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{{Short description|French painter and engraver}}
[[Image:5177 bassenge masson.jpg|thumb|right|300px|[[Antoine Masson]], ''Portrait of Denis Marin'', [[1672]]]]
{{for|the Belgian Olympic boxer|Antoine Masson (boxer)}}
{{commonscat}}
[[File:Ant. Masson, graveur ordinaire du Roi de l’Académie Royalle - INHA 2002 (adjusted).jpg|thumb|Antoine Masson, engraved by Masson after a painting by [[Pierre Mignard]].<ref>{{cite web|url=https://books.google.com/books?id=Q75CAAAAYAAJ&pg=PA103|title=Le peintre-graveur français: ou Catalogue raisonné des estampes gravées par les peintres et les dessinateurs de l'école française. Ouvrage faisant suite au Peintre-graveur de M. Bartsch|first1=A. P. F.|last1=Robert-Dumesnil|first2=Georges|last2=Duplessis|date=1 January 2019|publisher=G. Warée|via=Google Books}}</ref>]]


'''Antoine Masson''' (1636 – 30 May 1700, in [[Paris]])<ref name=Herluison>Herluison 1863.</ref> was a [[French people|French]] painter, but above all a line [[Engraving|engraver]], born at [[Loury, Loiret|Loury]], near [[Orléans]].<ref name=NIE>Gilman et al. 1905.</ref>
'''Antoine Masson''' (1636 - 1700) was a [[French people|French]] line [[Engraving|engraver]], born at [[Louvry]], near [[Orléans]]. He learned engraving as an armorer's apprentice and had no other teaching. He engraved 68 plates, mostly portraits, of which the most celebrated are those of Count d'Harcourt, known as the "Cadet à la Perle," Gaspard Charrier, and Olivier d'Ormesson. "The Pilgrims of Emmaus," after [[Titian]], known as "The Tablecloth" because of the extreme care with which Masson has rendered the texture of [[linen]], is his most famous subject. His work shows extraordinary facility and great talent for [[color theory|color]], but it is often marred by [[mannerism]]s.

He learned engraving as an armorer's apprentice and had no other teaching.<ref name=NIE/> He was received (''reçu'') by the [[Académie Royale de Peinture et de Sculpture]] in 1679 and exhibited at the [[Paris Salon]] of 1699.<ref name=Meyer>Meyer.</ref>

He engraved 68 plates,<ref>Robert-Dumesnil 1836, [https://books.google.com/books?id=Q75CAAAAYAAJ&pg=PA139 p. 139].</ref> mostly portraits, of which the most celebrated are those of [[Henri de Lorraine, count of Harcourt]], known as the "Cadet à la Perle,"<ref name=NIE/> Gaspard Charrier,<ref name=NIE/> and Olivier d'Ormesson.<ref name=Bryan>Bryan 1816.</ref>
His most famous subject is "The Pilgrims of Emmaus," after [[Titian]], known as "The Tablecloth", because of the extreme care with which Masson has rendered the texture of [[linen]].<ref name=NIE/>

Among his few surviving drawings are [[pastels]] of [[Charles II, King of England]] ([[Musée Magnin]]) and [[Pierre Dupuis]] ([[Louvre]]). His work shows extraordinary facility and great talent for [[color theory|color]], but it is often marred by [[mannerism]]s, such as in his engraved portrait of [[Guy Patin]], in which the nose was formed from one spiral cut.<ref name=Meyer/>

His daughter, Madeleine Masson (1666–1713), married the engraver [[Nicolas Habert]].<ref name=Herluison/><ref>{{cite book|url=https://catalogue.bnf.fr/ark:/12148/cb14962293c.public|title=Habert|publisher=|via=BnF Catalogue général (http://catalogue.bnf.fr)}}</ref><ref>{{cite web|url=http://www.getty.edu/vow/ULANFullDisplay?find=&role=&nation=&subjectid=500073869|title=ULAN Full Record Display (Getty Research)|website=www.getty.edu}}</ref> Antoine Masson died in Paris.<ref name=Herluison/>

[[Image:5177 bassenge masson.jpg|thumb|upright|''Portrait of Denis Marin'', 1672]]
[[File:Jean-Jacques de Mesmes (d.1688) by Antoine Masson.jpg|thumb|upright|''Portrait of [[Jean-Jacques de Mesmes]]'', 1683]]

