianzhi.

In his writing, Yan Zhitui also supported Buddhism. Yan defended it against many of his fellow peers who were staunch critics of the religion, despite Yan's own strong emphasis on Confucian learning and education. Yan also required of his sons that his funeral should be accompanied by Buddhist services, and persuaded his sons not to offer meat in traditional ancestral offerings.[2] Although he called upon his sons to observe and respect the teachings of Buddhism, he did not want them to lead a remote and isolated monastic life, as he still had expectations that his sons should marry and have families of their own. He did, however, encourage them to:

...attend to the chanting and reading of the sacred books and thereby provide for passage to your future state of existence. Incarnation as a human is difficult to attain. Do not pass through yours in vain![2]

Although paper had been known as a wrapping and padding material in China since the 2nd century BC,[3] the first reference to the use of toilet paper in human history was made by Yan Zhitui.[1] In 589 AD Yan Zhitui wrote:

"Paper on which there are quotations or commentaries from Five Classics or the names of sages, I dare not use for toilet purposes".[1]

References

Citations

  1. ^ a b c Needham, Science and Civilization, 123.
  2. ^ a b c d e f g h Ebrey, 82.
  3. ^ Needham, 122.

Sources

  • Ebrey, Patricia Buckley; Anne Walthall; James B. Palais (2006). East Asia: A Cultural, Social, and Political History. Boston, MA: Houghton-Mifflin. ISBN 0-618-13384-4.
  • Needham, Joseph (1986). Science and Civilization in China: Volume 5, Chemistry and Chemical Technology, Part 1, Paper and Printing. Cambridge, England: Cambridge University Press. ISBN 0-521-08690-6.

External links