==Notes==
{{Reflist}}

==Bibliography==
* Bryan, Michael (1816). [https://archive.org/details/gri_33125008674281/page/n40 "Masson, Anthony"] in ''A Biographical and Critical Dictionary of Painters and Engravers'', 2 volumes. London: Carpenter; J. Booker; Whittingham and Arliss. Volumes [https://archive.org/details/gri_33125008674281 1] and [https://archive.org/details/gri_33125008674281 2] at [[Google Books]].
* Gilman et al., editors (1905). [https://archive.org/stream/newinternational13gilm#page/169/mode/1up "Masson, Antoine"] in ''[[New International Encyclopedia]]'', [https://archive.org/stream/newinternational13gilm#page/n6/mode/1up volume 13] at the [[Internet Archive]].
* Herluison, Henri (1863). [https://archive.org/stream/bub_gb_BXgOAAAAYAAJ#page/n38/mode/1up Masson (Antoine)], pp. 38–39 in ''Artistes orléanais''. Orléans: H. Herluison.
* Meyer, Véronique. [http://www.oxfordartonline.com/subscriber/article/grove/art/T055028 "Masson, Antoine"]. [[Oxford Art Online|''Grove Art Online''. ''Oxford Art Online'']]. Oxford University Press, accessed 11 January 2015, subscription required.
* Robert-Dumesnil, A. P. F. (1836). [https://books.google.com/books?id=Q75CAAAAYAAJ&pg=PA98 "Antoine Masson"], vol. 2, pp. 98–139, in ''Le Peintre-graveur français''. Paris: Warée; Huzard. [https://books.google.com/books?id=Q75CAAAAYAAJ&pg=PP11 Copy] at [[Google Books]].


==External links==
==External links==
{{Commonscatinline}}
*[http://www.artnet.com/artist/636428/antoine-masson.html Artnet entry]
*[http://www.artnet.com/artist/636428/antoine-masson.html Artnet entry]


{{NIE}}
{{ACArt}}


{{DEFAULTSORT:Masson, Antoine}}
{{DEFAULTSORT:Masson, Antoine}}
[[Category:French engravers]]
[[Category:1636 births]]
[[Category:1636 births]]
[[Category:1700 deaths]]
[[Category:1700 deaths]]
[[Category:17th-century French engravers]]

{{France-artist-stub}}

Latest revision as of 05:22, 3 June 2023

Antoine Masson, engraved by Masson after a painting by Pierre Mignard.[1]

Antoine Masson (1636 – 30 May 1700, in Paris)[2] was a French painter, but above all a line engraver, born at Loury, near Orléans.[3]

He learned engraving as an armorer's apprentice and had no other teaching.[3] He was received (reçu) by the Académie Royale de Peinture et de Sculpture in 1679 and exhibited at the Paris Salon of 1699.[4]

He engraved 68 plates,[5] mostly portraits, of which the most celebrated are those of Henri de Lorraine, count of Harcourt, known as the "Cadet à la Perle,"[3] Gaspard Charrier,[3] and Olivier d'Ormesson.[6] His most famous subject is "The Pilgrims of Emmaus," after Titian, known as "The Tablecloth", because of the extreme care with which Masson has rendered the texture of linen.[3]

Among his few surviving drawings are pastels of Charles II, King of England (Musée Magnin) and Pierre Dupuis (Louvre). His work shows extraordinary facility and great talent for color, but it is often marred by mannerisms, such as in his engraved portrait of Guy Patin, in which the nose was formed from one spiral cut.[4]

His daughter, Madeleine Masson (1666–1713), married the engraver Nicolas Habert.[2][7][8] Antoine Masson died in Paris.[2]

Portrait of Denis Marin, 1672
Portrait of Jean-Jacques de Mesmes, 1683

Notes[edit]

  1. ^ Robert-Dumesnil, A. P. F.; Duplessis, Georges (1 January 2019). "Le peintre-graveur français: ou Catalogue raisonné des estampes gravées par les peintres et les dessinateurs de l'école française. Ouvrage faisant suite au Peintre-graveur de M. Bartsch". G. Warée – via Google Books.
  2. ^ a b c Herluison 1863.
  3. ^ a b c d e Gilman et al. 1905.
  4. ^ a b Meyer.
  5. ^ Robert-Dumesnil 1836, p. 139.
  6. ^ Bryan 1816.
  7. ^ Habert – via BnF Catalogue général (http://catalogue.bnf.fr).
  8. ^ "ULAN Full Record Display (Getty Research)". www.getty.edu.

Bibliography[edit]

External links[edit]

Media related to Antoine Masson at Wikimedia Commons